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DTSTART;TZID=America/New_York:20191002T180000
DTEND;TZID=America/New_York:20191002T200000
DTSTAMP:20260613T182802
CREATED:20190828T183623Z
LAST-MODIFIED:20190830T204132Z
UID:10001877-1570039200-1570046400@qwf.org
SUMMARY:Expanding Our Poetic Range through Memory\, Place\, and the Senses
DESCRIPTION:Photo credit: Cristina Plamadeala\nThis workshop is for poets of any level of experience who are seeking to expand the range of their subject matter. Limited to 12 participants. \nHow\, as writers\, can we break the surface of the everyday and go deep? Over the eight sessions of the workshop\, we will take some time to dwell in the places our writers’ sensibility can travel to when we tune in to our senses and journey into memory and place. The aim of this workshop will be to generate a rich pool of new material\, from which our best work can emerge. \nWorkshops will consist of in-class writing exercises\, weekly writing assignments\, and time for participating poets to receive constructive feedback from their peers and the workshop leader. As a group\, we will also perform close readings of works by a range of published writers that constellate around a series of themes selected to help us mine our own memories and sensory experiences of the world around us. Proposed themes include \n\na child’s-eye view: writing through the lens of childhood;\nlost and found: orienting through poetry;\n(re)mapping our world: a sense of place;\nentering the myth: poetic exchanges with mythology; and\nmapping the landscape of the body.\n\nParticipants will be encouraged\, for the duration of the workshop\, to “apprentice” themselves to the work of a published poet of their choice\, whose voice will be a steady and nourishing guide as they work on their own material. They will also have the opportunity (though it is by no means obligatory) to read their own work aloud\, both as a practice tool for giving future poetry readings and to “lend an ear” to the editing process. The workshop will be a safe and friendly space\, with an emphasis on diving into the messiness of creation and getting excited about new ideas.
URL:https://qwf.org/event/expanding-our-poetic-range-through-memory-place-and-the-senses/2019-10-02/
LOCATION:Atwater Library and Computer Centre\, 1200 Atwater Avenue\, Westmount\, Quebec\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops,Workshops
ATTACH;FMTTYPE=image/jpeg:https://qwf.org/wp-content/uploads/2019/08/Kelly_Norah_Drukker_66px_320px_credit_Cristina_Plamadeala.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191002T190000
DTEND;TZID=America/New_York:20191002T210000
DTSTAMP:20260613T182802
CREATED:20190904T211623Z
LAST-MODIFIED:20190904T211623Z
UID:10001954-1570042800-1570050000@qwf.org
SUMMARY:Jay Stephens Launches Dejects
DESCRIPTION:Join Jay for the launch of DEJECTS\, featuring work from 1991–present day\, collected here for the first time since their original appearances in print\, and some for the very first time anywhere! \nJAY STEPHENS is a Canadian cartoonist currently living in Guelph\, Ontario. He is best known as the creator of Discovery Kids’s animated television series Tutenstein \, Cartoon Network’s The Secret Saturdays\, and the JetCat animated shorts for Nickelodeon’s anthology series\, KaBlam!’. Aside from his work in animation\, Jay is known for several comic book projects\, including SIN\, The Land of Nod\, Atomic City Tales\, and Jetcat Clubhouse. \nDEJECTS\nBest known for his animated television series Jetcat\, Tutenstein\, and The Secret Saturdays\, Jay Stephens has spent the last quarter-century telling stories-with-pictures in his own comic books (SIN\, The Land of Nod\, Atomic City Tales\, Jetcat Clubhouse)\, alternative weekly strips (Oddville!)\, monthly kids magazines (Chick & Dee\, Arrowhead)\, daily newspaper comics (Oh\, Brother!)\, and picture books (Monsters!\, Heroes!\, Robots!\, Freaky Fun Activities). \nOver the years\, many of those comics have been collected in several volumes: The Land of Nod Treasury\, The Land of Nod Rockabye Book\, Go Power!\, Oddville\, Jetcat Clubhouse… but what of those characters and pages and strips that didn’t fit in any collection? What became of the Dejects? \nLovingly coloured for this collection\, Dejects is the resource for those odds and ends\, and bits and bobs\, from 1991–2019. That’s 136 pages\, spanning 28 years worth of Jay’s unique and diverse comics\, available here for the first time since their original appearances in print\, and some for the very first time anywhere!
URL:https://qwf.org/event/jay-stephens-launches-dejects/
LOCATION:La Petite Librairie Drawn & Quarterly\, 176 Bernard West\, Montréal\, Québec\, H2T2K2\, Canada
CATEGORIES:Book Launch,Community Events
ATTACH;FMTTYPE=image/png:https://qwf.org/wp-content/uploads/2019/09/Dejects-Cover-Michel-Vrana.png
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191002T190000
DTEND;TZID=America/New_York:20191002T220000
DTSTAMP:20260613T182802
CREATED:20190806T163543Z
LAST-MODIFIED:20190806T163543Z
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SUMMARY:P O E T R Y N I T E
DESCRIPTION:Our first show back was … WOW! Seriously\, this community – our talent – our love – our capacity to show up fully for ourselves and each other?!?! There is nothing like us\, together. Come be part of it. \n► DOORS @ 7 – READINGS @ 8 \n► READERS: we reserve up to eight spots before the show and after that it goes to open mic which is mostly first-come\, first-served with priority to BIPOC folks. All artists/musicians welcome!! \n► Show is $5 (tinyurl.com/y9w8j4pm) \n► We want to foster a supportive\, positive environment for everyone. That means no racism / sexism / ableism / homophobia / transphobia and a request that poets please give trigger warnings before your poems. If you have a concern please speak to the poet directly or to one of the hosts! \n——- \n► PORTES @ 7 – LECTURES @ 8 \n► LECTEURS: Nous acceptons jusqu’à huit inscriptions à l’avance\, celles-ci vous garantissent un moment sur la scène. S’ensuit ensuite un micro ouvert sous la formule premier.ère arrivé.e\, premier.ère servi.e avec une priorité pour les gens du BIPOC. Tous les artistes / musiciens sont les bienvenus !! \n► Le spectacle coûte 5 $ (tinyurl.com/y9w8j4pm) \n► Dans l’optique d’assurer un climat accueillant pour toustes\, nous ne tolérerons auncun comportement et propos raciste\, sexiste\, homophobe\, transphobe\, ou s’inscrivant dans toute autre logique d’oppression systémique. Nous demandons aussi aux lecteur.trices de donner des avertissements de contenus (trigger warnings) avant leurs poèmes. Si un problème se fait sentir de ce côté\, prière d’en faire part à l’artiste ou aux organisateur.trices.
URL:https://qwf.org/event/p-o-e-t-r-y-n-i-t-e/2019-10-02/
LOCATION:Chez Morrigan\, 1221 Crescent St\, Montreal\, Quebec\, H3G 2B1\, Canada
CATEGORIES:Community Events,Open Mic,Performance,Series
ATTACH;FMTTYPE=image/jpeg:https://qwf.org/wp-content/uploads/2019/07/PoetryNite.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191002T193000
DTEND;TZID=America/New_York:20191002T223000
DTSTAMP:20260613T182802
CREATED:20190903T211736Z
LAST-MODIFIED:20190903T212138Z
UID:10001936-1570044600-1570055400@qwf.org
SUMMARY:Accent Open Mic
DESCRIPTION:  \nAccent Open Mic \nLa Marche à Côté\, 5043 St. Denis\n7:30pm\, 1st and 3rd Wednesday of the month.\naccentseriesmontreal.wordpress.com\n\nAccent Open Mic is a bilingual reading series that takes place at La Marche à Côté\, (5043 St. Denis) on the 1st and 3rd Wednesday of the month. Hosted by Devon Gallant and Luc-Antoine Chiasson\, each night we feature 1 anglophone reader and 1 francophone reader along with an open mic. Sign up for the open mic starts at 7:30\, show starts at 8pm. For more information visit: accentseriesmontreal.wordpress.com or on Facebook: @accentopenmic.
URL:https://qwf.org/event/21092/2019-10-02/
LOCATION:La Marche à côté\, 5043 St-Denis\, Montreal\, Quebec\, H2J 2L8\, Canada
CATEGORIES:Bilingual/Multilingual,Community Events,Open Mic,Performance,Series
ATTACH;FMTTYPE=image/jpeg:https://qwf.org/wp-content/uploads/2019/09/56742637_440132330087720_6868623184229302272_o.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191002T200000
DTEND;TZID=America/New_York:20191002T220000
DTSTAMP:20260613T182802
CREATED:20190828T185044Z
LAST-MODIFIED:20190913T155012Z
UID:10001909-1570046400-1570053600@qwf.org
SUMMARY:Everything Happens at Once: Your Page One
DESCRIPTION:Photo credit: Marina Vulicevic\nThis workshop is intended for people interested in short- and long-form fiction who have begun puzzling out the beginnings of their stories. Limited to 12 participants. \nIn this fiction-writing workshop\, we will get our stories to hit the ground running by working on our Page One. Short story or long-form fiction\, all the elements of narration are thrown into play right away on the first page (okay\, maybe a little on the second). The themes and problems of the piece are all present\, stated or suggested\, sometimes hidden. We will learn to do that: get out of the starting blocks fast\, leaving our anxieties behind. \nThe “everything at once” approach means putting all the narrative elements into play simultaneously. Setting speaks for character\, dialogue speaks for plot\, the description of place speaks for the theme. All intertwined\, not consecutive. Everything at once\, like when you meet someone in real life\, even if it takes time to understand what you first thought you knew. \nWe’ll look at the beginning page of works of fiction to see how others have handled their beginnings. That revolver on the dining room table – does it really have to go off\, and who or what will be the target? When Dante admits in Sentence One\, “Halfway through the journey of my life\, I found myself lost in a forest dark\,” what sort of darkness is this\, and why is he telling us about it? The issue of who is talking to us\, and why\, will be essential to our Page Ones. \nThe object is to become more self-aware from the beginning\, without turning into hyper-planners intent on deleting all spontaneity. The Page One approach is one of the antidotes to the anxieties of the beginning writer\, since it stresses action: moving quickly\, getting the elements in play\, foreseeing eventual themes\, helping answer the question\, “Why does this story exist\, and where is it going?” \nOften the beginnings of stories wonder about their own existence. Tom O’Brien’s The Things They Carried meditates on the difficulty of telling a true war story. How can you tell if a war story is true? What is a war story anyway? Whom can we trust? This Page-One questioning launches the book.
URL:https://qwf.org/event/everything-happens-at-once-your-page-one/2019-10-02/
LOCATION:Atwater Library and Computer Centre\, 1200 Atwater Avenue\, Westmount\, Quebec\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops,Workshops
ATTACH;FMTTYPE=image/jpeg:https://qwf.org/wp-content/uploads/2019/08/David_Homel_credit_Marina_Vulicevic_66px_320px.jpg
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