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DTSTART;TZID=America/New_York:20200311T200000
DTEND;TZID=America/New_York:20200330T200000
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SUMMARY:Teesri Duniya Theatre’s Counter Offence
DESCRIPTION:COUNTER OFFENCE\nWritten by Rahul Varma Directed by Arianna Bardesono\nWednesday\, March 11– Sunday\, March 29\, 2020 \nIn counterpoint\, domestic violence and racism blur\, distorting the issues while officials satisfy their own agendas. Continuing their mandate to encourage dialogue\, the company will hold post-show talkbacks on March 16\, 22\, 24 and 29. An evolving\, interactive installation of visual art will be in the lobby complementing the production. Mature content—ages 13+. \nCounter Offence is a collision of virtues. Shazia\, an Indo-Québecoise woman with traditional Muslim parents\, is in an abusive relationship with her husband Shapoor\, an Iranian facing immigration issues. What happens when the fight against racism comes into conflict with the struggle to end violence against women? Working backwards through flashbacks\, the intersection of the two is explored. The consequences of gender versus race force us to question our own prejudices and motivations. \nReflecting the streets of Montreal\, the talented\, culturally diverse cast is Maureen Adelson\, Amena Ahmad\, Michael Briganti\, Davide Chiazzese\, Alida Esmail\, Minoo Gundevia\, Amir Sám Nakhjavani and Arun Varma. \nFrom playwright Rahul Varma: “Whenever I spoke to peers about the play’s themes\, their usual comment was: ‘This happens a lot in your community\, doesn’t it?’ From what I knew\, yes it did. But I was surprised they didn’t ask the same question of themselves. According to available statistics and cultural evidence\, domestic violence occurs in the white community just as it does in the South Asian community\, and perhaps more often. I was perturbed by the dichotomy that Canadians perceive spousal abuse as a crime if the perpetrator is a white male\, but a cultural value if he is a person of colour. Throughout the writing process I was confronted with issues of race\, multiculturalism and gender. I struggled with how far a multicultural society and its laws tolerate cultural differences that could have coercive effects on women; a complicated issue which posed new questions.” \n———————————————————————————————————————————————————————————————————— \nTeesri Duniya Theatre’s Counter Offence\nMarch 11-29 \nat Segal Centre for Performing Arts\, 5170 Côte-Ste-Catherine Rd. \nThe show runs: Mon.-Sun. 8pm—NO SHOW ON FRIDAYS—plus Sundays & Tues. Mar. 24 at 2pm \nTickets: $25-$29; Monday night promotion—50%* off the second ticket (*by phone/door only) \n514 739-7944 or online at Segal Centre \nPay-It-Forward: Purchase a Counter Offence ‘suspended ticket’ which goes directly to a member of a community organization\, giving the gift of theatre to someone who cannot otherwise afford it. \nwww.teesriduniyatheatre.com \nwww.facebook.com/events/218818525670152/
URL:https://qwf.org/event/teesri-duniya-theatres-counter-offence/
LOCATION:Quebec
CATEGORIES:Community Events,Performance
ATTACH;FMTTYPE=image/jpeg:https://qwf.org/wp-content/uploads/2020/03/e-flyer-Counter-Offence-final-Feb-20xs.jpg
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DTSTART;TZID=America/New_York:20200330T180000
DTEND;TZID=America/New_York:20200330T200000
DTSTAMP:20260501T080316
CREATED:20191206T172316Z
LAST-MODIFIED:20200217T223607Z
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SUMMARY:QWF Workshop - Love and Intimacy in Fiction: Setting the Scene
DESCRIPTION:“One stroke of lightning does not have to lead anywhere\, but to the next stroke of lightning.”\n– Alice Munro  \nAll levels are welcome. Limited to 12 participants. \n  \nAre your characters stuck at first base? Maybe you’ve been trying for months to create tasteful romantic tension\, but your revisions seem to be getting tawdrier instead. Love and sex in fiction are challenging to write: We’re striving to find the perfect chemistry between voice\, language\, pacing\, plot\, and setting\, and the measurement of each is never the same from one situation to the next. Just as it takes time in real life for intimacy to grow between people\, it takes more than a few lines in a short story or pages in a novel to develop genuine narrative intimacy. \nThis workshop will provide participants with creative and technical tools to write anything from smoldering eye contact between strangers on a subway to harrowing mid-novel breakup sex between critical characters. We’ll look at a variety of print and digital media\, and everyone will be encouraged to act as a reader as well as a writer—that is\, to share ideas and offer constructive feedback. Participants will leave the workshop with an expanded\, specialized lexicon and the confidence to know when to be nuanced in their writing and when to be explicit. \nThis workshop is not a genre “how-to” for romance or erotica\, but a fun\, holistic survey of tools and techniques writers can use to craft believable and compelling intimacy in any fictional context. \n 
URL:https://qwf.org/event/qwf-workshop-love-and-intimacy-in-fiction-setting-the-scene/2020-03-30/
LOCATION:Atwater Library and Computer Centre\, 1200 Atwater Avenue\, Westmount\, Quebec\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops,Workshops
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DTSTART;TZID=America/New_York:20200330T200000
DTEND;TZID=America/New_York:20200330T220000
DTSTAMP:20260501T080316
CREATED:20191206T183817Z
LAST-MODIFIED:20191206T193422Z
UID:10002085-1585598400-1585605600@qwf.org
SUMMARY:QWF Workshop - From Idea to Script to Screen
DESCRIPTION:Photo by Sabrina Reeves\n12 participants. \n  \nThis workshop will help you adapt your ideas into scripts for TV\, Film\, Video\, Web series\, etc.\, and also show you how to craft pitches and other creative documents designed to attract producers and broadcasters to your material. In addition\, you will receive advice as to which avenues to venture down in terms of seeking potential funding and/or professional representation and/or producing partners for your projects. \n  \nTopics covered will include: \n  \nSetting realistic writing goals; how to break down and analyze a script; the importance of feedback; analysis of produced work; story\, structure\, conflict\, character\, dialogue; the importance of rewriting and how to go about it; pitching; riders\, indemnity waivers\, non-disclosure agreements; contracts\, agents\, lawyers; development funding; and budgeting (time & money). \n  \nRecommended reading: film scripts of all genres and lengths
URL:https://qwf.org/event/qwf-workshop-from-idea-to-script-to-screen/2020-03-30/
LOCATION:Atwater Library and Computer Centre\, 1200 Atwater Avenue\, Westmount\, Quebec\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops,Workshops
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