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SUMMARY:Creating Compelling Non-Fiction
DESCRIPTION:Open to all \nLimited to 12 participants \n  \nCreative non-fiction has been breaking out of its niche to become an increasingly central component of the literary scene. For those wishing to enter this vibrant and thriving field\, having one’s work read and constructively critiqued by an established writer and a group of one’s peers is an invaluable experience. Creating Compelling Non-Fiction is precisely such an opportunity.  \n  \nOur workshopping will be done from the ground up. Analysis will be rigorous\, readings will be close\, group feedback will be thorough\, supportive\, and respectful. As workshop leader I will provide advice and critique that is both pertinent to the type of non-fiction being addressed and applicable to the genre as a whole. I’ll strive to provide practical and creative tips drawn from my extensive experience with short- and long-form journalism and book-length non-fiction.    \n  \nAlong the way\, numerous questions will be confronted and addressed: \n  \n\nWhat are the qualities and writing options unique to this form? \nWhat are the lines between non-fiction\, creative non-fiction\, and fiction? \nAre some subjects and narrative strategies better suited to a non-fiction treatment than others? \nWhat distinguishes memoir from autobiography? \nWhat is the writer’s responsibility to factual rigour in non-fiction? \nHow much research is too much research? \nWhat are some of the ways to invest non-fiction writing with the narrative pull of good fiction? \nPrecisely what story does the writer wish to tell? \nWhat are the choices—sentence by sentence\, paragraph by paragraph\, page by page—that will best serve that story\, and lead to effective and engaging non-fiction? \nFinally\, how do writers know when their piece is done?\n\n  \nThroughout the workshop I will stress the mutual\, collective nature of our undertaking. Offering one’s work to the eyes of others is an essential step in the journey of all writers\, and attaining a degree of comfort with that process is its own reward.  \n  \nTo complement and underpin our workshopping\, a short list of works by some of the contemporary masters of the form will be read and discussed. I will emphasize the general importance of reading as deeply as possible\, especially in the area in which one wishes to write; where useful\, I will provide personally tailored suggestions-for-further-reading lists for participants. A guest appearance by a prominent Montreal-based writer and journalist will be incorporated.  \nIan McGillis has been writing about books and visual arts for the Montreal Gazette for more than twenty years. His critically acclaimed novel A Tourist’s Guide to Glengarry was shortlisted for the QWF’s Hugh MacLennan Prize For Fiction and McAuslan First Book Prize\, and was a finalist for the Stephen Leacock Medal for Humour.
URL:https://qwf.org/event/creating-compelling-non-fiction/2021-12-06/
LOCATION:Online via Zoom
CATEGORIES:QWF Workshops,Workshops
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