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SUMMARY:Emerging Writers Residency 2022 | Banff Centre for Arts and Creativity
DESCRIPTION:This workshop-based program focuses on providing structured support for new Young Adult (YA) & Children’s Literature writers wanting to improve their writing skills. Two faculty\, Katherena Vermette and Tanya Boteju will work closely with 7 participants each\, offering new writers the opportunity to work on a portion of a manuscript in a workshop setting with editorial faculty. \nThe program will help writers build their critical vocabulary\, making them better critics of their own and others’ work. Participants will also learn more about the craft of writing\, and about the conventions and possibilities for innovation in YA and Children’s Literature. \nWhat does the program offer?\nThis 13-day residency provides thematic teaching from faculty members\, Q&A sessions\, public events\, and one-on-one workshopping. Instructors will discuss ideas\, experiences\, and obstacles that participants may be encountering with their new manuscripts and emerging practices. \nIn addition to a single room\, and a small private studio\, you will be surrounded by a community of artistic peers with the opportunity to attend inspiring talks\, performances\, and meet with guest faculty to consult on your work.  \nWho should apply?\n\nAny new writer of YA or Children’s Literature interested in structured feedback from faculty and fellow participants will benefit from this program.  The program is open to writers with no publications\, a few publications\, or even a first book.  \nWriters from all backgrounds\, and all gender identities and expressions are encouraged to apply. \n\nApplication Deadline: July 06\, 2022 \n*Financial Aid of up to 100% of tuition fee and 50% of meal and accommodation fee is available for this program.
URL:https://qwf.org/event/emerging-writers-residency-2022-banff-centre-for-arts-and-creativity/
LOCATION:Banff Centre for Arts and Creativity\, 107 Tunnel Mountain Drive\, Banff\, Alberta\, T1L 1H5\, Canada
CATEGORIES:Workshops
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DTSTART;TZID=America/New_York:20221010T080000
DTEND;TZID=America/New_York:20221028T170000
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LAST-MODIFIED:20221018T222530Z
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SUMMARY:Write Over Here: Screenwriting Residency - Fall 2022 | Banff Centre
DESCRIPTION:Write Over Here is a three-week hybrid screenwriting residency\, that offers participants the opportunity to focus on tools to create the time and space to write from home and at Banff Centre through online and in person programming. \nIntermixed with faculty to support their practice as required\, participants will meet with the cohort online for the first week\, and on campus for the following two weeks. These will include daily gatherings\, where we share readings\, workshops\, deeper discussions around process\, and Q&A sessions.  \n*Financial Aid of up to 100% of tuition fee\, meal and accommodation fee is available for this program.
URL:https://qwf.org/event/write-over-here-screenwriting-residency-fall-2022-banff-centre/
LOCATION:Banff Centre for Arts and Creativity\, 107 Tunnel Mountain Drive\, Banff\, Alberta\, T1L 1H5\, Canada
CATEGORIES:Workshops
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DTSTART;TZID=America/New_York:20221012T180000
DTEND;TZID=America/New_York:20221012T200000
DTSTAMP:20260421T073856
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SUMMARY:Your Story\, Embodied
DESCRIPTION:Open to storytellers of all levels of experience. \n\n\n\nLimited to 12 participants. \n\n\n\nWe plan to hold this workshop in person at the QWF office\, with up to two virtual slots available for people who are unable to come to our office. If public health conditions necessitate it\, this workshop may transition to a purely online model. \n\n\n\nHave you ever sat captivated by a stranger standing on a stage recounting true events from their life? Did you get caught up in the tension of the room\, waiting with everyone else to find out what would happen next? Ever wonder what it would be like to hold an audience’s breath in the palm of your hand? \n\n\n\nYou can. You already have everything you need: your body. \n\n\n\nJoin Lukas and Emma\, two seasoned and engaging storytellers\, for eight weeks of exploration into using your body to craft and perform your own true-life stories. \n\n\n\nThe objectives of this workshop are to: \n\n\n\nEquip participants to prepare and perform a five-minute true story with no notes and no props.Facilitate and support exploration of emotionally charged material in search of unique stories.Harness the inherent strength of your body – the vessel for sharing your stories.Examine the tenets of storytelling\, including finding your narrative\, conflict\, and other essential elements of storycraft.\n\n\n\nThese intimate sessions will involve a mixture of group discussion\, critical analysis of stories\, and workshopping participants’ own stories with the goal of embodying an original five-minute story for invited guests at the final session. Stories will be workshopped in groups as well as one-on-one with facilitators and fellow workshop participants. \n\n\n\nEach week will focus on a particular theme with a corresponding body part\, with story examples to support each theme and illustrate the foundations of storytelling. By week 3\, participants should have a story in mind that we will work on for the final presentation. \n\n\n\nLukas Rowland is a writer\, storyteller\, and bodywork practitioner. He has told many stories with Confabulation\, where he is producer and communications coordinator. He was selected for the QWF Mentorship Program in 2020\, where he studied under Carousel author April Ford as a fiction mentee. He curated and produced an evening of queer stories for the Violet Hour. Though he has lived in and around Montreal these past 14 years\, he comes from Southern Louisiana\, where storytelling is part of every Cajun’s life. You can find him on Twitter @lukaslikeswords and on Instagram at @luka2ndfloor and at lukasrowland.com. \n\n\n\nEmma Lanza is a born-and-bred Montrealer with a background in storytelling\, theatre performance\, and arts management. She earned her Master’s degree in Library Science and currently works in medical research administration. A self-proclaimed fat bisexual babe\, Emma is a staunch believer in fat liberation and radical self-love and she wants you to know you look fabulous in that outfit! She has performed at Confabulation\, YARN\, The Wiggle Room\, Concordia University\, and Grownups Read Things They Wrote As Kids. She founded the bi-monthly Fattie Book Club @fattiebookclub and can be found on Instagram @emma_lanza and on Twitter @emmalanza.
URL:https://qwf.org/event/your-story-embodied/2022-10-12/
LOCATION:QWF Office\, 1200 Atwater Avenue\, Room 3\, Westmount\, QC\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops,Workshops
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DTSTART;TZID=America/New_York:20221012T200000
DTEND;TZID=America/New_York:20221012T220000
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SUMMARY:Playwriting 101: A Playwriting Intensive
DESCRIPTION:Open to all. \n\n\n\nLimited to 12 participants. \n\n\n\nThis workshop will be conducted via Zoom. \n\n\n\nPlaywriting is an artform about curiosity\, obsession\, energy\, entertainment\, transformation\, and illumination. It’s about inspiration\, dedication\, and practice. It’s about following your impulses and shaping those impulses; about creating a series of freedoms and constraints that focus inspiration into a text that can be used as a blueprint for performance. Unlike most other forms of writing\, a play text must leave space for other creators to bring their artistry to the work. Director\, actors\, designers and technicians eventually fill in those spaces left by the writer to transform what is on the page into a three-dimensional performance that necessitates an audience for it to be fully realized. Having written plays that have been staged throughout Canada and beyond (Stratford Festival\, Shaw Festival\, Soulpepper Theatre\, Segal Centre\, Centaur Theatre)\, Erin Shields has developed a number of exercises\, strategies and best practices to imagine\, explore\, and write plays. \n\n\n\nPlaywriting 101 is an invitation for writers of other genres to try their hand at playwriting and for playwrights to deepen their practice. Throughout this eight-week workshop\, participants will bring their own particular understanding of story\, character\, and theme to the table\, to explore how to apply those same skills to the art of playwriting. Each class will focus on one of the following dramatic elements: character\, conflict\, desire\, premise\, form\, plot\, and structure. Through conversations\, focused exercises\, and sharing work\, participants will gain an understanding of how to organically and technically write a play. The process will alternate focus each class between the micro elements (character\, dialogue) and macro elements (theme\, story structure)\, as writers gradually learn how to build the world of the play with nuanced characters. \n\n\n\nDuring these eight weeks\, participants will write. A lot. By the end of the workshop\, writers \n\n\n\nwill have a strong understanding of the basic elements of a play and how to use those elements to write their own play. \n\n\n\nErin Shields (www.erinshields.ca) is a Canadian playwright. Most of her work highlights the negation or misrepresentation of women in classical texts by adapting these stories through a feminist lens for a contemporary audience. Erin’s adaptation of Paradise Lost premiered at The Stratford Festival of Canada and won the Quebec Writers Federation Prize for Playwriting. Erin won the 2011 Governor General’s Award for her play If We Were Birds\, which premiered at Tarragon Theatre. Other theatre credits include: Jane Eyre (Citadel Theatre)\, Piaf/Dietrich (Mirvish Productions/Segal Centre)\,The Lady from the Sea (The Shaw Festival). Upcoming productions include Queen Goneril for Soulpepper Theatre and Ransacking Troy for The Stratford Festival.  \n\n\n\nFacebook: Erin Shields \n\n\n\nInstagram: shieldserin1 \n\n\n\nWebsite: www.erinshields.ca
URL:https://qwf.org/event/playwriting-101-a-playwriting-intensive/2022-10-12/
LOCATION:Online via Zoom
CATEGORIES:QWF Workshops,Workshops
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