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SUMMARY:Mille-Feuille: Writing Layered Nonfiction
DESCRIPTION:Eight Tuesdays\, Oct 3-Nov 21\, 7-9pmOpen to allLimited to 12 participantsOnline via Zoom \n\n\n\nThe Book of Delights\, by Ross Gay. Ongoingness\, by Sarah Manguso. Persephone’s Children\, by Rowan McCandless. Citizen\, by Claudia Rankine. Safekeeping\, by Abigail Thomas. What these and many other contemporary memoirs and book-length essays share is that they build in fragments. Each fragment may be less than a page long\, and the one that follows may or may not appear to be related. Yet somehow\, layer upon layer\, the fragments cohere into a rich and satisfying whole. In this online generative workshop\, we’ll take a cue from books like these. We’ll practice writing as a process of accretion\, starting small and layering\, adding texture and depth to our memoirs or personal and lyric essays.  \n\n\n\nEach class will begin with a warm-up invitation\, followed by conversation about a short reading related to the technique or form of the day. A second writing invitation will give you the chance to practice what we’ve discussed. You’ll also get opportunities to share your work. \n\n\n\nYou’ll come away with one or more short essays (in draft) and/or the beginning of a longer piece. \n\n\n\nThis workshop is suitable for participants at all levels. Poets wanting to move to prose and fiction writers may also enjoy it\, because the exercises will be adaptable to these genres. Come prepared to write\, to read\, to experiment\, to share. \n\n\n\n\nWeek 1: The Fragment and the Flash.\n\n\n\nWeek 2:  Collage. Contrast\, juxtaposition\, the unexpected. \n\n\n\nWeek 3:  The Braid. Parallel narratives.\n\n\n\nWeek 4:  The Hermit Crab. The borrowed form.\n\n\n\nWeek 5: The Hermit Crab. More borrowings.\n\n\n\nWeek 6: Diptych or Triptych.\n\n\n\nWeek 7: Visual Essay.\n\n\n\nWeek 8: Accretion as Method and Aesthetic.\n\n\n\n\nNote: Participants might wish to read one or more of the books mentioned above before the course begins\, but there’s no requirement to do so. I’ll provide reading material before or during each class\, and a list of suggested resources at the end. \n\n\n\nSusan Olding is the author of Big Reader: Essays\, a finalist for the Canadian Authors Association Fred Kerner Award and the Alberta Publishing Awards Trade Nonfiction Book of the Year\, and Pathologies: A Life in Essays\, selected by 49th Shelf and Amazon.ca as one of 100 Canadian books to read in a lifetime. She mentors writers through the Vancouver Manuscript Intensive and holds the 2023 Southam Residency in Personal Journalism at the University of Victoria. You can find her at www.susanolding.com.
URL:https://qwf.org/event/mille-feuille-writing-layered-nonfiction/2023-11-21/
LOCATION:Online via Zoom
CATEGORIES:QWF Workshops,Workshops
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DTEND;TZID=America/New_York:20231121T220000
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CREATED:20230809T185739Z
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SUMMARY:Fundamentals of Short Fiction
DESCRIPTION:Eight Tuesdays\, Oct 3-Nov 21\, 8-10pmOpen to allLimited to 12 participantsHybrid Workshop \n\n\n\nThis is an eight-session long\, interactive\, hybrid workshop\, exploring basic concepts related to short fiction. The workshop will be a space to receive constructive feedback on works in progress. Experimentation is encouraged. \n\n\n\nEach two-hour session will focus on a different element of style: \n\n\n\n\ncharacter development\n\n\n\ndialogue\n\n\n\ndescriptive writing\n\n\n\nsetting\n\n\n\npoint of view\n\n\n\nvoice\n\n\n\ntheme\, and\n\n\n\nstructure.\n\n\n\n\nParticipants will receive prompts a week before each session (including before the first meeting) and will be asked to submit a short piece of writing (500-1000 words) to the group prior to each session. Participants are welcome to bring material generated in response to the weekly prompts or any other work that they would like feedback on (as long as it stays within the word count). \n\n\n\nEveryone will have an opportunity to read aloud from their submitted work and receive in-depth feedback from the workshop leader and their peers. Participants will also receive written feedback on their submitted work from the workshop leader after each session. \n\n\n\nEach week’s prompts will focus on a particular element of short fiction\, and we will begin the session with a conversation about the role that element plays in creating a cohesive and immersive world. Then we will move into hearing and discussing submitted work. \n\n\n\nEva Crocker is a freelance editor and author based in Montreal. Her debut novel All I Ask was long-listed for the 2020 Giller Prize and won the 2020 BMO Winterset Award. Her short story collection Barreling Forward was shortlisted for Dayne Ogilvie Prize for Emerging LGBTQS2 Writers\, the NLCU Fresh Fish and the Award for Emerging Writers. It won the Alistair MacLeod Award for Short Fiction and the CAA Emerging Author’s Award\, and was a National Post Best Book. Her forthcoming novel Back in the Land of the Living will be published by House of Anansi Press in August 2023. She is a PhD student in Concordia University’s Interdisciplinary Humanities program where she is researching visual art from Ktaqmkuk (Newfoundland).
URL:https://qwf.org/event/fundamentals-of-short-fiction/2023-11-21/
LOCATION:QWF Office\, 1200 Atwater Avenue\, Room 3\, Westmount\, QC\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops,Workshops
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