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DTSTART;TZID=America/New_York:20231130T070000
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DTSTAMP:20260413T004652
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SUMMARY:SpeakUp: The Montreal Inter-Active Poetry Exchange
DESCRIPTION:The Montreal Inter-Active Poetry Exchange \nPoets : Sarah Wolfson\, Mary Dean Lee  \n​Join us at Phoenix Books in NDG (5928 Sherbrooke St W\, Montreal\, Quebec H4A 1X7)\non Thursday\, November 30 @ 7 PM\n​for a poetry reading with a difference\, AUDIENCE ENGAGEMENT \nEach audience member receives a copy of the poems.\nEach poet reads their poem\, followed by a 15 to 20-minute discussion.\nThe poet reads their poem a final time. \n​For more info or details contact us by\nemail MTLSpeakUp@gmail.com or on Facebook @MtlSpeakUp
URL:https://qwf.org/event/speakup-the-montreal-inter-active-poetry-exchange/
LOCATION:Phoenix Books\, 5928 Sherbrooke Street West\, 5928 Sherbrooke St W\, Montreal\, QC\, H4A 1X7\, Canada
CATEGORIES:Series
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DTSTART;TZID=America/New_York:20231130T183000
DTEND;TZID=America/New_York:20231130T203000
DTSTAMP:20260413T004652
CREATED:20230906T144811Z
LAST-MODIFIED:20230906T145151Z
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SUMMARY:Mille-Feuille: Writing Layered Nonfiction
DESCRIPTION:Eight Thursdays\, Oct 5-Dec 7 (no meeting Oct 26 and Nov 23)\, 6:30-8:30pmOpen to allLimited to 12 participantsOnline via Zoom \n\n\n\nThe Book of Delights\, by Ross Gay. Ongoingness\, by Sarah Manguso. Persephone’s Children\, by Rowan McCandless. Citizen\, by Claudia Rankine. Safekeeping\, by Abigail Thomas. What these and many other contemporary memoirs and book-length essays share is that they build in fragments. Each fragment may be less than a page long\, and the one that follows may or may not appear to be related. Yet somehow\, layer upon layer\, the fragments cohere into a rich and satisfying whole. In this online generative workshop\, we’ll take a cue from books like these. We’ll practice writing as a process of accretion\, starting small and layering\, adding texture and depth to our memoirs or personal and lyric essays.  \n\n\n\nEach class will begin with a warm-up invitation\, followed by conversation about a short reading related to the technique or form of the day. A second writing invitation will give you the chance to practice what we’ve discussed. You’ll also get opportunities to share your work. \n\n\n\nYou’ll come away with one or more short essays (in draft) and/or the beginning of a longer piece. \n\n\n\nThis workshop is suitable for participants at all levels. Poets wanting to move to prose and fiction writers may also enjoy it\, because the exercises will be adaptable to these genres. Come prepared to write\, to read\, to experiment\, to share. \n\n\n\n\nWeek 1: The Fragment and the Flash.\n\n\n\nWeek 2:  Collage. Contrast\, juxtaposition\, the unexpected. \n\n\n\nWeek 3:  The Braid. Parallel narratives.\n\n\n\nWeek 4:  The Hermit Crab. The borrowed form.\n\n\n\nWeek 5: The Hermit Crab. More borrowings.\n\n\n\nWeek 6: Diptych or Triptych.\n\n\n\nWeek 7: Visual Essay.\n\n\n\nWeek 8: Accretion as Method and Aesthetic.\n\n\n\n\nNote: Participants might wish to read one or more of the books mentioned above before the course begins\, but there’s no requirement to do so. I’ll provide reading material before or during each class\, and a list of suggested resources at the end. \n\n\n\nSusan Olding is the author of Big Reader: Essays\, a finalist for the Canadian Authors Association Fred Kerner Award and the Alberta Publishing Awards Trade Nonfiction Book of the Year\, and Pathologies: A Life in Essays\, selected by 49th Shelf and Amazon.ca as one of 100 Canadian books to read in a lifetime. She mentors writers through the Vancouver Manuscript Intensive and holds the 2023 Southam Residency in Personal Journalism at the University of Victoria. You can find her at www.susanolding.com.
URL:https://qwf.org/event/mille-feuille-writing-layered-nonfiction-2/2023-11-30/
LOCATION:Online via Zoom
CATEGORIES:QWF Workshops,Workshops
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DTSTART;TZID=America/New_York:20231130T190000
DTEND;TZID=America/New_York:20231130T203000
DTSTAMP:20260413T004652
CREATED:20231017T185744Z
LAST-MODIFIED:20231127T173237Z
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SUMMARY:Violet Hour: Suzette Mayr\, Daniel Allen Cox\, Katia Grubisic
DESCRIPTION:Violet Hour is back this fall with a new format and venue! Three writers\, three readings\, three interviews. Join us at the Casa D’Italia (505 Rue Jean-Talon E.) for an evening celebrating queer literature with writers Suzette Mayr\, Daniel Allen Cox\, and Katia Grubisic. This event is co-presented with The Équipe de recherche en études queer au Québec (ÉRÉQQ)\, VersUs Centre de recherche – Université de Sherbrooke\, and Fierté Montréal. Suzette Mayr will be joining us to discuss The Sleeping Car Porter\, her 2022 novel about the life of Baxter\, a queer black man working as sleeping car porter on a Canadian train crisscrossing the country in 1929. The book won the Scotiabank Giller Prize. Daniel Allen Cox will be speaking about his recent book\, I Felt the End Before It Came: Memoirs of a Queer Ex-Jehovah’s Witness\, a collection of riveting essays about growing up in\, and leaving\, the religion. And Katia Grubisic will be joining us to discuss her translation of the legendary Marie-Claire Blais’s work\, including\, most recently\, Nights Too Short To Dance\, which is being published posthumously this fall\, as Blais passed away in November 2021.
URL:https://qwf.org/event/violet-hour-suzette-mayr-daniel-allen-cox-katia-grubisic/
LOCATION:Casa d’Italia\, 505 Rue Jean-Talon Est\, Montreal\, Quebec\, H2R 1T6\, Canada
CATEGORIES:Series
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DTSTART;TZID=America/New_York:20231130T200000
DTEND;TZID=America/New_York:20231130T220000
DTSTAMP:20260413T004652
CREATED:20230809T195911Z
LAST-MODIFIED:20230814T160912Z
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SUMMARY:Temporarily Stairs: Developing and Refining Long-Form Fiction
DESCRIPTION:Ten Thursdays\, Oct 5-Dec 7\, 8-10pmOpen via application to those with a novel-in-progress \n\n\n\nLimited to 10 participants \n\n\n\nHybrid Workshop \n\n\n\nAs Mitch Hedberg pointed out\, escalators are never broken—if they stop running\, they still work just fine as stairs. In the same way\, a story of any length is never broken\, even if it sometimes feels that way. If you’ve been working on a novel or novella and are feeling stuck\, overwhelmed\, or just plain lost\, this workshop is here to help you look at your manuscript anew and get things moving again. \n\n\n\nThis workshop is intended for writers who are looking for resources and encouragement while working on a novel or novella already in progress. Ideally\, you’ll have a significant portion (a minimum of about 30–50 pages) of your novel or novella already completed\, as well as a solid grasp of the story you’re working on. \n\n\n\nWriting long-form fiction on your own or with few readers can be exhilarating\, but can also leave you with incomplete drafts\, discarded chapters\, and the feeling that things have stalled. If you have pages of text\, a cast of fantabulous characters\, an amazing idea\, and a story no one else can tell\, but you sometimes want to call it a day and throw the whole thing out the window—don’t! I’ve been there\, and I’m here to help. \n\n\n\nGaining insight from unbiased readers—myself and the other members of the group—in a supportive\, creative atmosphere will help you identify issues\, clarify your intent\, and find real ways to improve your manuscript. To this end\, our focus will be on crafting outlines and workshopping sections of each participant’s novel or novella. You will be invited to submit pages from your work in progress to receive feedback and notes from your fellow writers (including me!). You’ll also be encouraged to include one or two questions about your work with each submission\, and you will have the opportunity to engage in informal question-and-answer sessions in each workshop. \n\n\n\nWorkshopping will be combined with lectures\, discussions\, and writing exercises to help you gain new insight to constructing and completing your novel or novella. We’ll explore ways to reinforce the structure of your existing manuscript\, gain deeper understanding of characters\, fix plot holes\, tie up storylines\, and approach publishers and editors. We’ll also work on sharpening another skill invaluable to any writer: the ability to pinpoint what might not be working and cut or rework if need be. Because writing a novel or novella takes as long as it takes\, this workshop is designed to help you stay motivated and focused through the difficult parts of writing a long piece\, and aims to give you the tools to get things moving and finish your manuscript in your own time. \n\n\n\nTo apply for a spot in this workshop\, please submit the following to Riley at QWF (riley@qwf.org) by Wednesday\, September 13 : \n\n\n\n\nA short summary of your novel or novella (about one or two lines).\n\n\n\nA maximum of 10 pages from your novel or novella\, double-spaced (if these are not the opening pages\, please include a brief note to let me know where we are in the story).\n\n\n\nOne or two questions about your novel\, the process of completing a long work\, and/or what to do with it when you feel it’s finished.\n\n\n\n\nSextant (Conundrum Press)\, Maya Merrick’s first novel\, was released to critical acclaim in 2005\, followed by The Hole Show (Conundrum Press) in 2007. She works with the Quebec Writers’ Federation as a mentor and workshop/master class facilitator\, was an instructor at Concordia University’s Centre for Continuing Education\, and served as the editorial and administrative assistant at Conundrum Press. She is an active writing coach\, mentor\, editor\, copyeditor\, and manuscript consultant. Maya is currently completing The Ride\, a collection of microfiction. 
URL:https://qwf.org/event/temporarily-stairs-developing-and-refining-long-form-fiction/2023-11-30/
LOCATION:QWF Office\, 1200 Atwater Avenue\, Room 3\, Westmount\, QC\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops,Workshops
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