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DTSTART;TZID=America/New_York:20241119T180000
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DTSTAMP:20260421T235219
CREATED:20240729T181403Z
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SUMMARY:The Poet’s Toolbox
DESCRIPTION:Do you want to write poetry but have trouble getting started? Are you interested in stepping outside of your comfort zone to generate new pieces? This workshop will help you to develop your voice as a poet by kindling your creativity with the support of a variety of writing tools\, prompts\, poetic forms\, and other techniques. \n\n\n\nIn each session\, participants will be presented with some combination of readings\, writing constraints\, or guided prompts. These will include assignments to write new pieces using different poetic forms including ekphrastic poetry (verse inspired by visual art)\, erasure/blackout poetry\, OULIPO games\, centos\, prose poems\, and haiku. Participants will be encouraged to share their writing results and will have a chance to discuss each other’s poems.  \n\n\n\nBy the end of this 8-week generative poetry writing workshop\, participants will have a chance to produce a portfolio of approximately 8 new pieces of creative work. \n\n\n\nGreg Santos is a poet\, editor\, and educator. His most recent book is Ghost Face (2020) and he has published several other poetry collections. His writing has appeared in CBC First Person\, The Walrus\, Geist\, AGNI\, The Best American Poetry Blog\, and World Literature Today. He has worked with the QWF’s Writers in the Community Program\, Vallum Society for Education in Arts & Letters\, Poetry in Voice\, and the Thomas More Institute to spread the joy of verse and creative writing to diverse communities. He is the Editor in Chief of the QWF’s online literary journal carte blanche. He is an adoptee of Cambodian\, Portuguese\, and Spanish heritage. Greg lives in Tiohtià:ke/Montréal with his wife and two children.
URL:https://qwf.org/event/the-poets-toolbox/2024-11-19/
LOCATION:QWF Office\, 1200 Atwater Avenue\, Room 3\, Westmount\, QC\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops,Workshops
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DTSTART;TZID=America/New_York:20241119T190000
DTEND;TZID=America/New_York:20241119T190000
DTSTAMP:20260421T235219
CREATED:20241010T192314Z
LAST-MODIFIED:20241010T192348Z
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SUMMARY:Linguaphile: Book Talk with Julie Sedivy and Gretchen McCulloch
DESCRIPTION:Tuesday\, November 19\, 2024\, 7:00 pm ET\n\n\n\nJoin author Julie Sedivy\, in conversation with Gretchen McCulloch\, as they discuss her new book\, Linguaphile! This event will be hosted in person at the Atwater Library’s Adair Auditorium. Attendance is free\, but space is limited\, so please RSVP on TicketSource. \n\n\n\nAbout the Book\n\n\n\nA celebration of the beauty and mystery of language and how it shapes our lives\, our loves\, and our world. \n\n\n\nIf there is one feature that defines the human condition\, it is language: written\, spoken\, signed\, understood\, and misunderstood\, in all its infinite glory. In this ingenious\, lyrical exploration\, Julie Sedivy draws on years of experience in the lab and a lifetime of linguistic love to bring the discoveries of linguistics home\, to the place language itself lives: within the yearnings of the human heart and amid the complex social bonds that it makes possible. \n\n\n\nLinguaphile: A Life of Language Love follows the path that language takes through a human life—from an infant’s first attempts at sense-making to the vulnerabilities and losses that accompany aging. As Sedivy shows\, however\, language and life are inextricable\, and here she offers them together: a childish misunderstanding of her mother’s meaning reveals the difficulty of relating to other minds; frustration with “professional” communication styles exposes the labyrinth of standards that define success; the first signs of hearing loss lead to a meditation on society’s discomfort with physical and mental limitations. \n\n\n\nPart memoir\, part scientific exploration\, and part cultural commentary\, this book epitomizes the thrills of a life steeped in the aesthetic delights of language and the joys of its scientific scrutiny. \n\n\n\nAbout the Authors\n\n\n\nJulie Sedivy has taught linguistics and psychology at Brown University and the University of Calgary. She is the author of Memory Speaks: On Losing and Reclaiming Language and Selfand Language in Mind: An Introduction to Psycholinguistics\, as well as the coauthor of Sold on Language: How Advertisers Talk to Youand What This Says About You. She lives in Calgary\, Canada. \n\n\n\nGretchen McCulloch is an internet linguist and author of the New York Times bestselling Because Internet: Understanding the New Rules of Language. She’s been the Resident Linguist at Wired and The Toast and is the co-creator of Lingthusiasm\, a podcast that’s enthusiastic about linguistics. She lives in Montreal\, but also on the internet. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRSVP Now
URL:https://qwf.org/event/linguaphile-book-talk-with-julie-sedivy-and-gretchen-mcculloch/
LOCATION:Atwater Library and Computer Centre\, 1200 Atwater Avenue\, Westmount\, Quebec\, H3Z 1X4\, Canada
CATEGORIES:Book Launch
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DTSTART;TZID=America/New_York:20241119T200000
DTEND;TZID=America/New_York:20241119T220000
DTSTAMP:20260421T235219
CREATED:20240729T185742Z
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SUMMARY:Memoir: Turning Yourself into a Character
DESCRIPTION:The memoir used to be a large and weighty book\, often written by a man of power\, once he had stepped out of the limelight (or been cast out of it). Presidents and prime ministers wrote memoirs; the common people did not. \n\n\n\nFlash-forward to the present. People have discovered that they had and still have lives worth writing about. The classic memoir was about the exercise of power in times of crisis. The current memoir is often about a period of time during which the writer learned something about themselves. Which should make all of us potential memoirists. \n\n\n\nThe form contains a number of moral traps and rough spots. How much fiction can you put in a memoir? What happens when you forget something\, or misremember? How much can you reveal about yourself and others before you cross a line you might regret? \n\n\n\nWe’ll look at several examples of memoir\, from Harry Crews to Kyo Maclear and others. With Crews\, his story begins before his birth; is that still memoir? Mark Abley’s travel story is clearly designed to tell as little as possible about its author. In sociologist mode\, Daniel Allen Cox brings in a slew of outside sources to bolster his self-inquiry. Where do we want to situate ourselves? \n\n\n\nThat\, of course\, will depend on our inquiries. A memoir can be about someone else – how you did or did not live with that person. Memoirs can spring from a mystery – but not always. All of them involve the writer wanting to achieve greater self-understanding\, which means we have to turn ourselves into a character to do it. \n\n\n\nThe workshop will be a mixture of reading one another’s projects and proposals\, and considering excerpts from other books. Participants are free to submit material a week or two before the first workshop. This material will be part of class discussions. Please submit to David.Homel@concordia.ca. For the first submission\, please do not go beyond 5 or 10 standard pages. See you there! \n\n\n\nDavid Homel wrote 13 works of fiction – historical novels\, murder mysteries and domestic fiction – before his first memoir in 2020\, and he has gone on to work in that form since. The experience as a memoirist continues to bear upon his novel-writing\, enriching and expanding it. The moral aspects of the art of memory and disclosure continue to attract him\, along with the paradox of turning himself into a character in order to get at the truths of his past lives. He has also worked as a journalist and a documentary filmmaker\, both assets for memoir writing\,
URL:https://qwf.org/event/memoir-turning-yourself-into-a-character/2024-11-19/
LOCATION:QWF Office\, 1200 Atwater Avenue\, Room 3\, Westmount\, QC\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops,Workshops
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