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DTSTART;TZID=America/New_York:20261017T100000
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DTSTAMP:20260922T204317Z
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UID:10005598-1792231200-1797181200@qwf.org
SUMMARY:Centaur Theatre Family Classes
DESCRIPTION:This fall\, Centaur Theatre invites children and their parents/caregivers to make theatre\, explore backstage\, and unleash their imaginations together. \nLed by professional theatre artists and educators Alison Darcy and Jesse Stong\, Centaur+ Family Classes are playful\, hands-on workshops where families can discover storytelling\, movement\, improvisation\, character creation and the joy of making something together. \nNo theatre experience necessary. Just bring your imagination!
URL:https://qwf.org/event/centaur-theatre-family-classes/
LOCATION:Centaur Theatre\, 453 St. Francois-Xavier\, Montreal\, Quebec\, HZY 2T1\, Canada
CATEGORIES:Performance
ATTACH;FMTTYPE=image/png:https://qwf.org/wp-content/uploads/2026/09/Centaur-Family-Classes-Oct-17-Dec-13th-Ages-6-12.png
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DTSTART;TZID=America/New_York:20261019T173000
DTEND;TZID=America/New_York:20261207T193000
DTSTAMP:20260916T190621Z
CREATED:20260724T171158Z
LAST-MODIFIED:20260916T190621Z
UID:10005585-1792431000-1796671800@qwf.org
SUMMARY:Writing Outside the Box: An Edgy Fiction Workshop (Mondays)
DESCRIPTION:Eight Wednesdays\, Oct 7–Nov 25\, 5:45–7:45 p.m.\nOpen to all\nLimited to 12 participants\nOnline workshop* \nDue to the content in some of the exercises\, this workshop is restricted to participants aged 18+. \nLooking to shake up your process? Interested in breaking the rules a little? Designed to inspire unique approaches to creative writing\, this workshop will help squash your inner editor and provoke your inner rebel\, giving you the confidence you need to write more openly and honestly. \nOver the course of eight weeks\, you’ll explore the work of unconventional writers like Italo Calvino\, Zsuzsi Gartner\, Kelly Link\, John Elizabeth Stintzi\, Tamas Dobozy\, and George Saunders. You’ll learn tips and techniques for producing work quickly and fearlessly while dabbling in ekphrasis\, magic realism\, and second-person perspective. You’ll also hone your ability to give and receive constructive feedback in a creative working environment. \nThis is a fun\, provocative\, and productive workshop that’s generated award-winning fiction and long-term friendships. It’s suitable for writers of any experience level\, working in any medium or genre—from the shy beginner to the established professional. And while filled with lesson-based exercises and guided assignments\, this workshop is happily (and willfully) anti-academic. Participants are not taught writing theory but are encouraged to develop their skills through the acts of reading and writing alone. \nThere is no submission required prior to the first session. Participants will be expected to share fiction with the group as the workshop progresses. \nThis is the perfect way to kickstart a project\, rejuvenate your existing process\, or to simply step outside of your comfort zone by experimenting with new approaches to creativity. \nCome play with the weird kids of the writing world. \n(One of us. One of us.) \n*This workshop will take place online via Zoom. A Zoom link will be sent to all registered participants a week or so prior to the first session.  \n  \nTracey Waddleton is a Newfoundland writer living in Montréal. A finalist for the NLCU Fresh Fish Award for Emerging Writers and recipient of the 2015 Lawrence Jackson Writers’ Award\, Waddleton’s work has been described as weird minimalist dark realism. Her first book\, Send More Tourists… the Last Ones Were Delicious\, was published in July of 2019 and won the 2020 ReLit Award for Short Fiction. Tracey was the inaugural recipient of the Quebec Writers’ Federation Max Margles Writing Residency in 2020 and was awarded a Hawthornden Fellowship in May of 2023. She is finishing her first novel. \nwww.traceywaddleton.com \n 
URL:https://qwf.org/event/writing-outside-the-box-an-edgy-fiction-workshop-mondays/2026-10-19/
LOCATION:Online via Zoom
CATEGORIES:QWF Workshops
ATTACH;FMTTYPE=image/jpeg:https://qwf.org/wp-content/uploads/2026/07/Waddleton-Edgy-Fiction.jpg
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DTSTART;TZID=America/New_York:20261019T200000
DTEND;TZID=America/New_York:20261019T220000
DTSTAMP:20260731T122321Z
CREATED:20260724T170224Z
LAST-MODIFIED:20260731T122321Z
UID:10005254-1792440000-1792447200@qwf.org
SUMMARY:The Art of the Braided Essay
DESCRIPTION:Eight Mondays\, Oct 5–Nov 30\, 8:00–10:00 p.m. (no meeting Oct 12)\nOpen to all\nLimited to 12 participants \n  \nCreative nonfiction thrives on surprising connections and shocking twists. The essay in particular is a form that often seeks to find truth by bringing together disparate narratives. Creating depth and tension through unexpected juxtaposition of themes\, images and even styles\, it allows us to examine a subject anew from multiple angles–personal\, historical\, cultural\, whatever catches your imagination! \n  \nBut how do you find those different threads\, and once you’ve got them\, how do you structure your thoughts? How do you go from a mass of disparate observations to a cohesive\, powerful and surprising work of creative nonfiction? \n  \nThat’s where braiding comes in. As essayist Nicole Walker writes\, “radical braiding is a foundation of creative nonfiction.” It exists in almost every mode\, from personal essay to literary journalism. It even pops up in fiction. Braiding narratives can bring breadth to a personal story\, intimacy to a scientific subject\, and drama to the mundane. As with the hairstyle\, a braid can be neat or messy\, simple or endlessly complex\, with a pattern that breaks apart only to come together in the end as a fascinating\, unexpected whole. \n  \nWhether you’re starting a new project or looking to bring fresh complexity to a work in progress\, this eight-week workshop will offer a deep dive into the craft of braiding. Through readings\, writing activities and peer and instructor feedback\, participants will learn from writers who use the form with great skill and apply that knowledge to their own work. Participants should be prepared to complete the session with a draft of a braided essay. \n  \nBefore our first meeting\, please read “The Braided Essay as Social Justice Action” by Nicole Walker and come prepared to write! \n  \nErika Thorkelson is the author of two forthcoming books of creative nonfiction: How to Look at a Volcano\, an essay collection that explores the intimate effects of large-scale instability and disaster\, both human made and natural (Book*Hug Press 2027)\, and Clumsy\, a memoir about growing up poor and nerdy on the prairies at the end of the 20th Century (NeWest Press 2028). Her work has appeared in local and national publications including Geist\, Prairie Fire and The Walrus. Her essay “A Girl Needs a Mech Suit” will appear in the Best Canadian Essays 2027. \n  \nhttps://linktr.ee/ethorkel
URL:https://qwf.org/event/the-art-of-the-braided-essay/2026-10-19/
LOCATION:Online via Zoom
CATEGORIES:QWF Workshops
ATTACH;FMTTYPE=image/png:https://qwf.org/wp-content/uploads/2026/07/2026-Fall-Workshops.png
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