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DTSTART;TZID=America/New_York:20261017T100000
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SUMMARY:Centaur Theatre Family Classes
DESCRIPTION:This fall\, Centaur Theatre invites children and their parents/caregivers to make theatre\, explore backstage\, and unleash their imaginations together. \nLed by professional theatre artists and educators Alison Darcy and Jesse Stong\, Centaur+ Family Classes are playful\, hands-on workshops where families can discover storytelling\, movement\, improvisation\, character creation and the joy of making something together. \nNo theatre experience necessary. Just bring your imagination!
URL:https://qwf.org/event/centaur-theatre-family-classes/
LOCATION:Centaur Theatre\, 453 St. Francois-Xavier\, Montreal\, Quebec\, HZY 2T1\, Canada
CATEGORIES:Performance
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DTSTART;TZID=America/New_York:20261019T173000
DTEND;TZID=America/New_York:20261207T193000
DTSTAMP:20260916T190621Z
CREATED:20260724T171158Z
LAST-MODIFIED:20260916T190621Z
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SUMMARY:Writing Outside the Box: An Edgy Fiction Workshop (Mondays)
DESCRIPTION:Eight Wednesdays\, Oct 7–Nov 25\, 5:45–7:45 p.m.\nOpen to all\nLimited to 12 participants\nOnline workshop* \nDue to the content in some of the exercises\, this workshop is restricted to participants aged 18+. \nLooking to shake up your process? Interested in breaking the rules a little? Designed to inspire unique approaches to creative writing\, this workshop will help squash your inner editor and provoke your inner rebel\, giving you the confidence you need to write more openly and honestly. \nOver the course of eight weeks\, you’ll explore the work of unconventional writers like Italo Calvino\, Zsuzsi Gartner\, Kelly Link\, John Elizabeth Stintzi\, Tamas Dobozy\, and George Saunders. You’ll learn tips and techniques for producing work quickly and fearlessly while dabbling in ekphrasis\, magic realism\, and second-person perspective. You’ll also hone your ability to give and receive constructive feedback in a creative working environment. \nThis is a fun\, provocative\, and productive workshop that’s generated award-winning fiction and long-term friendships. It’s suitable for writers of any experience level\, working in any medium or genre—from the shy beginner to the established professional. And while filled with lesson-based exercises and guided assignments\, this workshop is happily (and willfully) anti-academic. Participants are not taught writing theory but are encouraged to develop their skills through the acts of reading and writing alone. \nThere is no submission required prior to the first session. Participants will be expected to share fiction with the group as the workshop progresses. \nThis is the perfect way to kickstart a project\, rejuvenate your existing process\, or to simply step outside of your comfort zone by experimenting with new approaches to creativity. \nCome play with the weird kids of the writing world. \n(One of us. One of us.) \n*This workshop will take place online via Zoom. A Zoom link will be sent to all registered participants a week or so prior to the first session.  \n  \nTracey Waddleton is a Newfoundland writer living in Montréal. A finalist for the NLCU Fresh Fish Award for Emerging Writers and recipient of the 2015 Lawrence Jackson Writers’ Award\, Waddleton’s work has been described as weird minimalist dark realism. Her first book\, Send More Tourists… the Last Ones Were Delicious\, was published in July of 2019 and won the 2020 ReLit Award for Short Fiction. Tracey was the inaugural recipient of the Quebec Writers’ Federation Max Margles Writing Residency in 2020 and was awarded a Hawthornden Fellowship in May of 2023. She is finishing her first novel. \nwww.traceywaddleton.com \n 
URL:https://qwf.org/event/writing-outside-the-box-an-edgy-fiction-workshop-mondays/2026-10-19/
LOCATION:Online via Zoom
CATEGORIES:QWF Workshops
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DTSTART;TZID=America/New_York:20261021T170000
DTEND;TZID=America/New_York:20261021T170000
DTSTAMP:20260904T182847Z
CREATED:20260904T182731Z
LAST-MODIFIED:20260904T182847Z
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SUMMARY:Book Launch: It's All Coming Back to Me Now
DESCRIPTION:“Poignant and hilarious\, often on the same page.” Le Devoir \nJoin us for the launch of Jean-Michel Fortier’s It’s All Coming Back to Me Now — the English translation of Tout me revient maintenent by Jonathan Kaplansky. \nABOUT THE BOOK\nIt’s 2003 and Colin and his best friend Eugénie are—like every other teenager in Sainte-Foy—waiting for the bus\, hanging out at the mall\, logging onto MSN\, working weekend shifts\, steering clear of their parents\, and trying not to be rejects as they navigate their school’s social hierarchies. Colin has two secrets: he’s obsessed with Céline Dion\, and he likes Yann\, his older brother’s friend. To be or not to be fake; for Colin\, that’s the question\, and his heart wavers somewhere between silence\, ambiguity\, and truth. Whimsical and provocative\, It’s All Coming Back to Me Now is a heartfelt and timeless coming-of-age story. \nABOUT THE AUTHOR AND TRANSLATOR\nOriginally from Quebec City\, Jean-Michel Fortier studied literature at l’Université Laval and film at l’Université de Montréal. He is the author of Le chasseur inconnu (The Unknown Huntsman)\, Les bains électriques (The Electric Baths)\, La révolution d’Agnès. It’s All Coming Back to Me Now\, the English translation of Tout me revient maintenant\, is his fourth novel. He lives in Québec City. \nJonathan Kaplansky won the French Voices Award to translate Annie Ernaux’s Things Seen (La vie extérieure) and recently translated the libretto for an opera by Hélène Dorion and Marie-Claire Blais: Yourcenar: une île de passions. He lives in Montreal. \nFree \nRefreshments will be served
URL:https://qwf.org/event/book-launch-its-all-coming-back-to-me-now/
LOCATION:Librairie Paragraphe Bookstore\, 2220 McGill College Ave\, Montreal\, Quebec\, H3A 3P9\, Canada
CATEGORIES:Book Launch
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DTSTART;TZID=America/New_York:20261021T173000
DTEND;TZID=America/New_York:20261021T193000
DTSTAMP:20260731T122321Z
CREATED:20260724T134342Z
LAST-MODIFIED:20260731T122321Z
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SUMMARY:Narrative Non-Fiction: Creating Scenes
DESCRIPTION:Eight Wednesdays\, Oct 7–Dec 2\, 5:45–7:45 p.m. (no meeting Oct 28) \nOpen to all\nLimited to 12 participants\nHybrid Workshop* \nNarrative non-fiction took off in the 1960s\, when writers like Tom Wolfe\, Joan Didion\, and Gay Talese started using the techniques of fiction writers to tell true stories. Sometimes called New Journalism\, the genre exploded when fiction writers like Truman Capote and Norman Mailer switched over to non-fiction\, attaining major critical and popular success. The ever-increasing demand for non-fiction writing highlights readers’ desire to connect with stories that make sense of their surroundings. \nNarrative non-fiction blends reporting\, research\, and storytelling. In this workshop we’ll learn about how to write scenes that are true to life. Instead of simply stating what\nhappened\, or recounting events chronologically\, we’ll explore how to create a scene\, as a screenwriter or novelist or non-fiction author might. Your task will be to impose a narrative on reality – and make it interesting to readers. We’ll talk about the techniques behind writing about your own experience\, and about documenting other people’s lives. We’ll discuss what constitutes non-fiction – and what doesn’t. We’ll also speak about mining rich veins of source material from dusty old books\, or weird scientific studies\, or unusual academic treatises. \nEach of you will be asked to present one piece of writing to the group\, which will be workshopped by the group. (Participants will read and discuss each other’s writing.) I will also hand out some examples of narrative non-fiction to illustrate what it is we’re speaking about. These will also inform and inspire your own work in the workshop. No advance work is required for the workshop\, but do have an idea of what you’d like to work on in our time together. In our second session\, we’ll be discussing what each student plans on workshopping. \n*This workshop will take place at the QWF Office (Room 3\, 1200 Atwater Avenue\, Westmount\, Quebec) with up to 2 virtual spots for participants who are unable to attend in-person because of distance or disability. By default\, all workshop registrations are for in-person spots. If you would like to request a virtual slot\, contact John at john@qwf.org stating the reason for which you would need the virtual spot\, then wait for a response before registering. Please do not register until you receive confirmation of a virtual spot for you. \n  \nAdam Leith Gollner is the author of The Fruit Hunters (a New York Times Editors’ Choice) and The Book of Immortality (recipient of The QWF’s Mavis Gallant Prize for Non-Fiction)\, as well as several collaborative books on nature\, art\, and literature. A contributing editor at Vanity Fair\, and the former editor of Vice Magazine\, his work has been published by The Paris Review\, The New Yorker\, GQ\, and The New York Times. His forthcoming non-fiction book is the story of an amateur art sleuth who tracks down lost masterpieces—and who cracked one of the most confounding art heists in American history. \nsocial media: @adamgollner
URL:https://qwf.org/event/narrative-non-fiction-creating-scenes-2/2026-10-21/
LOCATION:QWF Office\, 1200 Atwater Avenue\, Room 3\, Westmount\, QC\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops
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