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DTSTART;TZID=America/New_York:20261003T190000
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DTSTAMP:20260925T135919Z
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SUMMARY:Moe Clark + Melody McKiver at Flux Fest 2026
DESCRIPTION:Flux Festival and daphne Indigenous artist-run centre present\nMoe Clark + Melody McKiver\nSaturday\, October 3\nDoors: 19h00 Performances: 19h30\nLocation: Centre d’art daphne\, 5425 Av. Casgrain\, Unit 103\, Montreal\, Qc H2T 1X6) \nTickets: $20 (+fees & taxes adv) / $25 (door)\nNOTAFLOF (no one turned away for lack of funds)\nFacebook event: https://www.facebook.com/share/19TvTvsPiy \nâpihtawikosisâniskwêw (Michif/mixed-settler) multidisciplinary artist Moe Clark (she/they) is a 2Spirit singing thunderbird. Born and raised in Treaty 7\, they are a proud member of the Métis Nation of Alberta. Currently they reside as a guest in Tio’tiá:ke/ Mooniyang/ Montréal (QC) where she works as an artist and educator. A dedicated nêhiyawêwin (Plains Cree language) and Michif language learner\, Moe collaborates intimately with Elders and knowledge keepers to advance language resurgence through song-based practices. She works across disciplines of vocal improvisation\, sound design\, land-based oskapêwis facilitation (ceremonial Elder apprenticeship)\, and performance creation\, to create work that centres embodied knowledge\, 2Spirit Indigenous resurgence\, and creative kinship.\nMelody McKiver’s (they/them\, do not use any other pronouns) musical work integrates electronics with Western classical music to shape a new genre of Anishinaabe compositions. A proud member of Obishikokaang Lac Seul First Nation\, Melody is currently Assistant Professor of Indigenous Music (tenure-track) with the Desaultels Faculty of Music at the University of Manitoba and a member of the Mizi’iwe Aana Kwat (LGBTQ2S+ Council) within the Anishinaabe Nation of Treaty #3. They are the 2020 recipient of the Canada Council’s Robert Flaming Prize awarded annually to an exceptionally talented young Canadian composer\, and a recurring invited participant in the Banff Centre for the Arts’ Indigenous Classical Music gatherings.\ndaphne is an Indigenous artist-run centre in Tiohtià:ke / Mooniyang / Montreal. Through exhibitions and related programming\, we promote contemporary Indigenous art and artists. We favour critical\, respectful exchange with our various communities\, peers and audiences\, to advance a culture of peace. daphne gratefully acknowledges the support received from all our relations\, families\, friends\, communities\, the Conseil des arts de Montréal\, the Canada Council for the Arts and the Conseil des arts et des lettres du Québec. Niá:wen sewakwé:kon / Gichii miigwetch / Thank you to all of you.
URL:https://qwf.org/event/moe-clark-melody-mckiver-at-flux-fest-2026/
LOCATION:Daphne Art Centre\, 5425 Casgrain Avenue\, Unit 103\, Montreal\, Quebec\, H2T 1X6\, Canada
CATEGORIES:Festival,Performance
ATTACH;FMTTYPE=image/jpeg:https://qwf.org/wp-content/uploads/2026/09/261002_clark_mckiver.jpg
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DTSTART;TZID=America/New_York:20261004T130000
DTEND;TZID=America/New_York:20261004T143000
DTSTAMP:20260922T204344Z
CREATED:20260922T204344Z
LAST-MODIFIED:20260922T204344Z
UID:10005596-1791118800-1791124200@qwf.org
SUMMARY:Mtl book launch for A Year of Deep Listening: 365 Text Scores for Pauline Oliveros
DESCRIPTION:Flux Festival 2026 presents the Montreal book launch for\nA Year of Deep Listening: 365 Text Scores for Pauline Oliveros\nWith editor Stephanie Loveless\, interviewer Katherine McLeod & performances by book contributors \nDate: Sunday\, October 4th\nLocation: Articule Open-Access Artist-Run Centre\, 6282 Rue St-Hubert\, Montréal\, QC H2S 2M2\nTime: 1:00 PM – 2:30 PM\, Ticket: FREE\nFacebook event: https://www.facebook.com/share/1CSFuLTnns \nAccessibility: For complete details\, please visit: https://www.articule.org/en/accessibility\nAccessibilité : Pour plus de détails\, consultez : https://www.articule.org/fr/accessibilite \nCo-presented with Articule Open-Access Artist-Run Centre and the International Institute for Critical Studies in Improvisation.\nLive English-to-French translation will take place at the event.\nLibrairie Résonance will be on hand selling copies of A Year of Deep Listening. \nJoin us for a book launch celebrating the publication of A Year of Deep Listening: 365 Text Scores for Pauline Oliveros (Terra Nova Press)\, edited by Stephanie Loveless. Host Katherine McLeod will lead a discussion about the collection and Deep Listening practice. This will be followed by brief performances of text scores by contributors to the book experienced in Oliveros’ performance practices and Deep Listening. Then join in by helping us perform some of these scores—all you need is a body and the interest! \nThe invited performers: Nik Forrest\, Erin Gee\, Ayelet Rose Gottlieb with Terri Hron and Eric Lewis\, Ben Grossman\, Kathy Kennedy\, and Ellen Waterman. \nArtist info: \nSTEPHANIE LOVELESS is a sound and media artist whose research centres on listening\, vocal embodiment\, and place. Loveless’ sound\, video\, and performance work has been presented widely in festivals\, galleries\, museums and artist-run centres in North America\, South America\, Europe and the Middle East. She served as a Senior Lecturer at Rensselaer Polytechnic Institute in the Department of Arts from 2018-2026\, and as Director of the Center for Deep Listening at Rensselaer from 2020-2026. In 2025\, Loveless published A Year of Deep Listening: 365 Text Scores for Pauline Oliveros\, which brought together a year’s worth of daily scores for listening\, contributed by over 300 artists. Her co-edited volume\, Situated Listening: Attending to the Unheard (2025)\, is a collection of essays that contribute theories and practices of embedded\, contextual\, and critical listening to the growing literature in the field of sound studies. https://stephanieloveless.com \nKATHERINE MCLEOD is an academic and dancer based in Tiohtià:ke/Montreal. Alongside her project Literary Radio and publications on poetry and performance\, she produced the series ShortCuts for The SpokenWeb Podcast and now co-hosts the podcast Literary Listening (with Jason Camlot). \nNIK FORREST is an interdisciplinary artist based in Tio’tia:ke/Montreal. They recently completed a PhD in the Interdisciplinary Humanities program at Concordia University titled “Trans Sonic Practices: Listening and Sounding Livable Worlds”. Their sound\, video\, and installation projects have been shown at festivals\, galleries and museums across Canada and internationally\, including at the Joliette Art Museum (Quebec)\, the Listening Biennale (Berlin)\, Oboro (Montreal) and Kunsthalle Mulhouse (France). They have also received artists’ residencies in Paris\, Buenos Aires\, Hamburg\, Winnipeg and Saskatoon. Forrest’s recent projects explore experimental sound and listening as non-binary relational fields in which emergence\, mutation and interdependence can be sensed. They teach in the Media Arts Department at John Abbott College in Ste-Anne-de-Bellevue\, Quebec. https://nikforrest.org \nERIN GEE is a Canadian artist and composer whose work centers on voice\, affect and technology. She develops custom biofeedback instruments that link the human body to sound and interactive systems. In creating these systems\, she considers emotional manipulation as a technical layer alongside hardware and software in biofeedback systems\, linking this to feminist theory. Using roleplay\, ASMR and hypnosis\, she explores intimacy and resonance while reimagining human–machine relations across AI\, VR\, and robotics. Her installation works have been presented at Ars Electronica\, MUTEK\, and the Toronto and Karachi Biennales\, and she has performed at festivals such as MUTEK\, Vancouver New Music\, Sussurra Luce (Italy) and Music Gallery (Toronto). https://eringee.net \nJerusalem-born\, Montreal-based vocalist and composer AYELET ROSE GOTTLIEB is an international performer and Deep Listener who blends jazz\, Middle Eastern and Jewish music with conceptual improvisation. Winner of the 2026 Prix Opus for Album of the Year—World Music\, she collaborates with innovative artists\, including John Zorn\, IONE and Naomi Shihab Nye. https://ayeletrose.com \nBEN GROSSMAN is a busy musician and sound artist: Improviser\, studio musician\, composer\, noisemaker and curator. He toils in several fields\, having played on over one hundred CDs and on film and television soundtracks. He has composed and designed sound for theatre\, dance and installations; designed radio transmissions; and performs live\, spanning early medieval music to experimental electronics. Ben’s tools of choice are electronics\, percussion and especially the vielle à roue (hurdy-gurdy). www.macrophone.org \nTERRI HRON is a musician\, performer and multimedia artist whose work explores relationships and belonging with places\, people\, and scores. Using historical performance practice\, field recording\, invented/augmented instruments and videoscores\, she often works in close collaboration with others and produces performances\, gatherings and events. She also works for the Canada Council for the Arts. \nKATHY KENNEDY is a sound artist with formal training in visual art and classical singing. Her art practice generally involves the voice and issues of interface with technology\, often using telephony or radio transmission. She is active in community art and is a founder of the digital media centre for women in Canada\, Studio XX (now called Ada-X)\, as well as the innovative women’s choral group\, Choeur Maha. https://kathykennedy.ca \nERIC LEWIS is the president of Arts in the Margins and a professor of philosophy at McGill University\, where he directs the Laboratory of Urban Culture. His academic interests centre on Black aesthetics\, critical race theory\, the philosophy of improvisation and the politics and ethics of new media art. He has decades of experience running community-facing art-centred projects\, and a strong commitment to social justice and equity. He is also an active improviser on brass and reeds\, and performs in numerous ensembles including Ton-e Rêve\, the Free Jazz Messengers\, the Murray Street Band and the Instant Synthesis Ensemble\, among others. \nELLEN WATERMAN is a flutist and vocalist who co-creates intersensory improvisations with environments. Bodily Listening in Place was developed in consultation with spill.propagation through a commission from New Adventures in Sound Art for World Listening Day\, 2022. She wrote about it for Performance Matters journal (2023). Her definitions of intersensory listening and bodily listening in place are included in the new Listening Glossary (2026).
URL:https://qwf.org/event/mtl-book-launch-for-a-year-of-deep-listening-365-text-scores-for-pauline-oliveros/
LOCATION:Articule\, 6282 rue St-Hubert\, Montreal\, QC\, H2S 2M2\, Canada
CATEGORIES:Book Launch,Festival,Performance
ATTACH;FMTTYPE=image/jpeg:https://qwf.org/wp-content/uploads/2026/09/261004_flux_loveless.jpg
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DTSTART;TZID=America/New_York:20261007T190000
DTEND;TZID=America/New_York:20261007T223000
DTSTAMP:20260922T204416Z
CREATED:20260922T204416Z
LAST-MODIFIED:20260922T204416Z
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SUMMARY:Kim Zombik’s Origin Stories with Silvervest Quartet + Christelle Saint-Julien + Deanna Smith
DESCRIPTION:Kim Zombik’s Origin Stories with Silvervest Quartet + Christelle Saint-Julien + Deanna Smith at Flux Festival 2026\nWednesday\, October 7th\, DOORS: 7:00 PM\, MUSIC: 8:00 PM\nTickets: $15 +taxes & fees in advance / $20 at the door \nNOTAFLOF (No one turned away for lack of funds)\nCo-presented with Musique Rayonnante\, Smallscale Music and Mardi Spaghetti. \nFeaturing Kim Zombik’s ORIGIN STORIES\, a work-in-progress autobiographical performance piece. Performed by Zombik (vocalist\, writer)\, Nicolas Caloia (double bass)\, David Ryshpan\, (keyboards) and Jahsun (drums). \nAlso featuring performances by Christelle Saint-Julien\, a journalist\, writer\, translator and musician; and Deanna Smith\, poet\, performer\, and teaching artist.
URL:https://qwf.org/event/kim-zombiks-origin-stories-with-silvervest-quartet-christelle-saint-julien-deanna-smith/
LOCATION:La Sala Rossa\, 4848 St. Laurent Boulevard\, Montreal\, Quebec\, H2T 2R5\, Canada
CATEGORIES:Festival,Performance
ATTACH;FMTTYPE=image/jpeg:https://qwf.org/wp-content/uploads/2026/09/261007_flux_zombik.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261015T180000
DTEND;TZID=America/New_York:20261015T210000
DTSTAMP:20260618T200050Z
CREATED:20260618T200050Z
LAST-MODIFIED:20260618T200050Z
UID:10005091-1792087200-1792098000@qwf.org
SUMMARY:2026 Knowlton Literary Festival - October 15-17\, 2026
DESCRIPTION:Frank Nixon is delighted to announce that he will be participating in the 2026 Knowlton Literary Festival in Knowlton (Lac-Brome)\, Quebec\, on October 15\, 2026. \nAn author and former journalist with deep roots in Quebec’s Eastern Townships\, Frank spent many years covering the people\, places\, and events that shape life in the region. A graduate of McGill University and Concordia University\, he contributed hundreds of articles to community newspapers throughout the Townships. \nHis debut novella\, Wayward Voices\, draws on those experiences. Set in the fictional town of Wayward\, the story follows a disgraced Montreal reporter seeking refuge in a small Eastern Townships community while confronting the mistakes\, memories\, and relationships that continue to haunt him. \nFrank looks forward to meeting readers and discussing the inspiration behind Wayward Voices at this year’s festival. \nLearn more at www.franknixon.com.
URL:https://qwf.org/event/2026-knowlton-literary-festival-october-15-17-2026/
LOCATION:Brome Lake Books\, 45 Lakeside\, Knowlton (Lac-Brome)\, QC\, J0E1V0\, Canada
CATEGORIES:Festival
ATTACH;FMTTYPE=image/png:https://qwf.org/wp-content/uploads/2026/06/Wayward-Voices-banner.png
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