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DTSTART;TZID=America/New_York:20191204T180000
DTEND;TZID=America/New_York:20191204T200000
DTSTAMP:20190830T204132Z
CREATED:20190828T183623Z
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UID:10001884-1575482400-1575489600@qwf.org
SUMMARY:Expanding Our Poetic Range through Memory\, Place\, and the Senses
DESCRIPTION:Photo credit: Cristina Plamadeala\nThis workshop is for poets of any level of experience who are seeking to expand the range of their subject matter. Limited to 12 participants. \nHow\, as writers\, can we break the surface of the everyday and go deep? Over the eight sessions of the workshop\, we will take some time to dwell in the places our writers’ sensibility can travel to when we tune in to our senses and journey into memory and place. The aim of this workshop will be to generate a rich pool of new material\, from which our best work can emerge. \nWorkshops will consist of in-class writing exercises\, weekly writing assignments\, and time for participating poets to receive constructive feedback from their peers and the workshop leader. As a group\, we will also perform close readings of works by a range of published writers that constellate around a series of themes selected to help us mine our own memories and sensory experiences of the world around us. Proposed themes include \n\na child’s-eye view: writing through the lens of childhood;\nlost and found: orienting through poetry;\n(re)mapping our world: a sense of place;\nentering the myth: poetic exchanges with mythology; and\nmapping the landscape of the body.\n\nParticipants will be encouraged\, for the duration of the workshop\, to “apprentice” themselves to the work of a published poet of their choice\, whose voice will be a steady and nourishing guide as they work on their own material. They will also have the opportunity (though it is by no means obligatory) to read their own work aloud\, both as a practice tool for giving future poetry readings and to “lend an ear” to the editing process. The workshop will be a safe and friendly space\, with an emphasis on diving into the messiness of creation and getting excited about new ideas.
URL:https://qwf.org/event/expanding-our-poetic-range-through-memory-place-and-the-senses/2019-12-04/
LOCATION:Atwater Library and Computer Centre\, 1200 Atwater Avenue\, Westmount\, Quebec\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops,Workshops
ATTACH;FMTTYPE=image/jpeg:https://qwf.org/wp-content/uploads/2019/08/Kelly_Norah_Drukker_66px_320px_credit_Cristina_Plamadeala.jpg
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DTSTART;TZID=America/New_York:20191204T200000
DTEND;TZID=America/New_York:20191204T220000
DTSTAMP:20190913T155012Z
CREATED:20190828T185044Z
LAST-MODIFIED:20190913T155012Z
UID:10001916-1575489600-1575496800@qwf.org
SUMMARY:Everything Happens at Once: Your Page One
DESCRIPTION:Photo credit: Marina Vulicevic\nThis workshop is intended for people interested in short- and long-form fiction who have begun puzzling out the beginnings of their stories. Limited to 12 participants. \nIn this fiction-writing workshop\, we will get our stories to hit the ground running by working on our Page One. Short story or long-form fiction\, all the elements of narration are thrown into play right away on the first page (okay\, maybe a little on the second). The themes and problems of the piece are all present\, stated or suggested\, sometimes hidden. We will learn to do that: get out of the starting blocks fast\, leaving our anxieties behind. \nThe “everything at once” approach means putting all the narrative elements into play simultaneously. Setting speaks for character\, dialogue speaks for plot\, the description of place speaks for the theme. All intertwined\, not consecutive. Everything at once\, like when you meet someone in real life\, even if it takes time to understand what you first thought you knew. \nWe’ll look at the beginning page of works of fiction to see how others have handled their beginnings. That revolver on the dining room table – does it really have to go off\, and who or what will be the target? When Dante admits in Sentence One\, “Halfway through the journey of my life\, I found myself lost in a forest dark\,” what sort of darkness is this\, and why is he telling us about it? The issue of who is talking to us\, and why\, will be essential to our Page Ones. \nThe object is to become more self-aware from the beginning\, without turning into hyper-planners intent on deleting all spontaneity. The Page One approach is one of the antidotes to the anxieties of the beginning writer\, since it stresses action: moving quickly\, getting the elements in play\, foreseeing eventual themes\, helping answer the question\, “Why does this story exist\, and where is it going?” \nOften the beginnings of stories wonder about their own existence. Tom O’Brien’s The Things They Carried meditates on the difficulty of telling a true war story. How can you tell if a war story is true? What is a war story anyway? Whom can we trust? This Page-One questioning launches the book.
URL:https://qwf.org/event/everything-happens-at-once-your-page-one/2019-12-04/
LOCATION:Atwater Library and Computer Centre\, 1200 Atwater Avenue\, Westmount\, Quebec\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops,Workshops
ATTACH;FMTTYPE=image/jpeg:https://qwf.org/wp-content/uploads/2019/08/David_Homel_credit_Marina_Vulicevic_66px_320px.jpg
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