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DTSTART;TZID=America/New_York:20191015T060000
DTEND;TZID=America/New_York:20191015T200000
DTSTAMP:20190904T150551Z
CREATED:20190904T150551Z
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UID:10001948-1571119200-1571169600@qwf.org
SUMMARY:WORDPLAY  A writing workshop in celebration of creativity and wonder
DESCRIPTION:In a time of busy schedules\, and places to be and people to see\, it can be hard to find the time to simply play. WORDPLAY is a writing play group\, a time in your week reserved for you — a time to connect with the wonder that lies at the heart of words and where they can take us. \nFor a period of six weeks we will meet for two hours of writing projects and prompts designed to welcome the unexpected\, the spontaneous\, and the serendipitous\, culminating in an evening of readings on the last night. \nWhether you are a poet\, a fiction or non-fiction writer\, an aspiring writer\, a musician or a visual or performance artist\, or simply someone who loves the joy of words\, or even scrabble\, boggle or crossword puzzles\, this is an opportunity to entertain what it means to revel\, gambol and cut loose with language. \nWorkshop leader: Carolyn Boll\nA trained dancer\, and recipient of several Canada Council and Quebec multi-media and choreography grants\, author Carolyn Boll is a graduate of The Humber School for Writers. Her poems and short stories have appeared in Lavender Review\, The Gay & Lesbian Review\, and Mayday Magazine\, and her non-fiction writing has appeared in The Dance Current and The Montreal Gazette. Her first book\, a playful partnering between poetry\, image and dance\, is called Social Dance A Book of Ballroom Poetry and was published by Sally Jane Books\, the specialty imprint of indie publisher Headmistress Press.
URL:https://qwf.org/event/wordplay-a-writing-workshop-in-celebration-of-creativity-and-wonder/2019-10-15/
LOCATION:Atelier d’Art Meteque\, 5442 Cote Saint Luc Road\, NDG\, QC\, H3X2C5\, Canada
CATEGORIES:Performance,Workshops
ATTACH;FMTTYPE=image/jpeg:https://qwf.org/wp-content/uploads/2019/09/WordPlay-Banner.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191015T180000
DTEND;TZID=America/New_York:20191015T200000
DTSTAMP:20190829T193741Z
CREATED:20190828T184805Z
LAST-MODIFIED:20190829T193741Z
UID:10001903-1571162400-1571169600@qwf.org
SUMMARY:Write Now: A Playwriting Intensive to Jumpstart Your Play
DESCRIPTION:Photo credit: Sabrina Reeves\nThis workshop will give budding and experienced playwrights a forum in which to hear their work read aloud and have it commented on\, supported\, and developed. Limited to 12 participants. \nThis 8-week workshop is designed to get your play out of your head and onto the page. Through a combination of in-class writing exercises and reading scripts aloud\, it will allow playwrights to take their scripts to the next level. \nTopics covered will include: \n\nCharacter development\nStructure\nDialogue\nStakes\nRe-writes.\n\nEach week\, selected participants will bring in sections of their work for feedback. \nThe workshop will be more fun and useful to participants who have a play that they are already working on\, a few scenes\, or at the very least\, an outline of the idea they wish to pursue. It may be of particular interest (and complementary) to those who have taken an Introduction to Playwriting workshop. Participants can expect to come out of the workshop with a more developed script as well as tools for carrying on with their work and some ideas/suggestions of where to go and what to do with a finished draft.
URL:https://qwf.org/event/write-now-a-playwriting-intensive-to-jumpstart-your-play/2019-10-15/
LOCATION:Atwater Library and Computer Centre\, 1200 Atwater Avenue\, Westmount\, Quebec\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops,Workshops
ATTACH;FMTTYPE=image/jpeg:https://qwf.org/wp-content/uploads/2019/08/Alex0331adjust.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191016T180000
DTEND;TZID=America/New_York:20191016T200000
DTSTAMP:20190830T204132Z
CREATED:20190828T183623Z
LAST-MODIFIED:20190830T204132Z
UID:10001879-1571248800-1571256000@qwf.org
SUMMARY:Expanding Our Poetic Range through Memory\, Place\, and the Senses
DESCRIPTION:Photo credit: Cristina Plamadeala\nThis workshop is for poets of any level of experience who are seeking to expand the range of their subject matter. Limited to 12 participants. \nHow\, as writers\, can we break the surface of the everyday and go deep? Over the eight sessions of the workshop\, we will take some time to dwell in the places our writers’ sensibility can travel to when we tune in to our senses and journey into memory and place. The aim of this workshop will be to generate a rich pool of new material\, from which our best work can emerge. \nWorkshops will consist of in-class writing exercises\, weekly writing assignments\, and time for participating poets to receive constructive feedback from their peers and the workshop leader. As a group\, we will also perform close readings of works by a range of published writers that constellate around a series of themes selected to help us mine our own memories and sensory experiences of the world around us. Proposed themes include \n\na child’s-eye view: writing through the lens of childhood;\nlost and found: orienting through poetry;\n(re)mapping our world: a sense of place;\nentering the myth: poetic exchanges with mythology; and\nmapping the landscape of the body.\n\nParticipants will be encouraged\, for the duration of the workshop\, to “apprentice” themselves to the work of a published poet of their choice\, whose voice will be a steady and nourishing guide as they work on their own material. They will also have the opportunity (though it is by no means obligatory) to read their own work aloud\, both as a practice tool for giving future poetry readings and to “lend an ear” to the editing process. The workshop will be a safe and friendly space\, with an emphasis on diving into the messiness of creation and getting excited about new ideas.
URL:https://qwf.org/event/expanding-our-poetic-range-through-memory-place-and-the-senses/2019-10-16/
LOCATION:Atwater Library and Computer Centre\, 1200 Atwater Avenue\, Westmount\, Quebec\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops,Workshops
ATTACH;FMTTYPE=image/jpeg:https://qwf.org/wp-content/uploads/2019/08/Kelly_Norah_Drukker_66px_320px_credit_Cristina_Plamadeala.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191016T200000
DTEND;TZID=America/New_York:20191016T220000
DTSTAMP:20190913T155012Z
CREATED:20190828T185044Z
LAST-MODIFIED:20190913T155012Z
UID:10001910-1571256000-1571263200@qwf.org
SUMMARY:Everything Happens at Once: Your Page One
DESCRIPTION:Photo credit: Marina Vulicevic\nThis workshop is intended for people interested in short- and long-form fiction who have begun puzzling out the beginnings of their stories. Limited to 12 participants. \nIn this fiction-writing workshop\, we will get our stories to hit the ground running by working on our Page One. Short story or long-form fiction\, all the elements of narration are thrown into play right away on the first page (okay\, maybe a little on the second). The themes and problems of the piece are all present\, stated or suggested\, sometimes hidden. We will learn to do that: get out of the starting blocks fast\, leaving our anxieties behind. \nThe “everything at once” approach means putting all the narrative elements into play simultaneously. Setting speaks for character\, dialogue speaks for plot\, the description of place speaks for the theme. All intertwined\, not consecutive. Everything at once\, like when you meet someone in real life\, even if it takes time to understand what you first thought you knew. \nWe’ll look at the beginning page of works of fiction to see how others have handled their beginnings. That revolver on the dining room table – does it really have to go off\, and who or what will be the target? When Dante admits in Sentence One\, “Halfway through the journey of my life\, I found myself lost in a forest dark\,” what sort of darkness is this\, and why is he telling us about it? The issue of who is talking to us\, and why\, will be essential to our Page Ones. \nThe object is to become more self-aware from the beginning\, without turning into hyper-planners intent on deleting all spontaneity. The Page One approach is one of the antidotes to the anxieties of the beginning writer\, since it stresses action: moving quickly\, getting the elements in play\, foreseeing eventual themes\, helping answer the question\, “Why does this story exist\, and where is it going?” \nOften the beginnings of stories wonder about their own existence. Tom O’Brien’s The Things They Carried meditates on the difficulty of telling a true war story. How can you tell if a war story is true? What is a war story anyway? Whom can we trust? This Page-One questioning launches the book.
URL:https://qwf.org/event/everything-happens-at-once-your-page-one/2019-10-16/
LOCATION:Atwater Library and Computer Centre\, 1200 Atwater Avenue\, Westmount\, Quebec\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops,Workshops
ATTACH;FMTTYPE=image/jpeg:https://qwf.org/wp-content/uploads/2019/08/David_Homel_credit_Marina_Vulicevic_66px_320px.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191017T180000
DTEND;TZID=America/New_York:20191017T200000
DTSTAMP:20190828T185022Z
CREATED:20190828T183351Z
LAST-MODIFIED:20190828T185022Z
UID:10001863-1571335200-1571342400@qwf.org
SUMMARY:The Very Short Story: Reading and Writing Fiction of 300 to 1000 Words
DESCRIPTION:All levels are welcome. Limited to 12 participants. \nThe very short story comes in many guises. Tale\, fable\, cronica\, feuilleton\, anecdote\, aphorism\, vignette\, sketch\, flash\, prose poem\, yarn\, joke—each of these may fall into its fold\, as may extra-literary forms such as lists or memos. Its main characteristic is brevity. Since it can be written relatively quickly\, it offers a wonderful place for experimentation. Since each word\, punctuation mark\, and line of white space speaks\, it demands precision and invites us to hone our writing skills. \nIn this class we will be reading and discussing a wide variety of very short stories\, from  contemporary writers and writers of the past. We will be reading as writers: seeking inspiration\, and looking at what these stories are doing and how they achieve their ends. What makes a story a story? What can be left out? What is the effect of omission? \nDrawing on class discussion\, students will write their own stories as homework and bring them to class to share. We will read them together\, but we will not focus on critique; our class will be about generating work\, permission to try new things\, and celebrating creativity. It will welcome new writers and those with experience. Participants should end the course with a portfolio of at least eight very short stories. \nFor our first class\, please bring in a published work of fiction of about 300 to 500 words. Be prepared to read it aloud and say what you love about it.
URL:https://qwf.org/event/the-very-short-story-reading-and-writing-fiction-of-300-to-1000-words/2019-10-17/
LOCATION:Atwater Library and Computer Centre\, 1200 Atwater Avenue\, Westmount\, Quebec\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops,Workshops
ATTACH;FMTTYPE=image/jpeg:https://qwf.org/wp-content/uploads/2019/08/Rose_Gowen_666px_320px.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191017T200000
DTEND;TZID=America/New_York:20191017T220000
DTSTAMP:20190828T184426Z
CREATED:20190828T184426Z
LAST-MODIFIED:20190828T184426Z
UID:10001888-1571342400-1571349600@qwf.org
SUMMARY:Urgency\, Dread\, Risk: A Short-Fiction Workshop
DESCRIPTION:Photo credit: Adam Michiels\nThis workshop is intended for fiction writers who have written short stories before\, and who have experience with the workshop environment. Limited to 12 participants. \nWe’ll be writing towards emotional impact. The workshop will be supplemented by readings and generative exercises to explore the question of expression vs. evocation—as well as imagination\, self-surgery\, ambition\, and accountability. We’ll also talk about sentences\, with a focus on line edits. \nParticipants will be workshopped twice. You’ll have the option of bringing in an existing piece and writing a new second piece\, or else bringing in one piece followed by a revision of the same. \nReadings will include Namwali Serpell\, Jamel Brinkley\, Casey Plett\, Carys Davis\, Octavia Butler\, and Ottessa Moshfegh\, among others.
URL:https://qwf.org/event/urgency-dread-risk-a-short-fiction-workshop/2019-10-17/
LOCATION:Atwater Library and Computer Centre\, 1200 Atwater Avenue\, Westmount\, Quebec\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops,Workshops
ATTACH;FMTTYPE=image/jpeg:https://qwf.org/wp-content/uploads/2019/08/Paige_Cooper_-credit-Adam-Michiels_66px_320pxi.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191018T090000
DTEND;TZID=America/New_York:20191020T150000
DTSTAMP:20190920T165246Z
CREATED:20190920T165246Z
LAST-MODIFIED:20190920T165246Z
UID:10001982-1571389200-1571583600@qwf.org
SUMMARY:Knowlton Literary Festival
DESCRIPTION:10th Anniversary of the Knowlton Literary Festival from October 18th to 20th\, 2019. In addition to a poetry night – a tribute to Susan Briscoe – the festival will feature writers Louise Penny\, Shelagh Rogers\, Kim Thuy\, Ann-Marie Macdonald\, Katheen Miller\, Guy Vanderhaeghe and Barry Estabrook. Sheree Fitch will lead two writing courses on Saturday and Sunday morning. Aside from the poetry night\, all events will take place at the Community Centre of Lac Brome\, 270 Vitoria\, Knowlton\, Quebec. Tickets available at Brome Lake Books 450-242-2242.
URL:https://qwf.org/event/knowlton-literary-festival/
LOCATION:Community Centre\, 270 Victoria\, Knowlton\,\, Quebec\, J0E 1V0\, Canada
CATEGORIES:Community Events,Festival,Workshops
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191019T100000
DTEND;TZID=America/New_York:20191019T160000
DTSTAMP:20190828T184824Z
CREATED:20190828T184134Z
LAST-MODIFIED:20190828T184824Z
UID:10001885-1571479200-1571500800@qwf.org
SUMMARY:The Art (and Fun) of Pitching
DESCRIPTION:This one-day workshop is designed primarily for nonfiction writers\, but is open to writers of all genres and levels\, from beginners to seasoned authors. Limited to 12 participants. \nWhen it comes to selling our work\, writers are lucky. We have the most important tool we need to turn an idea into a sales document: good writing skills. So why does writing a pitch feel like pulling your own teeth? In this one-day workshop\, nonfiction author and journalist Julie Barlow breaks down the fear factor of pitch writing to explain what the ingredients of a good pitch are and how to assemble them to land the sale. She shows participants how to embrace the art of pitching and think of it as a sport. \nWhile pitching is part poetry\, part psychology\, it’s most of all like cooking: you might as well enjoy it because you won’t survive without it. Whether you are selling a book proposal\, a magazine or blog idea\, a film script\, a radio documentary\, or an online course\, the basic ingredients are the same. Drawing on her own experience publishing seven books of nonfiction and hundreds of magazine and newspaper articles over her 25-year career—as well as “selling” workshop ideas\, radio and film projects and more—Julie shows how writing pitches is also useful in every stage of the creative process of a project\, from hatching an idea\, to creating\, publishing and promoting a finished work. \nParticipants will be able to develop or workshop their own pitches if they provide a description or draft pitch prior to the class (we’ll workshop on a first-come\, first-served basis\, and will probably have time to discuss 5 projects). We’ll spend about a third of the class time talking about concepts and roughly two-thirds letting participants read\, react\, and share ideas about each other’s work.
URL:https://qwf.org/event/the-art-and-fun-of-pitching/
LOCATION:Atwater Library and Computer Centre\, 1200 Atwater Avenue\, Westmount\, Quebec\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops,Workshops
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