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X-WR-CALDESC:Events for Quebec Writers' Federation
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DTSTART;TZID=America/New_York:20191123T103000
DTEND;TZID=America/New_York:20191201T173000
DTSTAMP:20191031T150719Z
CREATED:20191031T150719Z
LAST-MODIFIED:20191031T150719Z
UID:10002036-1574505000-1575221400@qwf.org
SUMMARY:A Soundtrack for Your Words: Creating and Performing Literature with Music
DESCRIPTION:Ian Ferrier and Moe Clark bring years of experience as spoken word performers and soundscape innovators. They will offer writing prompts and exercises to help generate ideas\, and support participants through editing and crafting their written works for performance\, including a collaborative exploration of sound as a base for words. Ian and Moe will bring the looping pedal\, teweikan\, guitar\, synthesizer and other instruments\, to be used in creation of the soundscapes. Participants will explore breathwork\, vocal work\, and improvisation to engage with audiences and to move beyond the anxiety of performance. Workshop will culminate in a Sunday afternoon performance open to the public.\nOpen to all poets\, writers\, and anyone interested in exploring sound with their work\, including short prose\, monologues. Also open to musicians interested in developing more language for their sound.\nThis workshop is FREE but space is limited. To register: elise.m@videotron.ca.\nMétis multidisciplinary artist Moe Clark is a nomadic songbird with wings woven from circle singing and spoken word. Originally from Treaty 7\, she calls tio’tia:ke (Montreal) home.\nIan Ferrier is a poet\, musician and performer. Ian is the founder of the monthly Words & Music Show and the Mile End Poets’ Festival.
URL:https://qwf.org/event/a-soundtrack-for-your-words-creating-and-performing-literature-with-music/
LOCATION:Atwater Library and Computer Centre\, 1200 Atwater Avenue\, Westmount\, Quebec\, H3Z 1X4\, Canada
CATEGORIES:Workshops
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DTSTART;TZID=America/New_York:20191125T180000
DTEND;TZID=America/New_York:20191125T200000
DTSTAMP:20190828T191205Z
CREATED:20190828T184620Z
LAST-MODIFIED:20190828T191205Z
UID:10001900-1574704800-1574712000@qwf.org
SUMMARY:Writing to Preserve Memory: Capturing and Sharing Life Stories
DESCRIPTION:All levels are welcome. Limited to 12 participants. \nIsabel Allende confessed\, “I write to preserve memory against the erosion of oblivion and to bring people together.” \nEvery life is a story\, and when we write that story\, we not only preserve it but share the joys and disappointments\, the heartaches and the triumphs\, and most importantly\, the lessons learnt. \nMemoir\, by its nature\, is more concerned with the emotional truth of occurrences and moments from a life\, as opposed to biography\, which is more often focused on factual or chronological events. \nIn this memoir workshop\, we will explore how to begin telling your story and review examples of the different ways that a story can be told. Will it be a travelogue or will it focus on major events that influenced your life? Or will it be about a relationship with a loved one? These are just a few possibilities. \nA portion of each session will be set aside for writing exercises based on prompts to help unlock the confidence you need to shape your story\, and to share your writing. \nAs an adjunct\, a recommended reading list of traditional and innovative memoirs will be provided\, and participants will be encouraged to review and share their favourite styles.
URL:https://qwf.org/event/writing-to-preserve-memory-capturing-and-sharing-life-stories/2019-11-25/
LOCATION:Atwater Library and Computer Centre\, 1200 Atwater Avenue\, Westmount\, Quebec\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops,Workshops
ATTACH;FMTTYPE=image/jpeg:https://qwf.org/wp-content/uploads/2019/08/Gina_Roitman_333px_160px.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191125T200000
DTEND;TZID=America/New_York:20191125T220000
DTSTAMP:20190828T184332Z
CREATED:20190828T183354Z
LAST-MODIFIED:20190828T184332Z
UID:10001874-1574712000-1574719200@qwf.org
SUMMARY:Slantwise to the Truth: Navigating Narrative Nonfiction
DESCRIPTION:Photo credit: Niamh Malcolm\nAll levels are welcome. Limited to 12 participants. \n“Tell all the Truth but tell it slant/success in Circuit lies” — let poet Emily Dickinson’s words inspire you as we navigate narrative nonfiction\, writing that takes the best elements of fiction\, applies those to facts\, and ends with compelling stories. \nIn this workshop you will take your own “big idea” and add to it week-by-week until at the end of eight sessions you’ll have a draft narrative essay of 2\,000 words or more. Each meeting will be split between discussing one of six elements necessary for good narrative nonfiction and workshopping participants’ writing. This will be supported by readings related to the discussion and to the week’s assigned writing. Below is an outline covering six weekly discussions. Two additional weeks are left open to allow for flexibility – perhaps there will be spillover from a previous week’s discussion or perhaps by consensus we’ll toss in another idea to discuss or take extra time to workshop participants’ work. \nPlease note that this workshop will not focus on memoir writing. Although memoir falls into the category of narrative nonfiction\, I encourage participants to look beyond it when considering their writing for these eight weeks. \n 
URL:https://qwf.org/event/slantwise-to-the-truth-navigating-narrative-nonfiction/2019-11-25/
LOCATION:Atwater Library and Computer Centre\, 1200 Atwater Avenue\, Westmount\, Quebec\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops,Workshops
ATTACH;FMTTYPE=image/jpeg:https://qwf.org/wp-content/uploads/2019/08/Shelagh_Plunkett_photo_credit_Niamh_Malcolm_666px_320px.jpg
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DTSTART;TZID=America/New_York:20191127T180000
DTEND;TZID=America/New_York:20191127T200000
DTSTAMP:20190830T204132Z
CREATED:20190828T183623Z
LAST-MODIFIED:20190830T204132Z
UID:10001883-1574877600-1574884800@qwf.org
SUMMARY:Expanding Our Poetic Range through Memory\, Place\, and the Senses
DESCRIPTION:Photo credit: Cristina Plamadeala\nThis workshop is for poets of any level of experience who are seeking to expand the range of their subject matter. Limited to 12 participants. \nHow\, as writers\, can we break the surface of the everyday and go deep? Over the eight sessions of the workshop\, we will take some time to dwell in the places our writers’ sensibility can travel to when we tune in to our senses and journey into memory and place. The aim of this workshop will be to generate a rich pool of new material\, from which our best work can emerge. \nWorkshops will consist of in-class writing exercises\, weekly writing assignments\, and time for participating poets to receive constructive feedback from their peers and the workshop leader. As a group\, we will also perform close readings of works by a range of published writers that constellate around a series of themes selected to help us mine our own memories and sensory experiences of the world around us. Proposed themes include \n\na child’s-eye view: writing through the lens of childhood;\nlost and found: orienting through poetry;\n(re)mapping our world: a sense of place;\nentering the myth: poetic exchanges with mythology; and\nmapping the landscape of the body.\n\nParticipants will be encouraged\, for the duration of the workshop\, to “apprentice” themselves to the work of a published poet of their choice\, whose voice will be a steady and nourishing guide as they work on their own material. They will also have the opportunity (though it is by no means obligatory) to read their own work aloud\, both as a practice tool for giving future poetry readings and to “lend an ear” to the editing process. The workshop will be a safe and friendly space\, with an emphasis on diving into the messiness of creation and getting excited about new ideas.
URL:https://qwf.org/event/expanding-our-poetic-range-through-memory-place-and-the-senses/2019-11-27/
LOCATION:Atwater Library and Computer Centre\, 1200 Atwater Avenue\, Westmount\, Quebec\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops,Workshops
ATTACH;FMTTYPE=image/jpeg:https://qwf.org/wp-content/uploads/2019/08/Kelly_Norah_Drukker_66px_320px_credit_Cristina_Plamadeala.jpg
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DTSTART;TZID=America/New_York:20191127T200000
DTEND;TZID=America/New_York:20191127T220000
DTSTAMP:20190913T155012Z
CREATED:20190828T185044Z
LAST-MODIFIED:20190913T155012Z
UID:10001915-1574884800-1574892000@qwf.org
SUMMARY:Everything Happens at Once: Your Page One
DESCRIPTION:Photo credit: Marina Vulicevic\nThis workshop is intended for people interested in short- and long-form fiction who have begun puzzling out the beginnings of their stories. Limited to 12 participants. \nIn this fiction-writing workshop\, we will get our stories to hit the ground running by working on our Page One. Short story or long-form fiction\, all the elements of narration are thrown into play right away on the first page (okay\, maybe a little on the second). The themes and problems of the piece are all present\, stated or suggested\, sometimes hidden. We will learn to do that: get out of the starting blocks fast\, leaving our anxieties behind. \nThe “everything at once” approach means putting all the narrative elements into play simultaneously. Setting speaks for character\, dialogue speaks for plot\, the description of place speaks for the theme. All intertwined\, not consecutive. Everything at once\, like when you meet someone in real life\, even if it takes time to understand what you first thought you knew. \nWe’ll look at the beginning page of works of fiction to see how others have handled their beginnings. That revolver on the dining room table – does it really have to go off\, and who or what will be the target? When Dante admits in Sentence One\, “Halfway through the journey of my life\, I found myself lost in a forest dark\,” what sort of darkness is this\, and why is he telling us about it? The issue of who is talking to us\, and why\, will be essential to our Page Ones. \nThe object is to become more self-aware from the beginning\, without turning into hyper-planners intent on deleting all spontaneity. The Page One approach is one of the antidotes to the anxieties of the beginning writer\, since it stresses action: moving quickly\, getting the elements in play\, foreseeing eventual themes\, helping answer the question\, “Why does this story exist\, and where is it going?” \nOften the beginnings of stories wonder about their own existence. Tom O’Brien’s The Things They Carried meditates on the difficulty of telling a true war story. How can you tell if a war story is true? What is a war story anyway? Whom can we trust? This Page-One questioning launches the book.
URL:https://qwf.org/event/everything-happens-at-once-your-page-one/2019-11-27/
LOCATION:Atwater Library and Computer Centre\, 1200 Atwater Avenue\, Westmount\, Quebec\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops,Workshops
ATTACH;FMTTYPE=image/jpeg:https://qwf.org/wp-content/uploads/2019/08/David_Homel_credit_Marina_Vulicevic_66px_320px.jpg
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