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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250427T143000
DTEND;TZID=America/New_York:20250427T153000
DTSTAMP:20260403T133150
CREATED:20250421T183242Z
LAST-MODIFIED:20250421T183635Z
UID:10004316-1745764200-1745767800@qwf.org
SUMMARY:Imagination – Leanna Brodie
DESCRIPTION:Sunday\, April 27\, 2025\, 2:30-3:30 pm ET\n\n\n\nEnjoy an interview with Leanna Brodie\, author of Salesman in China\, at this Imagination event!  \n\n\n\nPhoto by Kristine Cofsky\n\n\n\nLeanna Brodie is an award-winning performer and writer whose plays include The Vic\, For Home and Country\, The Book of Esther\, and Schoolhouse\, which have been performed across Canada. Most recently\, Salesman in China\, written in collaboration with Jovanni Sy\, premiered at the Stratford Festival and National Arts Centre to great acclaim\, winning the Quebec Writers’ Federation Prize for best new play. Brodie is also a leading translator of Québécois and Franco-Canadian playwrights. \n\n\n\n\n\n\n\nHost: Michael Bourguignon \n\n\n\nOrganized by the Imagination Writers’ Festival in partnership with QWF’s Writers Out Loud series.
URL:https://qwf.org/event/imagination-leanna-brodie/
LOCATION:Morrin Centre\, 44 Chaussée des Écossais\, Quebec City\, Quebec\, G1R 4H3\, Canada
CATEGORIES:Festival,Writers Out Loud
ATTACH;FMTTYPE=image/jpeg:https://qwf.org/wp-content/uploads/2025/04/484903949_1192793076186435_4934074272584535687_n.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250427T143000
DTEND;TZID=America/New_York:20250427T143000
DTSTAMP:20260403T133150
CREATED:20250318T172641Z
LAST-MODIFIED:20250318T172646Z
UID:10004260-1745764200-1745764200@qwf.org
SUMMARY:The Gabriel Safdie Event: Jerusalem of the Mind—The Groundwork for the Day After
DESCRIPTION:Sunday\, April 27th\, 2025\, 2:30 pm ET\n\n\n\nPart of the 2025 Blue Metropolis International Literary Festival \n\n\n\nHow do we continue living through endless conflict in the Middle East? How do we lay the groundwork for the day after? What role do we have as writers\, poets\, storytellers and journalists in the arduous and grassroots task of dialogue toward peace building? We must first explore ways toward building empathy among enemies. \n\n\n\nA discussion on the current Middle East among a scholar\, a poet\, a writer\, and a filmmaker. \n\n\n\nParticipants: Danae Elon\, Yacov Rabkin\, Moustafa Bayoumi\, Ehab Lotayef \n\n\n\nModerator: Kareem Shaheen
URL:https://qwf.org/event/the-gabriel-safdie-event-jerusalem-of-the-mind-the-groundwork-for-the-day-after/
LOCATION:Hotel 10\, 10 Sherbrooke Street West\, Montreal\, Quebec\, H2X 4C9\, Canada
CATEGORIES:Festival,Panel
ATTACH;FMTTYPE=image/webp:https://qwf.org/wp-content/uploads/2025/03/76_Gabriel_Safdie_Event_1152x648.webp
ORGANIZER;CN="Blue Metropolis":MAILTO:info@bluemetropolis.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250426T160000
DTEND;TZID=America/New_York:20250426T180000
DTSTAMP:20260403T133150
CREATED:20250327T180642Z
LAST-MODIFIED:20250327T180646Z
UID:10004270-1745683200-1745690400@qwf.org
SUMMARY:Launch! Fred Anderson with Gordon Weekes on great Black music of the Civil Rights era
DESCRIPTION:Librairie Résonance\, Livres Baraka\, and Arts in the Margins present the launch of Fred Anderson’s memoir\, Eyes Have Seen\, From Mississippi to Montreal (April 1\, Livres Baraka)\, along with special guest Gordon Weekes\, host of Anatomy of Caribbean Music\, 1690 AM\, CJLO.COM. \nTo mark the launch\, Fred and Gordon will be in conversation about the music that shaped the Civil Rights era. Nina Simone. Charles Mingus. John Coltrane. Sweet Honey in the Rock. Richie Haven. Roberta Flack. Oscar Peterson. Odetta. \nCopies of the book will be available for purchase and to be autographed.  Free and all are welcome! \nSaturday\, April 26\, 4 pm\nLIBRAIRIE RÉSONANCE\, 40 rue Beaubien Est\nSTM public transport: Beaubien metro station\nBus stop (north\, St-Laurent at Beaubien): #51440\nBus stop (south\, Clarke at Beaubien): #51411 \nABOUT \nEyes Have Seen at Livres Baraka: https://www.barakabooks.com/catalogue/eyes-have-seen\nLibrairie Resonance: https://www.librairieresonance.com\nArts in the Margins: https://artsinthemargins.org
URL:https://qwf.org/event/launch-fred-anderson-with-gordon-weekes-on-great-black-music-of-the-civil-rights-era/
LOCATION:Librairie Résonance\, 40 rue Beaubien Est\, Montreal\, Quebec\, Canada
CATEGORIES:Book Launch
ATTACH;FMTTYPE=image/png:https://qwf.org/wp-content/uploads/2025/03/qwf-banner.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250426T143000
DTEND;TZID=America/New_York:20250426T153000
DTSTAMP:20260403T133150
CREATED:20250421T181632Z
LAST-MODIFIED:20250421T182623Z
UID:10004314-1745677800-1745681400@qwf.org
SUMMARY:Imagination Writers' Festival: Sabrina Reeves
DESCRIPTION:April 26\, 2025\, 2:30-3:30 pm ET\n\n\n\nEnjoy an interview with Sabrina Reeves\, author of Little Crosses\, at this Imagination event! \n\n\n\nPhoto by Tony Chong\n\n\n\nSabrina Reeves grew up in Boston and New York and currently lives in Montreal. Her artistic practice has primarily been in writing performance texts and plays. She founded the performance company Bluemouth Inc.\, with whom she has written and staged over a dozen original works and performed at festivals and theatres all over the world. In 2018\, she completed an MFA in creative writing at Concordia University\, where she was awarded the Dean of Arts and Sciences Award for Excellence in Creative Writing. Her first novel\, Little Crosses\, was published in March of 2024 by House of Anansi Press and was awarded the Concordia University First Book Prize and the Paragraphe Hugh MacLennan Prize for fiction. \n\n\n\nHost : Leila Paddack-Trudel \n\n\n\nOrganized by the Imagination Writers’ Festival in partnership with QWF’s Writers Out Loud series.
URL:https://qwf.org/event/imagination-writers-festival-sabrina-reeves/
LOCATION:QC
CATEGORIES:Festival,Writers Out Loud
ATTACH;FMTTYPE=image/jpeg:https://qwf.org/wp-content/uploads/2025/04/484903949_1192793076186435_4934074272584535687_n.jpg
ORGANIZER;CN="Morrin Centre":MAILTO:INFO@MORRIN.ORG
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250426T143000
DTEND;TZID=America/New_York:20250426T143000
DTSTAMP:20260403T133150
CREATED:20250313T215332Z
LAST-MODIFIED:20250313T215336Z
UID:10004254-1745677800-1745677800@qwf.org
SUMMARY:Writers Out Loud: To Care for the Earth—In Conversation with Alice Irene Whittaker
DESCRIPTION:Saturday\, April 26\, 2025\, 2:30 pm ETHôtel 10 – Salle Jardin\n\n\n\nNovelist Ian Thomas Shaw interviews author Alice Irene Whittaker to explore the profound act of finding home in nature at a time of heartbreaking change. In her book\, Homing: A Quest for Care for Myself and the Earth\, Alice Irene weaves the wisdom of leading environmentalists with her journey of embracing nature’s cycles in a cabin in the woods\, where she strives to shed perfectionism and cultivate a life rooted in regeneration and care. \n\n\n\nPart of QWF’s Writers Out Loud series. Presented in partnership with the Blue Metropolis International Literary Festival.
URL:https://qwf.org/event/writers-out-loud-to-care-for-the-earth-in-conversation-with-alice-irene-whittaker/
LOCATION:Hotel 10\, 10 Sherbrooke Street West\, Montreal\, Quebec\, H2X 4C9\, Canada
CATEGORIES:Festival,Panel,Reading,Writers Out Loud
ATTACH;FMTTYPE=image/webp:https://qwf.org/wp-content/uploads/2025/03/42_Alice_Irene_Whitaker_1152x648.webp
ORGANIZER;CN="Blue Metropolis":MAILTO:info@bluemetropolis.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250426T110000
DTEND;TZID=America/New_York:20250426T123000
DTSTAMP:20260403T133150
CREATED:20250421T182842Z
LAST-MODIFIED:20250421T182934Z
UID:10004315-1745665200-1745670600@qwf.org
SUMMARY:Imagination –Writing Dialogue for the Stage Workshop
DESCRIPTION:April 22-27\, 2025\, 11:00 am-12:30 pm ET\n\n\n\nJoin us for this Imagination festival workshop! \n\n\n\nHow does dialogue work in the theatre\, and how does it relate to character and action? Join playwright Leanna Brodie for this workshop to find out! With a mix of theory and hands-on exercises\, explore various approaches to writing for multiple voices and generating text for the stage. \n\n\n\nPhoto by Kristine Cofsky\n\n\n\nLeanna Brodie is an award-winning performer and writer whose plays include The Vic\, For Home and Country\, The Book of Esther\, and Schoolhouse\, which have been performed across Canada. Most recently\, Salesman in China\, written in collaboration with Jovanni Sy\, premiered at the Stratford Festival and National Arts Centre to great acclaim\, winning the Quebec Writers’ Federation Prize for best new play. Brodie is also a leading translator of Québécois and Franco-Canadian playwrights. \n\n\n\n \n\n\n\nOrganized by the Imagination Writers’ Festival in partnership with QWF’s Writers Out Loud series.
URL:https://qwf.org/event/imagination-writing-dialogue-for-the-stage-workshop/
LOCATION:Morrin Centre\, 44 Chaussée des Écossais\, Quebec City\, Quebec\, G1R 4H3\, Canada
CATEGORIES:Festival,Workshops,Writers Out Loud
ATTACH;FMTTYPE=image/jpeg:https://qwf.org/wp-content/uploads/2025/04/484903949_1192793076186435_4934074272584535687_n.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250426T100000
DTEND;TZID=America/New_York:20250426T123000
DTSTAMP:20260403T133150
CREATED:20250328T195328Z
LAST-MODIFIED:20250328T195332Z
UID:10004271-1745661600-1745670600@qwf.org
SUMMARY:Shut Up & Write! with QWF (Virtual)
DESCRIPTION:Saturday\, April 26\, 2025\, 10:00 am–12:30 pm ETOnline via Zoom—RSVP below to receive the Zoom link\n\n\n\nLooking for some dedicated\, quiet writing space? \n\n\n\nRegister below to do all that writing you’ve been meaning to do. Using the Pomodoro technique\, participants write in 25-minute bursts\, with 5-minute breaks in between. \n\n\n\nThis event is for QWF members only. Not a member? Learn about becoming a member.  \n\n\n\nThe Zoom link will be sent out a day or two before the session. \n\n\n\nPlease note that these sessions are designed for silent writing\, rather than discussing or getting feedback on work. \n\n\n\n10:00–10:25: Writing 110:25–10:30: Break10:30–10:55: Writing 210:55–11:00: Break11:00–11:25: Writing 311:25–11:30: Break11:30–11:55: Writing 411:55–12:00: Break12:00–12:25: Writing 5 \n\n\n\nTo receive the Zoom link\, RSVP below. You will receive the Zoom link a few days before the session. \n\n\n\nNote: RSVPs for virtual Shut Up & Write! sessions close 24 hours before the session begins. If there is no option to RSVP\, RSVPs are closed.
URL:https://qwf.org/event/shut-up-write-with-qwf-virtual-33/
LOCATION:Online – Please RSVP to receive a Zoom link
CATEGORIES:Shut Up & Write!
ATTACH;FMTTYPE=image/png:https://qwf.org/wp-content/uploads/2021/04/Shut-Up-Write.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250425T193000
DTEND;TZID=America/New_York:20250426T230000
DTSTAMP:20260403T133150
CREATED:20250414T170947Z
LAST-MODIFIED:20250414T171128Z
UID:10004298-1745609400-1745708400@qwf.org
SUMMARY:2025 Queer Reading Series
DESCRIPTION:Produced by Playwrights’ Workshop Montréal in partnership with Centaur theatre\, the Queer Reading Series continues for its 6th year showcasing the works of emerging Queer playwrights. Taking place on April 25 and 26th at 7:30PM at Centaur Theatre\, and curated by Jesse Stong\, this two-day event will feature public readings of two works in-progress by Gabrielle Banville and Anton May. Following the Saturday performance\, join us for a night of music and celebration\, featuring cool beats from QRS-Alumni Blxck Cxsper. \nBoth readings will be presented with live captioning\, and the talkbacks will be presented with auto-generated captioning\, for accessibility purposes. \nThe Queer Reading Series is a FREE event. Donations help us keep our programming free to artists\, and will be gratefully accepted at the door. \nJoin us to celebrate the power of queer storytelling in the theatre and support emerging Queer artists.
URL:https://qwf.org/event/2025-queer-reading-series/
LOCATION:Centaur Theatre\, 453 St. Francois-Xavier\, Montreal\, Quebec\, HZY 2T1\, Canada
CATEGORIES:Reading,Series
ATTACH;FMTTYPE=image/png:https://qwf.org/wp-content/uploads/2025/04/QRS-Graphic-Show-Information.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250424T190000
DTEND;TZID=America/New_York:20250424T210000
DTSTAMP:20260403T133150
CREATED:20250421T180601Z
LAST-MODIFIED:20250421T180630Z
UID:10004313-1745521200-1745528400@qwf.org
SUMMARY:Dual Book Launch & Poetry Reading at Librairie Pulp Books & Café with Louise Marois\, Manahil Bandukwala\, D.M. Bradford\, Faith Paré\, and Misha Solomon
DESCRIPTION:Ring of Dust by Louise Marois\, translated by D.M. Bradford\, and Heliotropia by Manahil Bandukwala will have a dual book launch and reading at Librairie Pulp Books & Café. Join Louise Marois\, D.M. Bradford\, Manahil Bandukwala\, and special guests Faith Paré and Misha Solomon\, for a night of poetry reading. \n\n\n\nDoors open at 6:45pm.
URL:https://qwf.org/event/dual-book-launch-poetry-reading-at-librairie-pulp-books-cafe-with-louise-marois-manahil-bandukwala-d-m-bradford-faith-pare-and-misha-solomon/
LOCATION:Librairie Pulp Books & Cafe\, 3952 Wellington Street\, Montreal\, Quebec\, H4G1V3\, Canada
CATEGORIES:Book Launch
ATTACH;FMTTYPE=image/png:https://qwf.org/wp-content/uploads/2025/04/Dual-Book-Launch-Poetry-Reading-at-Pulp-with-Louise-Marois-Manahil-Bandukwala-D.M.-Bradford-Faith-Pare-and-Misha-Solomon.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250424T080000
DTEND;TZID=America/New_York:20250427T170000
DTSTAMP:20260403T133150
CREATED:20250305T181050Z
LAST-MODIFIED:20250305T181053Z
UID:10004239-1745481600-1745773200@qwf.org
SUMMARY:Blue Metropolis International Literary Festival
DESCRIPTION:April 24-27\, 2025Hotel 10\, 10 Sherbrooke St. W.\, MontrealOnline starting April 14\n\n\n\nThe Blue Metropolis Festival is one of the largest multilingual literary events in North America. Each year\, writers from Quebec\, Canada\, and around the world converge on Montreal for the event. Festival-goers are treated to live interviews\, roundtable discussions\, public readings\, debates\, masterclasses\, readings\, and writing workshops. Every year\, the festival is structured around several strong themes that bear testimony to a keen social awareness and to a passion for literature in all its richness. \n\n\n\nThe 2025 Edition\n\n\n\nTime\, The Tree\, The Page \n\n\n\nThe Blue Metropolis Festival brings together Time\, The Tree\, and Literature for its 27th edition\, proposing an exploration of patience\, transformation\, and the delicate balance between nature\, culture\, and humanity. \n\n\n\nThe Tree\, a silent witness to centuries\, embodies both the patience of time and the memory of the world. “Trees are their own language; it is their form that speaks\, their entire form that carries their meaning\,” writes Alexis Jenni\, inviting us to reflect on our relationship with time\, literature\, and the environment. \n\n\n\nTime slips away\, accelerates\, is wasted\, and savored. It is both a threat and a promise\, urgency and contemplation. It shapes nature as much as it shapes our lives. Writing takes time; reading does too. Could time be a gift we give ourselves? \n\n\n\nOnce more\, public discussions\, roundtables\, debates\, readings\, master classes\, and podcasts will provide a rich display for both authors and the public to enjoy. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n2025 Festival
URL:https://qwf.org/event/blue-metropolis-international-literary-festival-2/
LOCATION:Hotel 10\, 10 Sherbrooke Street West\, Montreal\, Quebec\, H2X 4C9\, Canada
ATTACH;FMTTYPE=image/jpeg:https://qwf.org/wp-content/uploads/2025/03/MET_WEB_G‚n‚rique_1920x960-03.jpg
ORGANIZER;CN="Blue Metropolis":MAILTO:info@bluemetropolis.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250423T190000
DTEND;TZID=America/New_York:20250423T210000
DTSTAMP:20260403T133150
CREATED:20241212T160000Z
LAST-MODIFIED:20241210T174534Z
UID:10004103-1745434800-1745442000@qwf.org
SUMMARY:Don’t Quit Your Day Job…Yet: Freelance Writing for Print and Internet
DESCRIPTION:The Internet has boosted demand for articles\, photo features\, website text\, and niche content for both online and print outlets. The technical skills to post\, blog\, tweet\, and upload are common – especially amongst the younger generation! \n\n\n\nLess common\, however\, is the combination of these skills with the ability to write clear\, concise\, targeted\, interesting\, and well-structured prose suitable for small screens\, short attention spans\, F-pattern skim reading\, and search engines. \n\n\n\nConducted by a professional journalist\, author\, freelance writer and PR lecturer\, this workshop is designed to enhance the communications skills of freelancers\, publicists\, bloggers\, and other writers. It will also help you acquire the business and survival smarts you’ll need if you want to earn money from your writing. \n\n\n\nVariations of this workshop have been delivered online and live\, for credit and non-credit purposes at McGill University\, UCLA\, Shaanxi University\, and various arts groups. \n\n\n\nThrough discussions\, examples\, simulation exercises\, and peer review\, workshop sessions are conducted in a “real-life” context that aims to get participants published after the course. \n\n\n\nExercises are written and reviewed during sessions to mediate feedback and prepare participants to work within time limits. The instructor will set a main homework assignment\, to be reviewed before it’s submitted for publication: \n\n\n\n\nA third-person profile\, based on an interview\, which describes an interesting person\, their occupation and achievements.\n\n\n\n\nor \n\n\n\n\nA researched\, first-person narrative analyzing a subject of topical interest.\n\n\n\n\nSessions will cover all aspects of choosing\, planning\, pitching\, writing\, and editing the article. \n\n\n\nParticipants enrolling in this workshop should have a clear idea why they want to write\, what they want to write\, and for whom. They should also consider whether they intend to sell their writing to external outlets\, give it away\, or use it for personal\, career/business development. \n\n\n\nWorkshop schedule \n\n\n\nWeek 1 \n\n\n\n\nCourse introduction\n\n\n\nOvercoming writer’s block and generating story ideas\n\n\n\nChoosing the right topic at the right time\n\n\n\nDifferences between print and online writing\n\n\n\n\nWeek 2 \n\n\n\n\nAnalysis of techniques\, tone\, and content of publications\n\n\n\nInverted pyramid writing\n\n\n\nResearching and selecting relevant material\n\n\n\nSearch engine optimization\n\n\n\nOnline vs print reading patterns\n\n\n\n\nWeek 3 \n\n\n\n\nWriting catchy leads\, headings\, and subject lines\n\n\n\nBasic writing structures\n\n\n\nShow don’t tell – writing for the senses\n\n\n\nSimiles\, metaphors\, allusions\, and other writing devices\n\n\n\nCutting jargon and superfluous words\n\n\n\n\nWeek 4 \n\n\n\n\nInterviewing techniques and psychology\n\n\n\nTurning an interview into a profile\n\n\n\nUse of quotations\n\n\n\nChoosing a publication for your article\n\n\n\nPitching stories\n\n\n\n\nWeek 5 \n\n\n\n\nWorking with editors\n\n\n\nBuilding your network\n\n\n\nCaption writing\n\n\n\nSourcing\, choosing\, and editing pics\n\n\n\nTravel writing\n\n\n\n\nWeek 7 \n\n\n\n\nWriting as a business\n\n\n\nQuoting for jobs\n\n\n\nTax and invoice issues\n\n\n\nMarketing\n\n\n\nSelf-publishing\, hybrid publishing\n\n\n\n\nWeek 8 \n\n\n\n\nCourse review \n\n\n\nPreparation to submit workshop article for publication
URL:https://qwf.org/event/dont-quit-your-day-jobyet-freelance-writing-for-print-and-internet/2025-04-23/
LOCATION:Online via Zoom
CATEGORIES:QWF Workshops,Workshops
ATTACH;FMTTYPE=image/png:https://qwf.org/wp-content/uploads/2024/12/6.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250423T180000
DTEND;TZID=America/New_York:20250423T200000
DTSTAMP:20260403T133150
CREATED:20241212T160000Z
LAST-MODIFIED:20241210T184729Z
UID:10004127-1745431200-1745438400@qwf.org
SUMMARY:Listening for the Poem
DESCRIPTION:This workshop engages poetry through a listening practice. \n\n\n\nListening shifts attention away from prosaic sense-making and toward poetic meaning-making. Through listening\, we can quiet our inner editorial voice\, make unexpected leaps of thought\, create new patterns of association\, and attune to the fullness—the timbre\, tone\, and sway—of any given moment. \n\n\n\nDeveloping a listening practice also carves out dedicated time\, space\, and attention for writing. Listening permits an encounter between you and your voice\, which emerges when you do not self-consciously construct it. Listening halts self-critical chatter\, allowing you to tune in to your natural rhythms\, embodied knowledge\, and inner language. \n\n\n\nYou will be invited to engage in a directed listening experience\, on your own time\, before each workshop. During this experience\, you will compose the poems that will be brought into workshop\, which will be spent reading new poems aloud and providing feedback on one another’s writing. The idea is that you will bring in new work during each session to share\, with writing taking place on your own time. Consequently\, this is a writing-intensive workshop. Short readings and audio files will be assigned\, and participants will need a recording device for one exercise (phone is OK). \n\n\n\nThe workshop will fully engage the intellect and life experiences of all the writers in the room as we talk shop about craft\, poetics\, and more. New work is privileged to demonstrate the limitless potential we have within us to create poetry—the potential to hear poetry in everyday life. \n\n\n\nJay Ritchie is an English PhD candidate at McGill University and holds an MFA in Poetry from the University of Massachusetts Amherst. He is the author of Listening in Many Publics (Invisible Publishing\, 2024)\, which was a finalist for the QWF’s A. M. Klein Prize for Poetry\, and Cheer Up\, Jay Ritchie (Coach House Books\, 2017). He has taught creative writing at UMass and Bishop’s University. His writing and music have appeared in Maisonneuve\, SAND\, on CBC Radio One\, WMUA Amherst\, Frozen Section Radio\, at the PHI Centre\, and he performs expanded poetry readings using portable cassette players and field recordings.
URL:https://qwf.org/event/listening-for-the-poem/2025-04-23/
LOCATION:QWF Office\, 1200 Atwater Avenue\, Room 3\, Westmount\, QC\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops,Workshops
ATTACH;FMTTYPE=image/png:https://qwf.org/wp-content/uploads/2024/12/5.png
GEO:45.4886431;-73.5864377
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=QWF Office 1200 Atwater Avenue Room 3 Westmount QC H3Z 1X4 Canada;X-APPLE-RADIUS=500;X-TITLE=1200 Atwater Avenue\, Room 3:geo:-73.5864377,45.4886431
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250422T200000
DTEND;TZID=America/New_York:20250422T220000
DTSTAMP:20260403T133150
CREATED:20241212T160000Z
LAST-MODIFIED:20241210T180200Z
UID:10004111-1745352000-1745359200@qwf.org
SUMMARY:Make It Make Sense: Writing Memoir
DESCRIPTION:Writing a story about something that really happened seems like it should be easy: after all\, compared to something like fiction\, a lot of the work is already done for you. You already know what happens! But as anyone who has attempted to make art about their own life and experience can attest\, the practice can feel a lot more complicated when you actually get down to it. Life doesn’t always make sense — but a good story has to. \n\n\n\nLed by Tara McGowan-Ross\, the author of the Hilary Weston Prize-shortlisted memoir Nothing Will Be Different\, Make It Make Sense is a workshop that engages directly with the complicated questions that can impede creativity when writing about real life. What makes memoir different from other kinds of nonfiction? Why does writing about yourself honestly so often feel like lying through your teeth? What are the ethics of writing about other people? And what gives me the right\, in our complicated global environment\, to take up space telling my own story at all? \n\n\n\nThis workshop aims to foster a sense of confidence and capacity in a genre that is both highly marketable arts entertainment and powerful personal reflective practice. Participants will be asked to think critically about memoir from the perspective of both writer and reader in a discussion-based environment that features short lectures\, collaborative dialogue\, peer editing\, and revision to foster a sense of ease in one of the most fraught and risky modes of self-expression. \n\n\n\nMake It Make Sense is designed for writers of all skill levels who feel they are psychologically blocked in their memoir-writing practice. Participants will be encouraged to develop a solid foundation of confidence and understanding so that they can live with the sense of uncertainty (or even danger) that often makes this genre so challenging and exciting. Participants will be required to write a short piece for peer editing and workshop with their cohort and encouraged to revise that same piece based on feedback. Not all revised pieces will be workshopped.
URL:https://qwf.org/event/make-it-make-sense-writing-memoir/2025-04-22/
LOCATION:QWF Office\, 1200 Atwater Avenue\, Room 3\, Westmount\, QC\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops,Workshops
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250422T190000
DTEND;TZID=America/New_York:20250422T190000
DTSTAMP:20260403T133150
CREATED:20250331T161620Z
LAST-MODIFIED:20250422T201025Z
UID:10004273-1745348400-1745348400@qwf.org
SUMMARY:2025 Annual General Meeting
DESCRIPTION:The 2025 Quebec Writers’ Federation Annual General Meeting will be held \n\n\n\nTuesday\, April 22\, 2025 at 7:00 pm EDTatAdair Auditorium\, Atwater Library1200 Atwater Avenue (top floor)and online via Zoom\n\n\n\nAt the meeting\, the President will review the year’s activities and the Executive Director will present the financial report. An election will be held for the Board of Directors for the coming year – April 2025 to April 2026.  If you wish to nominate someone for a position on the Board\, or to put your own name forward\, please contact Riley Palanca (riley@qwf.org) and request the Introduction for Potential Board Members document and a nomination form. Completed nomination forms\, including the signatures of two other QWF members\, must be submitted to Riley by Friday\, April 11\, 2025. \n\n\n\nPlease note that you must be a member in good standing to be eligible to run for the board\, nominate someone for the board\, or vote at the AGM. \n\n\n\nAgenda\n\n\n\n\n7:00-7:15: Schmoozing\n\n\n\n7:15: Call to order\n\n\n\nReport from the outgoing QWF President\, Tawhida Tanya Evanson\n\n\n\nFinancial report\, presented by the QWF Executive Director\, Lori Schubert\n\n\n\nElection or acclamation of new Board of Directors\n\n\n\nParting words from the incoming President\, Crystal Chan\n\n\n\n\nRegistration\n\n\n\nTo register\, fill out the RSVP form at the bottom of this page. Please indicate whether you will be attending in person or online via Zoom. If attending online\, you’ll receive a link to the Zoom meeting a day or two before the meeting takes place. \n\n\n\nRegistration will close on Tuesday\, April 22\, at 5:00 pm ET. If you would like to register to attend after registration has closed\, please contact John Wickham at john@qwf.org to be put on the attendance list. Please also indicate whether you will attend in person or on Zoom. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nIf you will be attending online\, you will receive a link to the Zoom meeting the day before or day of the meeting\, depending on when you register.
URL:https://qwf.org/event/2025-annual-general-meeting/
LOCATION:Adair Auditorium\, Atwater Library\, 1200 Atwater Avenue\, top floor\, Montreal\, Quebec\, H3Z 1T4\, Canada
CATEGORIES:QWF Events
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250422T180000
DTEND;TZID=America/New_York:20250422T200000
DTSTAMP:20260403T133150
CREATED:20241212T160000Z
LAST-MODIFIED:20241210T185048Z
UID:10004135-1745344800-1745352000@qwf.org
SUMMARY:So You’ve Written a Novel – Now What?
DESCRIPTION:The first time I typed THE END on a manuscript\, I didn’t know what to do next. There’s a lot of information and encouragement on HOW to write a book\, but not a lot on what to do after you’ve written the thing. And the advice you find online can be woefully misleading\, confusing\, or at its very worst —fraudulent. \n\n\n\nThis 8-week workshop aims to fully lay out the roadmap to traditional publishing for someone who’s finished\, or is close to finishing a fiction manuscript. The journey of getting your story from your laptop to an actual book you can pick up at Indigo follows a very specific series of steps. From landing an agent\, to signing with a publisher\, to contract details\, this course will take you\, in minute detail\, through every step\, with a centerpiece intensive workshop formulating your all-important Query Letter\, along with details on crafting your logline and your pitch kits. \n\n\n\nDesigned for absolute newbies to the world of publishing\, this workshop will offer you tips and tactics to maximize your chances at every step\, and by its end you should have the knowledge and confidence to approach this perilous enterprise knowing exactly what you need to do next. Because typing THE END is only the beginning. \n\n\n\nThere is no submission required prior to the first session\, but participants will be expected to write loglines and query letters and share them with the group as the workshop progresses. They will also be expected to read and critique each other’s work. \n\n\n\nToronto-born\, Montreal-based writer and illustrator Sherwin Sullivan Tjia has written many odd and eclectic books. Their 2005 collection of pseudohaikus\, The World is a Heartbreaker\, was a finalist for the Quebec Writers’ Federation’s A. M. Klein Award. Their 2010 graphic novel\, The Hipless Boy\, was a finalist for the Doug Wright Award for best emerging talent\, as well as being nominated for 4 Ignatz Awards. Their 2011 Choose-Your-Own-Adventure style book from the POV of a housecat entitled You Are a Cat! won that year’s Expozine Award for best English-language book. Their latest graphic novel entitled Plummet is about a woman who wakes up one day to find herself in literal\, perpetual freefall. It was optioned for animation and named one of CBC Books’ “Top 20 Graphic Novels of 2019.”
URL:https://qwf.org/event/so-youve-written-a-novel-now-what-2/2025-04-22/
LOCATION:QWF Office\, 1200 Atwater Avenue\, Room 3\, Westmount\, QC\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops,Workshops
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250421T200000
DTEND;TZID=America/New_York:20250421T220000
DTSTAMP:20260403T133150
CREATED:20241212T160000Z
LAST-MODIFIED:20241212T163218Z
UID:10004143-1745265600-1745272800@qwf.org
SUMMARY:Craft Meets Magic: The Alchemy of Short Fiction
DESCRIPTION:Is there an art form more maddening than the short story? Demanding the complexity of a novel\, the lyricism of a poem\, and the economy of a joke\, the work is tedious and the rewards  (for most of us) are slim. Still\, for us cursed few\, the short story is an addictive nut to crack. After all\, there’s little more thrilling than the prose of a writer who can do more with a handful of pages than most can do with 300. The complexity of a novel! The lyricism of a poem! The economy of a joke! \n\n\n\nJoin us\, if you dare\, for an 8-week workshop where participants will share and critique each other’s work with an eye towards craft. Specifically\, we will ask ourselves questions like\, “What are characters made of?” “How is a plot built?” “Do I really need to describe everything?” \n\n\n\nEqually important to studying these questions will be putting them aside\, as we celebrate and cultivate the magic that makes art artin the first place–that intangible whatever that defines our passion for fiction. After all\, what else do we have to keep us warm as we trudge through draft to draft? \n\n\n\nAs time allows\, we’ll also read stories by published authors like ZZ Packer\, Donald Barthelme\, Jhumpa Lahiri\, Joy Williams\, and George Saunders. Participants will be asked to read and prepare responses to a short story (distributed from me by email) prior to our first meeting. \n\n\n\nFrankie Barnet is the author of Mood Swings (McClelland & Stewart)\, which was a finalist for the Grand prix du livre de Montréal; Kim: A Novel Idea (Metatron); and An Indoor Kind of Girl (Metatron). Her work has appeared in places such as PRISM International\, EVENT\, Joyland\, The Erotic Review\, and Biblioasis’ Best Canadian Short Stories Anthology. She has an MFA from Syracuse University and lives in Montreal.
URL:https://qwf.org/event/craft-meets-magic-the-alchemy-of-short-fiction/2025-04-21/
LOCATION:QWF Office\, 1200 Atwater Avenue\, Room 3\, Westmount\, QC\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops,Workshops
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250421T180000
DTEND;TZID=America/New_York:20250421T200000
DTSTAMP:20260403T133150
CREATED:20241212T160000Z
LAST-MODIFIED:20241212T163158Z
UID:10004151-1745258400-1745265600@qwf.org
SUMMARY:Novel Essentials: The Art & Craft of Long-Form Fiction
DESCRIPTION:Have you had an itch to write a novel\, but haven’t known how to tackle such a large project? Now is the perfect time to dust off your ideas! This workshop is a boot camp for budding writers eager to turn their novelistic dream into a reality. From iron-clad structures and story tropes to the ins-and-outs of how character motivation pushes a great plot\, this 10-week intensive workshop will impart professional tips and tricks-of-the-trade essential to bringing long-form fiction to life. \n\n\n\nThe workshop will focus on practical knowledge not covered in a typical writing workshop: initial idea development; a deep dive on novelistic structure; how to build the perfect plot; character development and motivation; scene development; and how to handle secondary and tertiary characters\, to name a few. Each week\, you will learn one or more essential techniques and/or theories\, as well as participate in short\, practical exercises that will help you build your novel. As you master the elements\, you will have opportunities to develop and workshop your original novel concepts. \n\n\n\nWhile an emphasis will be placed on long-form writing\, all writers looking to master essential elements of fiction writing are encouraged to attend. You do not require prior workshop experience or an idea for a novel to take this workshop. Participants interested in developing fiction of all kinds are more than welcome! \n\n\n\nL. E. Sterling (Erin Vollick\, also published under L. E. Vollick) is the author of numerous novels spanning contemporary\, Young Adult\, fantasy\, science-fiction\, dystopian and romance genres. Her hit series\, the True Born Trilogy\, was optioned for television\, and True Born\, the first novel in the trilogy\, was recognized internationally with the 2017 Athena Award® in Young Adult literature. With a B.A. and M.A. in Creative Writing and a Ph.D. in Literature\, Sterling taught creative writing and literature for many years. She has appeared at BookCon NYC\, the LA Times Festival of Books\, and Ad Astra.  
URL:https://qwf.org/event/novel-essentials-the-art-craft-of-long-form-fiction/2025-04-21/
LOCATION:QWF Office\, 1200 Atwater Avenue\, Room 3\, Westmount\, QC\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops,Workshops
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250419T103000
DTEND;TZID=America/New_York:20250419T163000
DTSTAMP:20260403T133150
CREATED:20241212T160000Z
LAST-MODIFIED:20241210T183720Z
UID:10004086-1745058600-1745080200@qwf.org
SUMMARY:Short Genre Fiction: From Start to Finish
DESCRIPTION:Whether you’re an old hand seeking fresh inspiration or a newcomer working on your very first short story\, we’d love to see you in this workshop! \n\n\n\nRich is the author of 250+ stories; his work has picked up numerous accolades\, and has been translated into over a dozen languages and adapted to screen. In this workshop\, he distills fifteen years of professional experience into a wide-scope\, step-by-step approach to brainstorming\, writing\, and revising short stories\, then homes in on specific techniques and advice tailored to your individual goals. \n\n\n\nYou’ll leave with a clearer understanding of how short stories come together\, new tools in your toolkit\, and a renewed zest for writing. \n\n\n\nSample topics: \n\n\n\n\n\nGleaning ideas from life\, music\, art\, fiction\,\n\n\n\nCombining ideas\, creating interesting juxtapositions\n\n\n\nPlotting\n\n\n\nGenerating endings\n\n\n\nDifferentiating characters\n\n\n\nRevision and submission\n\n\n\nTips for the daily (or nowhere near) writing practice\n\n\n\n\n\nRich Larson was born in Niger\, has lived in Spain and Czech Republic\, and is currently based in Canada. He is the author of the novels Annex and Ymir\, as well as collections Tomorrow Factory and The Sky Didn’t Load Today and Other Glitches. His fiction has been translated into over a dozen languages\, among them Polish\, French\, Romanian\, and Japanese\, and has been adapted into an Emmy-winning episode of LOVE DEATH + ROBOTS.
URL:https://qwf.org/event/short-genre-fiction-from-start-to-finish/
LOCATION:QWF Office\, 1200 Atwater Avenue\, Room 3\, Westmount\, QC\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops,Workshops
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250417T170000
DTEND;TZID=America/New_York:20250417T190000
DTSTAMP:20260403T133150
CREATED:20250411T172459Z
LAST-MODIFIED:20250411T172548Z
UID:10004293-1744909200-1744916400@qwf.org
SUMMARY:Poetry Matters: Scenes of Attunement
DESCRIPTION:Please join Poetry Matters for “Scenes of Attunement\,” a poetry reading featuring Christopher Buddle\, Joseph Kidney\, and Willow Loveday Little. \n\n\n\nWhen: Thursday\, April 17\, 5-7pmWhere: The Yellow Door\, 3625 rue AylmerLeading from Poetry Matters’ work on “poetic attention\,” we’ve invited poets to consider forms of attunement achieved through poetry\, and how attunement by way of poetic form might offer modes of response to the constraints of our climate\, broadly construed. As the semester comes to a close\, we hope this event might provide a study break for those in the midst of exam season! Light refreshments will be provided. \n\n\n\nIf you would like to attend\, but have any concerns about the accessibility of the venue\, please email charlotte.frank@mail.mcgill.ca .  \n\n\n\nChristopher Buddle is an artist\, writer\, and faculty member in the Department of Natural Resource Sciences at McGill University. His research and teaching focus is ecology\, entomology\, and field studies\, with an emphasis on the biodiversity of insects and spiders\, in a variety of habitats. Buddle’s first creative publication A Portrait of Astonishing Nature (2024) combines poetry\, art\, and science and celebrates the biodiversity of Creek 53\, a section of land located near Hudson Quebec. The Creek 53 Conservancy Trust will be the beneficiary of profits from the sale of this book\, preserving the land for future generations. \n\n\n\nJoseph Kidney holds a PhD in early modern drama from Stanford University and now lectures at Stanford’s Civic\, Liberal\, and Global Education (COLLEGE) program. His poetry has appeared in several publications including Arc\, The Ex-Puritan\, Vallum\, and Al-Araby Al-Jadeed (in Arabic translation). Kidney has been shortlisted and nominated for several awards and prizes. He won the 2024 Arc Poetry Magazine Poem of the Year Contest\, Grain’s 2021 Short Grain Contest\, and CV2’s Young Buck Poetry Prize (now the Foster Poetry Prize). In 2024\, he served as Deer Lake Artist in Residence. His chapbook Terra Firma\, Pharma Sea is available from Anstruther Press\, and his debut book Devotional Forensics was published in March 2025.  \n\n\n\nWillow Loveday Little‘s work has appeared in such venues as The Dalhousie Review\, yolk literary\, Metatron\, HA&L\, The League of Canadian Poetschapbook series\, Vallum\, and On Spec. She published her debut poetry collection (Vice) Viscera with Cactus Press in 2022 and joined the team as an editor in 2024. Willow sits on the board of the English Language Arts Network as a representative for writing.
URL:https://qwf.org/event/poetry-matters-scenes-of-attunement/
LOCATION:Yellow Door\, 3625 rue Aylmer\, Montreal\, QC\, Canada
CATEGORIES:Reading
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250416T190000
DTEND;TZID=America/New_York:20250416T210000
DTSTAMP:20260403T133150
CREATED:20241212T160000Z
LAST-MODIFIED:20241210T174534Z
UID:10004102-1744830000-1744837200@qwf.org
SUMMARY:Don’t Quit Your Day Job…Yet: Freelance Writing for Print and Internet
DESCRIPTION:The Internet has boosted demand for articles\, photo features\, website text\, and niche content for both online and print outlets. The technical skills to post\, blog\, tweet\, and upload are common – especially amongst the younger generation! \n\n\n\nLess common\, however\, is the combination of these skills with the ability to write clear\, concise\, targeted\, interesting\, and well-structured prose suitable for small screens\, short attention spans\, F-pattern skim reading\, and search engines. \n\n\n\nConducted by a professional journalist\, author\, freelance writer and PR lecturer\, this workshop is designed to enhance the communications skills of freelancers\, publicists\, bloggers\, and other writers. It will also help you acquire the business and survival smarts you’ll need if you want to earn money from your writing. \n\n\n\nVariations of this workshop have been delivered online and live\, for credit and non-credit purposes at McGill University\, UCLA\, Shaanxi University\, and various arts groups. \n\n\n\nThrough discussions\, examples\, simulation exercises\, and peer review\, workshop sessions are conducted in a “real-life” context that aims to get participants published after the course. \n\n\n\nExercises are written and reviewed during sessions to mediate feedback and prepare participants to work within time limits. The instructor will set a main homework assignment\, to be reviewed before it’s submitted for publication: \n\n\n\n\nA third-person profile\, based on an interview\, which describes an interesting person\, their occupation and achievements.\n\n\n\n\nor \n\n\n\n\nA researched\, first-person narrative analyzing a subject of topical interest.\n\n\n\n\nSessions will cover all aspects of choosing\, planning\, pitching\, writing\, and editing the article. \n\n\n\nParticipants enrolling in this workshop should have a clear idea why they want to write\, what they want to write\, and for whom. They should also consider whether they intend to sell their writing to external outlets\, give it away\, or use it for personal\, career/business development. \n\n\n\nWorkshop schedule \n\n\n\nWeek 1 \n\n\n\n\nCourse introduction\n\n\n\nOvercoming writer’s block and generating story ideas\n\n\n\nChoosing the right topic at the right time\n\n\n\nDifferences between print and online writing\n\n\n\n\nWeek 2 \n\n\n\n\nAnalysis of techniques\, tone\, and content of publications\n\n\n\nInverted pyramid writing\n\n\n\nResearching and selecting relevant material\n\n\n\nSearch engine optimization\n\n\n\nOnline vs print reading patterns\n\n\n\n\nWeek 3 \n\n\n\n\nWriting catchy leads\, headings\, and subject lines\n\n\n\nBasic writing structures\n\n\n\nShow don’t tell – writing for the senses\n\n\n\nSimiles\, metaphors\, allusions\, and other writing devices\n\n\n\nCutting jargon and superfluous words\n\n\n\n\nWeek 4 \n\n\n\n\nInterviewing techniques and psychology\n\n\n\nTurning an interview into a profile\n\n\n\nUse of quotations\n\n\n\nChoosing a publication for your article\n\n\n\nPitching stories\n\n\n\n\nWeek 5 \n\n\n\n\nWorking with editors\n\n\n\nBuilding your network\n\n\n\nCaption writing\n\n\n\nSourcing\, choosing\, and editing pics\n\n\n\nTravel writing\n\n\n\n\nWeek 7 \n\n\n\n\nWriting as a business\n\n\n\nQuoting for jobs\n\n\n\nTax and invoice issues\n\n\n\nMarketing\n\n\n\nSelf-publishing\, hybrid publishing\n\n\n\n\nWeek 8 \n\n\n\n\nCourse review \n\n\n\nPreparation to submit workshop article for publication
URL:https://qwf.org/event/dont-quit-your-day-jobyet-freelance-writing-for-print-and-internet/2025-04-16/
LOCATION:Online via Zoom
CATEGORIES:QWF Workshops,Workshops
ATTACH;FMTTYPE=image/png:https://qwf.org/wp-content/uploads/2024/12/6.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250416T180000
DTEND;TZID=America/New_York:20250416T200000
DTSTAMP:20260403T133150
CREATED:20241212T160000Z
LAST-MODIFIED:20241210T184729Z
UID:10004126-1744826400-1744833600@qwf.org
SUMMARY:Listening for the Poem
DESCRIPTION:This workshop engages poetry through a listening practice. \n\n\n\nListening shifts attention away from prosaic sense-making and toward poetic meaning-making. Through listening\, we can quiet our inner editorial voice\, make unexpected leaps of thought\, create new patterns of association\, and attune to the fullness—the timbre\, tone\, and sway—of any given moment. \n\n\n\nDeveloping a listening practice also carves out dedicated time\, space\, and attention for writing. Listening permits an encounter between you and your voice\, which emerges when you do not self-consciously construct it. Listening halts self-critical chatter\, allowing you to tune in to your natural rhythms\, embodied knowledge\, and inner language. \n\n\n\nYou will be invited to engage in a directed listening experience\, on your own time\, before each workshop. During this experience\, you will compose the poems that will be brought into workshop\, which will be spent reading new poems aloud and providing feedback on one another’s writing. The idea is that you will bring in new work during each session to share\, with writing taking place on your own time. Consequently\, this is a writing-intensive workshop. Short readings and audio files will be assigned\, and participants will need a recording device for one exercise (phone is OK). \n\n\n\nThe workshop will fully engage the intellect and life experiences of all the writers in the room as we talk shop about craft\, poetics\, and more. New work is privileged to demonstrate the limitless potential we have within us to create poetry—the potential to hear poetry in everyday life. \n\n\n\nJay Ritchie is an English PhD candidate at McGill University and holds an MFA in Poetry from the University of Massachusetts Amherst. He is the author of Listening in Many Publics (Invisible Publishing\, 2024)\, which was a finalist for the QWF’s A. M. Klein Prize for Poetry\, and Cheer Up\, Jay Ritchie (Coach House Books\, 2017). He has taught creative writing at UMass and Bishop’s University. His writing and music have appeared in Maisonneuve\, SAND\, on CBC Radio One\, WMUA Amherst\, Frozen Section Radio\, at the PHI Centre\, and he performs expanded poetry readings using portable cassette players and field recordings.
URL:https://qwf.org/event/listening-for-the-poem/2025-04-16/
LOCATION:QWF Office\, 1200 Atwater Avenue\, Room 3\, Westmount\, QC\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops,Workshops
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GEO:45.4886431;-73.5864377
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=QWF Office 1200 Atwater Avenue Room 3 Westmount QC H3Z 1X4 Canada;X-APPLE-RADIUS=500;X-TITLE=1200 Atwater Avenue\, Room 3:geo:-73.5864377,45.4886431
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250415T200000
DTEND;TZID=America/New_York:20250415T220000
DTSTAMP:20260403T133150
CREATED:20241212T160000Z
LAST-MODIFIED:20241210T180200Z
UID:10004110-1744747200-1744754400@qwf.org
SUMMARY:Make It Make Sense: Writing Memoir
DESCRIPTION:Writing a story about something that really happened seems like it should be easy: after all\, compared to something like fiction\, a lot of the work is already done for you. You already know what happens! But as anyone who has attempted to make art about their own life and experience can attest\, the practice can feel a lot more complicated when you actually get down to it. Life doesn’t always make sense — but a good story has to. \n\n\n\nLed by Tara McGowan-Ross\, the author of the Hilary Weston Prize-shortlisted memoir Nothing Will Be Different\, Make It Make Sense is a workshop that engages directly with the complicated questions that can impede creativity when writing about real life. What makes memoir different from other kinds of nonfiction? Why does writing about yourself honestly so often feel like lying through your teeth? What are the ethics of writing about other people? And what gives me the right\, in our complicated global environment\, to take up space telling my own story at all? \n\n\n\nThis workshop aims to foster a sense of confidence and capacity in a genre that is both highly marketable arts entertainment and powerful personal reflective practice. Participants will be asked to think critically about memoir from the perspective of both writer and reader in a discussion-based environment that features short lectures\, collaborative dialogue\, peer editing\, and revision to foster a sense of ease in one of the most fraught and risky modes of self-expression. \n\n\n\nMake It Make Sense is designed for writers of all skill levels who feel they are psychologically blocked in their memoir-writing practice. Participants will be encouraged to develop a solid foundation of confidence and understanding so that they can live with the sense of uncertainty (or even danger) that often makes this genre so challenging and exciting. Participants will be required to write a short piece for peer editing and workshop with their cohort and encouraged to revise that same piece based on feedback. Not all revised pieces will be workshopped.
URL:https://qwf.org/event/make-it-make-sense-writing-memoir/2025-04-15/
LOCATION:QWF Office\, 1200 Atwater Avenue\, Room 3\, Westmount\, QC\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops,Workshops
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250415T180000
DTEND;TZID=America/New_York:20250415T200000
DTSTAMP:20260403T133150
CREATED:20241212T160000Z
LAST-MODIFIED:20241210T185048Z
UID:10004134-1744740000-1744747200@qwf.org
SUMMARY:So You’ve Written a Novel – Now What?
DESCRIPTION:The first time I typed THE END on a manuscript\, I didn’t know what to do next. There’s a lot of information and encouragement on HOW to write a book\, but not a lot on what to do after you’ve written the thing. And the advice you find online can be woefully misleading\, confusing\, or at its very worst —fraudulent. \n\n\n\nThis 8-week workshop aims to fully lay out the roadmap to traditional publishing for someone who’s finished\, or is close to finishing a fiction manuscript. The journey of getting your story from your laptop to an actual book you can pick up at Indigo follows a very specific series of steps. From landing an agent\, to signing with a publisher\, to contract details\, this course will take you\, in minute detail\, through every step\, with a centerpiece intensive workshop formulating your all-important Query Letter\, along with details on crafting your logline and your pitch kits. \n\n\n\nDesigned for absolute newbies to the world of publishing\, this workshop will offer you tips and tactics to maximize your chances at every step\, and by its end you should have the knowledge and confidence to approach this perilous enterprise knowing exactly what you need to do next. Because typing THE END is only the beginning. \n\n\n\nThere is no submission required prior to the first session\, but participants will be expected to write loglines and query letters and share them with the group as the workshop progresses. They will also be expected to read and critique each other’s work. \n\n\n\nToronto-born\, Montreal-based writer and illustrator Sherwin Sullivan Tjia has written many odd and eclectic books. Their 2005 collection of pseudohaikus\, The World is a Heartbreaker\, was a finalist for the Quebec Writers’ Federation’s A. M. Klein Award. Their 2010 graphic novel\, The Hipless Boy\, was a finalist for the Doug Wright Award for best emerging talent\, as well as being nominated for 4 Ignatz Awards. Their 2011 Choose-Your-Own-Adventure style book from the POV of a housecat entitled You Are a Cat! won that year’s Expozine Award for best English-language book. Their latest graphic novel entitled Plummet is about a woman who wakes up one day to find herself in literal\, perpetual freefall. It was optioned for animation and named one of CBC Books’ “Top 20 Graphic Novels of 2019.”
URL:https://qwf.org/event/so-youve-written-a-novel-now-what-2/2025-04-15/
LOCATION:QWF Office\, 1200 Atwater Avenue\, Room 3\, Westmount\, QC\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops,Workshops
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250413T190000
DTEND;TZID=America/New_York:20250413T210000
DTSTAMP:20260403T133150
CREATED:20250324T145216Z
LAST-MODIFIED:20250402T181549Z
UID:10004265-1744570800-1744578000@qwf.org
SUMMARY:Cut Side Down Book Launch
DESCRIPTION:Jessi MacEachern’s second poetry collection\, Cut Side Down\, is being published by Invisible in April. A book launch will be held at 7:00 PM on Sunday\, April 13 at Bar Milton-Parc Coopérative de Solidarité (3714 Park Ave)\, a worker-owned and operated bar. Beer\, wine\, cocktails\, and non-alcoholic beverages are available for purchase. Copies of Cut Side Down will also be available for purchase.
URL:https://qwf.org/event/cut-side-down-book-launch/
LOCATION:3714 av Parc\, 3714 avenue Parc\, Montréal\, QC\, H2X 2J1\, Canada
ATTACH;FMTTYPE=image/jpeg:https://qwf.org/wp-content/uploads/2025/03/CutSideDownBookParty.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250412T100000
DTEND;TZID=America/New_York:20250412T123000
DTSTAMP:20260403T133150
CREATED:20250314T144218Z
LAST-MODIFIED:20250314T144222Z
UID:10004257-1744452000-1744461000@qwf.org
SUMMARY:Shut Up & Write! with QWF (Virtual)
DESCRIPTION:Saturday\, April 12\, 2025\, 10:00 am–12:30 pm ETOnline via Zoom—RSVP below to receive the Zoom link\n\n\n\nLooking for some dedicated\, quiet writing space? \n\n\n\nRegister below to do all that writing you’ve been meaning to do. Using the Pomodoro technique\, participants write in 25-minute bursts\, with 5-minute breaks in between. \n\n\n\nThis event is for QWF members only. Not a member? Learn about becoming a member.  \n\n\n\nThe Zoom link will be sent out a day or two before the session. \n\n\n\nPlease note that these sessions are designed for silent writing\, rather than discussing or getting feedback on work. \n\n\n\n10:00–10:25: Writing 110:25–10:30: Break10:30–10:55: Writing 210:55–11:00: Break11:00–11:25: Writing 311:25–11:30: Break11:30–11:55: Writing 411:55–12:00: Break12:00–12:25: Writing 5 \n\n\n\nTo receive the Zoom link\, RSVP below. You will receive the Zoom link a few days before the session. \n\n\n\nNote: RSVPs for virtual Shut Up & Write! sessions close 24 hours before the session begins. If there is no option to RSVP\, RSVPs are closed.
URL:https://qwf.org/event/shut-up-write-with-qwf-virtual-32/
LOCATION:Online – Please RSVP to receive a Zoom link
CATEGORIES:Shut Up & Write!
ATTACH;FMTTYPE=image/png:https://qwf.org/wp-content/uploads/2021/04/Shut-Up-Write.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250411T160000
DTEND;TZID=America/New_York:20250411T160000
DTSTAMP:20260403T133150
CREATED:20250403T215117Z
LAST-MODIFIED:20250404T201801Z
UID:10004274-1744387200-1744387200@qwf.org
SUMMARY:Book Launch: Cut Side Down
DESCRIPTION:Friday\, April 11\, 2025\, 4:00 pm ET\n\n\n\nJoin Jessi MacEachern for the Université de Montréal launch of Cut Side Down. \n\n\n\nReading by Jessi MacEachernVisiting ProfessorÉtudes anglaises \n\n\n\nIntroduction by Jane MalcolmAssociate DirectorÉtudes anglaises
URL:https://qwf.org/event/book-launch-cut-side-down/
LOCATION:Carrefour interdisciplinaire et interculturel\, UdeM\, C-8056 au 8e étage du pavillon Lionel-Groulx\, Montreal
CATEGORIES:Book Launch,Reading
ATTACH;FMTTYPE=image/png:https://qwf.org/wp-content/uploads/2025/04/Screenshot-2025-04-03-174126.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250409T190000
DTEND;TZID=America/New_York:20250409T210000
DTSTAMP:20260403T133150
CREATED:20241212T160000Z
LAST-MODIFIED:20241210T174534Z
UID:10004101-1744225200-1744232400@qwf.org
SUMMARY:Don’t Quit Your Day Job…Yet: Freelance Writing for Print and Internet
DESCRIPTION:The Internet has boosted demand for articles\, photo features\, website text\, and niche content for both online and print outlets. The technical skills to post\, blog\, tweet\, and upload are common – especially amongst the younger generation! \n\n\n\nLess common\, however\, is the combination of these skills with the ability to write clear\, concise\, targeted\, interesting\, and well-structured prose suitable for small screens\, short attention spans\, F-pattern skim reading\, and search engines. \n\n\n\nConducted by a professional journalist\, author\, freelance writer and PR lecturer\, this workshop is designed to enhance the communications skills of freelancers\, publicists\, bloggers\, and other writers. It will also help you acquire the business and survival smarts you’ll need if you want to earn money from your writing. \n\n\n\nVariations of this workshop have been delivered online and live\, for credit and non-credit purposes at McGill University\, UCLA\, Shaanxi University\, and various arts groups. \n\n\n\nThrough discussions\, examples\, simulation exercises\, and peer review\, workshop sessions are conducted in a “real-life” context that aims to get participants published after the course. \n\n\n\nExercises are written and reviewed during sessions to mediate feedback and prepare participants to work within time limits. The instructor will set a main homework assignment\, to be reviewed before it’s submitted for publication: \n\n\n\n\nA third-person profile\, based on an interview\, which describes an interesting person\, their occupation and achievements.\n\n\n\n\nor \n\n\n\n\nA researched\, first-person narrative analyzing a subject of topical interest.\n\n\n\n\nSessions will cover all aspects of choosing\, planning\, pitching\, writing\, and editing the article. \n\n\n\nParticipants enrolling in this workshop should have a clear idea why they want to write\, what they want to write\, and for whom. They should also consider whether they intend to sell their writing to external outlets\, give it away\, or use it for personal\, career/business development. \n\n\n\nWorkshop schedule \n\n\n\nWeek 1 \n\n\n\n\nCourse introduction\n\n\n\nOvercoming writer’s block and generating story ideas\n\n\n\nChoosing the right topic at the right time\n\n\n\nDifferences between print and online writing\n\n\n\n\nWeek 2 \n\n\n\n\nAnalysis of techniques\, tone\, and content of publications\n\n\n\nInverted pyramid writing\n\n\n\nResearching and selecting relevant material\n\n\n\nSearch engine optimization\n\n\n\nOnline vs print reading patterns\n\n\n\n\nWeek 3 \n\n\n\n\nWriting catchy leads\, headings\, and subject lines\n\n\n\nBasic writing structures\n\n\n\nShow don’t tell – writing for the senses\n\n\n\nSimiles\, metaphors\, allusions\, and other writing devices\n\n\n\nCutting jargon and superfluous words\n\n\n\n\nWeek 4 \n\n\n\n\nInterviewing techniques and psychology\n\n\n\nTurning an interview into a profile\n\n\n\nUse of quotations\n\n\n\nChoosing a publication for your article\n\n\n\nPitching stories\n\n\n\n\nWeek 5 \n\n\n\n\nWorking with editors\n\n\n\nBuilding your network\n\n\n\nCaption writing\n\n\n\nSourcing\, choosing\, and editing pics\n\n\n\nTravel writing\n\n\n\n\nWeek 7 \n\n\n\n\nWriting as a business\n\n\n\nQuoting for jobs\n\n\n\nTax and invoice issues\n\n\n\nMarketing\n\n\n\nSelf-publishing\, hybrid publishing\n\n\n\n\nWeek 8 \n\n\n\n\nCourse review \n\n\n\nPreparation to submit workshop article for publication
URL:https://qwf.org/event/dont-quit-your-day-jobyet-freelance-writing-for-print-and-internet/2025-04-09/
LOCATION:Online via Zoom
CATEGORIES:QWF Workshops,Workshops
ATTACH;FMTTYPE=image/png:https://qwf.org/wp-content/uploads/2024/12/6.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250409T180000
DTEND;TZID=America/New_York:20250409T200000
DTSTAMP:20260403T133150
CREATED:20241212T160000Z
LAST-MODIFIED:20241210T184729Z
UID:10004125-1744221600-1744228800@qwf.org
SUMMARY:Listening for the Poem
DESCRIPTION:This workshop engages poetry through a listening practice. \n\n\n\nListening shifts attention away from prosaic sense-making and toward poetic meaning-making. Through listening\, we can quiet our inner editorial voice\, make unexpected leaps of thought\, create new patterns of association\, and attune to the fullness—the timbre\, tone\, and sway—of any given moment. \n\n\n\nDeveloping a listening practice also carves out dedicated time\, space\, and attention for writing. Listening permits an encounter between you and your voice\, which emerges when you do not self-consciously construct it. Listening halts self-critical chatter\, allowing you to tune in to your natural rhythms\, embodied knowledge\, and inner language. \n\n\n\nYou will be invited to engage in a directed listening experience\, on your own time\, before each workshop. During this experience\, you will compose the poems that will be brought into workshop\, which will be spent reading new poems aloud and providing feedback on one another’s writing. The idea is that you will bring in new work during each session to share\, with writing taking place on your own time. Consequently\, this is a writing-intensive workshop. Short readings and audio files will be assigned\, and participants will need a recording device for one exercise (phone is OK). \n\n\n\nThe workshop will fully engage the intellect and life experiences of all the writers in the room as we talk shop about craft\, poetics\, and more. New work is privileged to demonstrate the limitless potential we have within us to create poetry—the potential to hear poetry in everyday life. \n\n\n\nJay Ritchie is an English PhD candidate at McGill University and holds an MFA in Poetry from the University of Massachusetts Amherst. He is the author of Listening in Many Publics (Invisible Publishing\, 2024)\, which was a finalist for the QWF’s A. M. Klein Prize for Poetry\, and Cheer Up\, Jay Ritchie (Coach House Books\, 2017). He has taught creative writing at UMass and Bishop’s University. His writing and music have appeared in Maisonneuve\, SAND\, on CBC Radio One\, WMUA Amherst\, Frozen Section Radio\, at the PHI Centre\, and he performs expanded poetry readings using portable cassette players and field recordings.
URL:https://qwf.org/event/listening-for-the-poem/2025-04-09/
LOCATION:QWF Office\, 1200 Atwater Avenue\, Room 3\, Westmount\, QC\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops,Workshops
ATTACH;FMTTYPE=image/png:https://qwf.org/wp-content/uploads/2024/12/5.png
GEO:45.4886431;-73.5864377
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=QWF Office 1200 Atwater Avenue Room 3 Westmount QC H3Z 1X4 Canada;X-APPLE-RADIUS=500;X-TITLE=1200 Atwater Avenue\, Room 3:geo:-73.5864377,45.4886431
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250408T200000
DTEND;TZID=America/New_York:20250408T220000
DTSTAMP:20260403T133150
CREATED:20241212T160000Z
LAST-MODIFIED:20241210T180200Z
UID:10004109-1744142400-1744149600@qwf.org
SUMMARY:Make It Make Sense: Writing Memoir
DESCRIPTION:Writing a story about something that really happened seems like it should be easy: after all\, compared to something like fiction\, a lot of the work is already done for you. You already know what happens! But as anyone who has attempted to make art about their own life and experience can attest\, the practice can feel a lot more complicated when you actually get down to it. Life doesn’t always make sense — but a good story has to. \n\n\n\nLed by Tara McGowan-Ross\, the author of the Hilary Weston Prize-shortlisted memoir Nothing Will Be Different\, Make It Make Sense is a workshop that engages directly with the complicated questions that can impede creativity when writing about real life. What makes memoir different from other kinds of nonfiction? Why does writing about yourself honestly so often feel like lying through your teeth? What are the ethics of writing about other people? And what gives me the right\, in our complicated global environment\, to take up space telling my own story at all? \n\n\n\nThis workshop aims to foster a sense of confidence and capacity in a genre that is both highly marketable arts entertainment and powerful personal reflective practice. Participants will be asked to think critically about memoir from the perspective of both writer and reader in a discussion-based environment that features short lectures\, collaborative dialogue\, peer editing\, and revision to foster a sense of ease in one of the most fraught and risky modes of self-expression. \n\n\n\nMake It Make Sense is designed for writers of all skill levels who feel they are psychologically blocked in their memoir-writing practice. Participants will be encouraged to develop a solid foundation of confidence and understanding so that they can live with the sense of uncertainty (or even danger) that often makes this genre so challenging and exciting. Participants will be required to write a short piece for peer editing and workshop with their cohort and encouraged to revise that same piece based on feedback. Not all revised pieces will be workshopped.
URL:https://qwf.org/event/make-it-make-sense-writing-memoir/2025-04-08/
LOCATION:QWF Office\, 1200 Atwater Avenue\, Room 3\, Westmount\, QC\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops,Workshops
ATTACH;FMTTYPE=image/png:https://qwf.org/wp-content/uploads/2024/12/4.png
GEO:45.4886431;-73.5864377
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=QWF Office 1200 Atwater Avenue Room 3 Westmount QC H3Z 1X4 Canada;X-APPLE-RADIUS=500;X-TITLE=1200 Atwater Avenue\, Room 3:geo:-73.5864377,45.4886431
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250408T180000
DTEND;TZID=America/New_York:20250408T200000
DTSTAMP:20260403T133150
CREATED:20241212T160000Z
LAST-MODIFIED:20241210T185048Z
UID:10004133-1744135200-1744142400@qwf.org
SUMMARY:So You’ve Written a Novel – Now What?
DESCRIPTION:The first time I typed THE END on a manuscript\, I didn’t know what to do next. There’s a lot of information and encouragement on HOW to write a book\, but not a lot on what to do after you’ve written the thing. And the advice you find online can be woefully misleading\, confusing\, or at its very worst —fraudulent. \n\n\n\nThis 8-week workshop aims to fully lay out the roadmap to traditional publishing for someone who’s finished\, or is close to finishing a fiction manuscript. The journey of getting your story from your laptop to an actual book you can pick up at Indigo follows a very specific series of steps. From landing an agent\, to signing with a publisher\, to contract details\, this course will take you\, in minute detail\, through every step\, with a centerpiece intensive workshop formulating your all-important Query Letter\, along with details on crafting your logline and your pitch kits. \n\n\n\nDesigned for absolute newbies to the world of publishing\, this workshop will offer you tips and tactics to maximize your chances at every step\, and by its end you should have the knowledge and confidence to approach this perilous enterprise knowing exactly what you need to do next. Because typing THE END is only the beginning. \n\n\n\nThere is no submission required prior to the first session\, but participants will be expected to write loglines and query letters and share them with the group as the workshop progresses. They will also be expected to read and critique each other’s work. \n\n\n\nToronto-born\, Montreal-based writer and illustrator Sherwin Sullivan Tjia has written many odd and eclectic books. Their 2005 collection of pseudohaikus\, The World is a Heartbreaker\, was a finalist for the Quebec Writers’ Federation’s A. M. Klein Award. Their 2010 graphic novel\, The Hipless Boy\, was a finalist for the Doug Wright Award for best emerging talent\, as well as being nominated for 4 Ignatz Awards. Their 2011 Choose-Your-Own-Adventure style book from the POV of a housecat entitled You Are a Cat! won that year’s Expozine Award for best English-language book. Their latest graphic novel entitled Plummet is about a woman who wakes up one day to find herself in literal\, perpetual freefall. It was optioned for animation and named one of CBC Books’ “Top 20 Graphic Novels of 2019.”
URL:https://qwf.org/event/so-youve-written-a-novel-now-what-2/2025-04-08/
LOCATION:QWF Office\, 1200 Atwater Avenue\, Room 3\, Westmount\, QC\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops,Workshops
ATTACH;FMTTYPE=image/png:https://qwf.org/wp-content/uploads/2024/12/3.png
GEO:45.4886431;-73.5864377
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END:VEVENT
END:VCALENDAR