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SUMMARY:Geneviève Robichaud Book Launch
DESCRIPTION:Sunday\, December 1\, 2024\, 2:00-4:00 pm ET\n\n\n\nLibrairie Paragraphe Bookstore and McGill-Queen’s University Press present a book launch for The Poetics of Translation by Geneviève Robichaud.  \n\n\n\nJoin us as author Geneviève Robichaud discusses and signs her new book The Poetics of Translation at Librairie Paragraphe Bookstore. \n\n\n\nAdmission is free.Refreshments will be served. \n\n\n\nAbout the Book\n\n\n\nTranslation is a vital method of not just reading but writing and forms the basis of an exciting range of critical\, artistic\, and literary opportunities. \n\n\n\nCombining close readings of literary texts alongside astute critical observations from works by Avital Ronell and Walter Benjamin\, amongst others\, The Poetics of Translation re-examines key translation studies concepts\, challenging our sometimes pragmatic understanding of translation and asking what it is that the discipline can make visible. By highlighting the possibilities of translation as an art form in contemporary innovative writing practices\, Geneviève Robichaud reveals translation’s creative and critical potential\, arguing that even those literary works that are not exactly translations gain in being apprehended as such. The Poetics of Translation values oblique\, even unfinished sources of meaning\, dwelling in the speculative spaces of texts and drawing attention to translation as poiesis\, as creating that which is tangible and valuable. \n\n\n\nSituated at the juncture of translation poetics and literary studies\, the book celebrates the uncertainty of translation\, the plasticity of language and ideas\, and the desire to interpret rather than reiterate. \n\n\n\nAbout the Author\n\n\n\nGeneviève Robichaud is an independent scholar in Acadian studies. She lives in Sackville\, N.B. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRSVP on FAcebook
URL:https://qwf.org/event/genevieve-robichaud-book-launch/
LOCATION:Librairie Paragraphe Bookstore\, 2220 McGill College Ave\, Montreal\, Quebec\, H3A 3P9\, Canada
CATEGORIES:Book Launch
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DTSTART;TZID=America/New_York:20241201T133000
DTEND;TZID=America/New_York:20241201T133000
DTSTAMP:20260403T145957
CREATED:20241118T183114Z
LAST-MODIFIED:20241118T183230Z
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SUMMARY:Kabir Centre Poetry Meet
DESCRIPTION:December 1\, 20241:30 pm ET\n\n\n\nYou’re invited to the next Kabir Centre Poetry Meet! \n\n\n\nAs always\, we welcome a mix of different languages and age groups.  As a policy\, we recommend avoiding religious and political extremism. If you would like to attend as an audience\, please RSVP by emailing kabirpoetryclub@gmail.com. \n\n\n\nPoets are welcome to recite an original poem in any language. To do so\, please email kabirpoetryclub@gmail.com stating your interest by 27th November.  \n\n\n\nChai and samosa will be served during the meet. \n\n\n\nIf you know someone who would like to recite or attend the meet\, please feel free to share the information.
URL:https://qwf.org/event/kabir-centre-poetry-meet/
LOCATION:Maison Chaïshaï\, 2005 Bishop Street\, Montreal\, Quebec\, H3G 2E9\, Canada
CATEGORIES:Open Mic,Reading
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241129T180000
DTEND;TZID=America/New_York:20241129T200000
DTSTAMP:20260403T145957
CREATED:20241122T200145Z
LAST-MODIFIED:20241122T200616Z
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SUMMARY:Of Crows and Aunties: A Conversation with Jessica Johns
DESCRIPTION:Friday\, November 29\, 20246:00-8:00 pm ET\n\n\n\nWith Catherine Leroux and Éric Fontaine \n\n\n\nAs part of the Salon dans la ville\, Catherine Leroux meets Jessica Johns\, author of the acclaimed Bad Cree\, with her translator Éric Fontaine\, to discuss translation\, crows\, dreams\, evil entities and the extraordinary power of aunties. This hour-long conversation will be conducted in English and French and will be followed by a signing session with the author. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRSVP on FACEbook
URL:https://qwf.org/event/of-crows-and-aunties-a-conversation-with-jessica-johns/
LOCATION:L’Euguélionne Bookstore\, 1426 Rue Beaudry\, Montreal\, Quebec\, H2L 3E5\, Canada
CATEGORIES:Festival,Panel,Reading
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DTSTART;TZID=America/New_York:20241129T123000
DTEND;TZID=America/New_York:20241129T150000
DTSTAMP:20260403T145957
CREATED:20241105T160934Z
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SUMMARY:Shut Up & Write! with QWF (In Person)
DESCRIPTION:Friday\, November 29\, 2024\, 12:30 pm–3:00 pmFree\, In PersonQWF Office (Room 3\, 1200 Atwater Ave.\, Westmount)\n\n\n\nRegister for the session by filling out the RSVP form below. \n\n\n\nLooking for some dedicated\, quiet writing space? \n\n\n\nJoin us for an in-person Shut Up & Write session at the QWF office! \n\n\n\nDo all that writing you’ve been meaning to do\, and meet a few of your fellow QWF members. Using the Pomodoro technique\, participants write in 25-minute bursts\, with 5-minute breaks in between. \n\n\n\nThis event is for QWF members only. Not a member? Learn about becoming a member.  \n\n\n\nPlease note that these sessions are designed for silent writing\, rather than discussing or getting feedback on work. \n\n\n\n12:30–12:55: Writing 112:55–1:00: Break1:00–1:25: Writing 21:25–1:30: Break1:30–1:55: Writing 31:55–2:00: Break2:00–2:25: Writing 42:25–2:30: Break2:30–2:55: Writing 5 \n\n\n\nTo register\, RSVP below. \n\n\n\n\n\n\n\nGetting to the QWF Office\n\n\n\nOur office is located on the top floor of the Atwater Library and Computer Centre\, in Room 3. \n\n\n\nAddress: 1200 Atwater Avenue\, Room 3Westmount\, QC H3Z 1X4 \n\n\n\nClosest Metro: Atwater Station \n\n\n\nClosest Bus lines: 24\, 63\, 90\, 104\, 138\, 144\, 150 \n\n\n\nAccessibility:\n\n\n\nThe QWF Office is fully accessible by wheelchair from the side entrance on Tupper Street. Once inside\, there is an elevator to the second floor\, where the QWF office is. \n\n\n\nLearn more about the office location and accessibility.
URL:https://qwf.org/event/shut-up-write-with-qwf-in-person-28/
LOCATION:QWF Office\, 1200 Atwater Avenue\, Room 3\, Westmount\, QC\, H3Z 1X4\, Canada
CATEGORIES:Shut Up & Write!
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DTSTART;TZID=America/New_York:20241128T200000
DTEND;TZID=America/New_York:20241128T220000
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SUMMARY:Pursuing the Erotic
DESCRIPTION:This is an expanded version of the three-hour workshop “Identifying (with) the Erotic” offered in July 2022. It progresses from initial references to erotica by old hands (Anaïs Nin)\, incidental practitioners (James Baldwin) and newer writers (Ruel Johnson) to consider other select works in prose\, poetry\, and comics. You do not have to have attended the 2022 workshop to enroll in this one. \n\n\n\nThe workshop continues the exploration of what makes the erotic not only a sensual genre but a life-affirming one with participants contributing their own writing as well as sourcing that of other practitioners. While creating sexy characters and scenes with stimulating language is part of the process\, and knowing your audience is crucial (there is a difference between romance\, erotica and pornography)\, the emphasis remains on craft and telling a story that engages readers’ imagination\, exciting not only the body but all of the senses. And this without apology. \n\n\n\nRobert Edison Sandiford is the author of several books\, among them the award-winning The Tree of Youth & Other Stories\, And Sometimes They Fly (a novel) and Sand for Snow (memoir).  He has also written graphic novels for NBM Publishing.  In 2003\, he and the poet Linda M. Deane founded the Barbadian cultural resource ArtsEtc Inc.  He has worked as a publisher\, teacher and\, with Warm Water Productions\, producer.  His fiction and non-fiction have appeared in journals\, magazines and anthologies.  Currently working on another novel\,his most recent titleis Fairfield from DC Books.
URL:https://qwf.org/event/pursuing-the-erotic/2024-11-28/
LOCATION:Online via Zoom
CATEGORIES:QWF Workshops,Workshops
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DTSTART;TZID=America/New_York:20241128T190000
DTEND;TZID=America/New_York:20241128T210000
DTSTAMP:20260403T145957
CREATED:20241121T184433Z
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SUMMARY:Book*hug Press Fall 2024 Translated Fiction Launch
DESCRIPTION:Thursday\, November 28\, 20247:00-9:00 pm ET\n\n\n\nBook*hug Press and Librairie Saint-Henri Books invite you to the Fall 2024 Translation Launch! Celebrating the launch of three new translations including Nauetakuan\, a silence for a noise by Natasha Kanapé Fontaine (translated from French by Howard Scott)\, Not Even the Sound of a River by Hélène Dorion (translated from French by Jonathan Kaplansky)\, and Sugaring Off by Fanny Britt (translated from French by Susan Ouriou). \n\n\n\nThis event will feature Howard Scott\, Jonathan Kaplansky\, and Fanny Britt. \n\n\n\nThursday\, November 28\, 20247:00 – 9:00 pm ETLibrairie Saint-Henri Books\, 4622 rue Notre Dame\, Montréal\, QCAdmission is free. All are welcome to attend.Books will be available for purchase\, and\, of course\, the authors will be signing! \n\n\n\nRSVP for Free here: https://www.eventbrite.ca/…/bookhug-press-fall-2024… \n\n\n\nPraise for Nauetakuan\, a silence for a noise:“In the face of the ongoing erasure of Indigenous languages and cultures in Canada\, Kanapé Fontaine raises up Indigenous creators. Nauetakuan does not shy away from the pain left by the residential school system\, but neither does it reduce the experiences of Indigenous peoples to a singular narrative of suffering. Monica’s path towards healing is filled with struggle\, but also overflows with loving female relationships\, art\, and boisterous laughter.” —Anna Learn\, Full Stop \n\n\n\nPraise for Not Even the Sound of a River:“Hélène Dorion’s beautifully poetic novel\, Not Even the Sound of a River\, braids women’s stories through various generations. These women are woven into a story that finds its origins in the St. Lawrence River\, and that sense of swimming through water\, time\, and memory is one that is powerful and resonant. Dorion asks readers to consider the value of poetry\, art\, and a creative life as a way to avoid sinking or suffering when we are faced with the harsh reality of our daily lives. Through grief and loss\, poetry and art have ‘perhaps begun to save us’ during our most challenging trials.” —Kim Fahner\, author of The Donoghue Girl \n\n\n\nPraise for Sugaring Off:“Sugaring Off is a stunning exploration of class and privilege\, and our desperate need for connection. In this deftly written story\, Fanny Britt explores the dissolution of relationships\, regret and grief\, and how we navigate the consequences of our actions. A truly exceptional novel.” —Lindsay Zier-Vogel\, author of Letters to Amelia \n\n\n\nBios\n\n\n\nHoward Scott is a literary translator living in Montreal who translates fiction\, poetry\, and non-fiction\, often with Phyllis Aronoff. He received the Governor General’s Literary Award for Translation for The Euguelion by Louky Bersianik and\, with Phyllis Aronoff\, won the Quebec Writers’ Federation Translation Award for The Great Peace of Montreal of 1701 by Gilles Havard. The translating duo were also awarded a Governor General’s Literary Award for their translation of Descent into Night by Edem Awumey. Scott is past president of the Literary Translators’ Association of Canada. \n\n\n\nJonathan Kaplansky won a French Voices Award to translate Nobel Prize winning author Annie Ernaux’s La vie extérieure (Things Seen). His translation of Frank Borzage: The Life and Films of a Hollywood Romantic by Hervé Dumont was a finalist for the Wall Award from the Theatre Library Association. Recent translations include Jonathan Bécotte’s Like a Hurricane\, Hélène Rioux’s The End of the World is Elsewhere\, and the libretto of an opera by Hélène Dorion and Marie-Claire Blais entitled Yourcenar: An Island of Passions. He has also translated Dorion’s Days of Sand. Born in Saint John\, New Brunswick\, Kaplansky now lives in Montreal. \n\n\n\nFanny Britt is a playwright\, writer\, and translator. She is the winner of multiple Governor General’s Literary Awards\, a Libris Award\, a Joe Shuster Award\, and was nominated for a Governor General’s Literary Award for Children’s Literature. Faires les sucres won the Governor General’s Literary Award for French-language Fiction in 2021. Britt has written a dozen plays and translated more than fifteen works by many American\, Canadian\, British\, and Irish playwrights. Born in Northern Quebec\, Britt lives in Montreal. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRSVP on Facebook
URL:https://qwf.org/event/bookhug-press-fall-2024-translated-fiction-launch/
LOCATION:Librairie Saint-Henri Bookstore\, 4622 Rue Notre-Dame Ouest\, Montreal\, Quebec\, Canada
CATEGORIES:Book Launch,Reading
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DTSTART;TZID=America/New_York:20241128T190000
DTEND;TZID=America/New_York:20241128T190000
DTSTAMP:20260403T145957
CREATED:20241121T182428Z
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SUMMARY:Montreal Reading with Dutch poet Erik Lindner
DESCRIPTION:Thursday\, November 28\, 2024\, 7pmLibrarie Bertrand (430 Rue Saint-Pierre\, Montreal)\n\n\n\nVéhicule Press\, Librarie Bertrand\, and the Dutch Foundation for Literature invite you to a poetry reading by Erik Lindner\, with special guests Derek Webster and Sarah Wolfson. \n\n\n\nErik Lindner is a Dutch poet who published seven books of poetry and two novels. He will be reading from Words Are the Worst\, his selected poems\, translated by Francis R. Jones\, and nominated for the Derek Walcott Prize for Poetry 2022. Born in The Hague\, The Netherlands\, in 1968\, Lindner lives in Amsterdam and works as a freelance writer\, teacher and critic. Apart from English and German\, several books of his translated poetry appeared in France and Italy. \n\n\n\nSpecial readers include: \n\n\n\nDerek Webster\, whose second book of poetry National Animal\, was recently awarded The QWF A.M. Klein Prize for Poetry. His debut\, Mockingbird\, was a finalist for the 2015 Gerald Lampert Award for best first book of poems in Canada. He received an MFA from Washington University in St. Louis\, where he studied with Carl Phillips\, and was the founding editor of Maisonneuve magazine. He lives in Montreal and Toronto. \n\n\n\nSarah Wolfson\, the author of A Common Name for Everything\, which won the A.M. Klein Prize for Poetry in 2020. Her work has twice been nominated for a Pushcart Prize and has received a notable mention in Best Canadian Poetry. Originally from Vermont\, she now lives in Montreal\, where she teaches writing at McGill University. \n\n\n\nWith special thanks to the Dutch Foundation for Literature for their support.
URL:https://qwf.org/event/montreal-reading-with-dutch-poet-erik-lindner/
LOCATION:Librairie Bertrand\, 430 Rue Saint-Pierre\, Montréal\, Quebec\, H2Y 2M5\, Canada
CATEGORIES:Reading
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ORGANIZER;CN="V%C3%A9hicule Press":MAILTO:admin@vehiculepress.com
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DTSTART;TZID=America/New_York:20241128T180000
DTEND;TZID=America/New_York:20241128T200000
DTSTAMP:20260403T145957
CREATED:20240730T151554Z
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SUMMARY:Poetry and the Tiny Sea in the Ear
DESCRIPTION:The tiny sea in the earand the moth wing in the mind\, which wait.— Don McKay\, “Early Instruments” \n\n\n\nThis workshop invites participants to explore our “early instruments” of imagination and experience through the language of poetry. \n\n\n\n“The excitement of metaphor\,” writes Don McKay\, “stems from the injection of wilderness into language.” Add to this idea the excitement of any element of poetic making. \n\n\n\nDuring these eight weeks\, we will draft and develop poems that tap the surprise of tension and release\, tease out what’s wild in the everyday\, refresh expectation and sharpen expression. \n\n\n\nIn each session\, we will respond to each other’s poems and work with one or more prompts. In most sessions we will look briefly at a strong contemporary poem and consider what we might borrow from it as a springboard to our writing. \n\n\n\nAll levels of experience are welcome. \n\n\n\nSusan Gillis (she/her) has taught Creative Writing at Concordia University and John Abbott College\, and has led poetry workshops with QWF\, Los Parronales (Chile)\, Blue Met\, in schools and in the community. Her four books have been nominated for several awards; Volta (2002) was awarded the A.M. Klein Prize. She is a founding member of the collaborative poetry group Yoko’s Dogs (Whisk\, 2013; Rhinoceros\, 2016; Caution Tape\, 2021). Her most recent book is Yellow Crane (Brick 2018). She works as a freelance editor and mentor.
URL:https://qwf.org/event/poetry-and-the-tiny-sea-in-the-ear/2024-11-28/
LOCATION:QWF Office\, 1200 Atwater Avenue\, Room 3\, Westmount\, QC\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops,Workshops
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DTSTART;TZID=America/New_York:20241128T170000
DTEND;TZID=America/New_York:20241128T190000
DTSTAMP:20260403T145957
CREATED:20241106T164711Z
LAST-MODIFIED:20241106T165551Z
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SUMMARY:CommUNITY Arts Open House: Schmoozer with YES\, QWF\, ELAN\, and QDF
DESCRIPTION:Thursday\, November 28\, 2024\, 5:00-7:00 pm ETCafe Pista\, Montreal (near Saint-Laurent Metro Station)Registration Required\n\n\n\nCalling All Quebec Artists! \n\n\n\nReady to schmoozer and build connections that can elevate your career? Join us for an epic arts mixer hosted by QWF\, YES Employment + Entrepreneurship\,the English Language Arts Network (ELAN)\, and the Quebec Drama Federation (QDF)! 🎉 \n\n\n\nThis free open-house event is your chance to: \n\n\n\n\nConnect with fellow artists\, potential collaborators\, and industry professionals to explore future opportunities and partnerships.\n\n\n\nDiscover valuable resources\, from funding to training programs\, and meet advocates of the arts.\n\n\n\nBreak the ice with fun games and engage with our vibrant community.\n\n\n\nEnjoy light refreshments (alcohol available for purchase at Café Pista).\n\n\n\n\nDon’t miss this lively evening of networking and discovery with Quebec’s thriving arts community. We can’t wait to see you there! \n\n\n\nPre-registration is required. \n\n\n\nThis event will take place in person at Café Pista (1587 St Laurent Blvd\, Montreal\, closest metro is Saint-Laurent on the Green Line). \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRegister now
URL:https://qwf.org/event/community-arts-open-house-schmoozer-with-yes-qwf-elan-and-qdf/
LOCATION:Café Pista\, 1587 Boulevard Saint-Laurent\, Montreal\, Quebec\, Canada
CATEGORIES:Community Events,Member Meetup,Networking,QWF Events
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241127T200000
DTEND;TZID=America/New_York:20241127T220000
DTSTAMP:20260403T145957
CREATED:20240730T150325Z
LAST-MODIFIED:20240801T203300Z
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SUMMARY:The Vivid and Continuous Dream: A Short Story Workshop
DESCRIPTION:In March\, in 1918\, an Olympic swimmer accepts a job rehabilitating the Polio-ravaged legs of a rich young woman\, not knowing the mess of love and wreckage that await their future selves; in Western Australia\, a bullied adolescent watches his high school tormentor drown beneath the surface of an aquifer—he expects reprieve\, but all his life he will sense the boy\, resinous\, in the mist and the warm wet air; in Spokane\, a man embarks on a strange\, galvanizing quest to reclaim an heirloom headdress that once belonged to his grandmother\, and the journey leaves him wondering who he is\, or who he used to be\, or who he might yet become. \n\n\n\nThe best stories ask questions but don’t dare give all the answers; they take the reader on a journey and leave them with a brief sliver of enlightenment. Yes: love is worth the cost to body and soul\, in 1918 as much as now. No: there is no easy escape from regret\, and good people will suffer if they stoop to the level of their abusers. Perhaps what matters is not to complete the task or reclaim our past\, but to reassure ourselves that we tried. \n\n\n\nThis workshop is a guided discussion about the plot\, characters\, point of view\, structure\, and language (the mechanics or “craft”) of participants’ short stories\, as well as an investigation of each story’s aboutness\, patterns\, emotional plot\, and central question(s)—that is\, all those hard-to-define elements that make fiction what it is. \n\n\n\nAdditionally\, the workshop aims to foster community among the attendees\, to bring together writers of similar skill and drive\, and to encourage the kind of creative energy that crackles between new practitioners. \n\n\n\nSome Learning Objectives \n\n\n\n\nCritical reading\, and the ability to identify the roots of a story’s problems\, particularly with regard to dramatic structure and conflict. Conversely: the ability to identify the roots of a story’s successes\, especially when it seems intangible or difficult to pin down.\n\n\n\nClose reading\, even of your own work\, for strongest-possible sentences. (They are\, after all\, the building blocks of fiction.)\n\n\n\nTo immerse yourself in\, and engage with\, literature among a cohort of people who are similarly immersed and engaged in literature; to enjoy it.\n\n\n\n\nIn our first meeting\, we will establish a schedule\, review workshop etiquette\, spend some time meeting each other\, and do a few writing exercises. From then on\, each session will consist of detailed discussion and feedback on participants’ stories. The goal\, always\, is to offer the writer of each story constructive suggestions to help them improve the story and their craft. We are\, I always say\, in this together. \n\n\n\nIn preparation: Please bring a short story of no more than 2500 words to the first session. \n\n\n\nD. W. Wilson is the author of Once You Break a Knuckle\, a collection of short stories\, and Ballistics\, a novel. His work has appeared in lit mags across the globe\, and in 2011 he won the BBC National Short Story Award for “The Dead Roads.” Since then he has been shortlisted for numerous fiction prizes\, and has won the CBC Short Story Prize and the Manchester Fiction Prize. He taught creative writing at the University of Victoria and Brandon University and is currently a fiction mentor for the University of King’s College’s writing MFA.
URL:https://qwf.org/event/the-vivid-and-continuous-dream-a-short-story-workshop/2024-11-27/
LOCATION:QWF Office\, 1200 Atwater Avenue\, Room 3\, Westmount\, QC\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops,Workshops
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DTSTART;TZID=America/New_York:20241127T180000
DTEND;TZID=America/New_York:20241127T200000
DTSTAMP:20260403T145957
CREATED:20240729T192931Z
LAST-MODIFIED:20240801T171155Z
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SUMMARY:Hooked: Writing Compelling YA Fiction
DESCRIPTION:Get ready to unveil the gripping storyteller within you and keep readers turning those pages! Dive into an exciting eight-week workshop focused on techniques to captivate young adult readers. We’ll look at everything from crafting vibrant characters and heart-pounding conflicts to honing structure and pacing in YA fiction. \n\n\n\nFor our first session\, bring along a favorite YA novel to share with the group. By week two\, be sure to have the first chapter of your work-in-progress (up to 10 pages) for some feedback exchange. By the end of the workshop\, you’ll have a roadmap to your story\, completed scenes\, and an inciting hook for your novel-in-the-making. \n\n\n\nEach session will incorporate a mix of writing prompts\, critique sessions\, exploration of writing techniques\, sneak peeks into YA literature\, and lively group discussions. We’ll be reading various writing styles\, structuring vibrant dialogue\, and feeling all the YA vibes. We’ll even take a sneak peek into the Canadian publishing world. \n\n\n\nValuable feedback from both the workshop leader and your fellow writers on your opening chapter will keep you motivated and inspired. Together\, we’ll work at captivating readers. \n\n\n\nDon’t forget your writing tools for each session. All writers\, whether seasoned pros or fresh faces\, are welcome! Short story\, graphic novel and prose writers\, you’re invited too! \n\n\n\nThe following Suggested readings will sharpen your writing skills\, but are not necessary for the workshop: \n\n\n\nCorner-Bryant\, Helen\, and Kathryn Price. On Editing: How to Edit Your Novel the Professional Way. John Murray Learning\, 2018. \n\n\n\nProse\, Francine. Reading like a Writer: A Guide for People Who Love Books and for Those Who Want to Write Them. HarperCollins\, 2009. \n\n\n\nStrunk Jr\, William. The Elements of Style: Classic Edition. Spectrum Ink\, 2018. \n\n\n\nTruby\, John. The Anatomy of Story: 22 Steps to Becoming a Master Storyteller. Faber and Faber\, 2008. \n\n\n\nLea Beddia is the author of Take Off! (Rebel Mountain Press) and Outta Here (Lorimer). She is also a storyteller\, appearing regularly on stage with Confabulation. Born and raised in Montreal\, she now teaches in Joliette\, Quebec\, where she lives with her husband and three children. With a passion for supporting literacy among young adults\, especially for striving readers\, Lea is releasing two fresh YA novels set to hit bookshelves in 2025 and 2026. Find out more at www.leabeddia.com\, or say hi to Lea Beddia on Facebook or Instagram @BeddiaLea.
URL:https://qwf.org/event/hooked-writing-compelling-ya-fiction/2024-11-27/
LOCATION:QWF Office\, 1200 Atwater Avenue\, Room 3\, Westmount\, QC\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops,Workshops
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241127T120000
DTEND;TZID=America/New_York:20241127T133000
DTSTAMP:20260403T145957
CREATED:20241029T170039Z
LAST-MODIFIED:20241121T212951Z
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SUMMARY:Lunch and Learn with Canada Council for the Arts
DESCRIPTION:Wednesday\, November 27\, 2024\, 12:00-1:30 pm ETFree\, open to allOnline—Register for Zoom link\n\n\n\nPresenting the Canada Council for the Arts! \n\n\n\nThe Canada Council for the Arts is Canada’s public arts funder\, with a mandate to foster and promote the study and enjoyment of\, and the production of works in\, the arts. Writers can apply to get funding for the creation of their work. \n\n\n\nAs writers\, you would benefit from learning more about the various funding programs that the Canada Council offers and finding how you could potentially apply for one of these grants. Come attend the Quebec Writers’ Federation’s next Lunch and Learn where Program Officers Megan Mabey and Andrew Stenimetz will deliver a short presentation on the various programs the Council offers to writers. Prior to attending the session\, participants are encouraged to read the linked document on how to create a portal account. \n\n\n\nThis session is free and open to all! Please register to get the Zoom link. \n\n\n\nOne-on-One Consultations\n\n\n\nIn addition to the 90-minute online session\, Megan and Andrew have offered to provide free one-on-one consultations on the Thursday and Friday after the event. Registration is first come\, first served. To book a one-on-one consultation\, please click on one of the links below: \n\n\n\nBookings with Megan are now full.\n\n\n\nBookings with Andrew are now full.\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRegister Now
URL:https://qwf.org/event/lunch-and-learn-with-canada-council-for-the-arts/
LOCATION:Online – Please RSVP to receive a Zoom link
CATEGORIES:Lunch & Learn,QWF Events
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DTSTART;TZID=America/New_York:20241127T080000
DTEND;TZID=America/New_York:20241201T170000
DTSTAMP:20260403T145957
CREATED:20241121T181953Z
LAST-MODIFIED:20241121T181957Z
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SUMMARY:Read Quebec at the Salon du livre de Montréal
DESCRIPTION:Wednesday\, November 27-Sunday\, December 1\, 2024\n\n\n\nRead Quebec is returning to the Salon du livre de Montréal! \n\n\n\nWe’re excited to showcase some of the latest releases and bestsellers from participating local English-language publishers. Find us at kiosk #401 through the week at the hours below: \n\n\n\nWednesday\, Nov. 27: 9 am – 6pmThursday\, Nov. 28: 9 am – 9 pmFriday\, Nov. 29: 9 am – 9 pmSaturday\, Nov. 30: 9am – 9 pmSunday\, Dec. 1: 9 am – 5 pm \n\n\n\nStay tuned for more information coming soon\, and don’t forget to check out salondulivredemontreal.com to discover their full list of exhibitors and programming!
URL:https://qwf.org/event/read-quebec-at-the-salon-du-livre-de-montreal/
LOCATION:Palais des congrès de Montréal\, 1001 Jean Paul Riopelle Pl\, Montreal\, Quebec\, H2Z1H5\, Canada
CATEGORIES:Festival
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241126T190000
DTEND;TZID=America/New_York:20241126T190000
DTSTAMP:20260403T145957
CREATED:20241121T184941Z
LAST-MODIFIED:20241121T185012Z
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SUMMARY:Triple Poetry Launch
DESCRIPTION:Tuesday\, November 26\, 20247:00 pm ET\n\n\n\nJoin us for the launch of three new poetry collections; Manahil Bandukwala’s Heliotropia\, A-E Best’s Bad Weather Mammals\, and Jake Byrne’s DADDY! There will be readings and time to discuss the poets’ work and ask question\, as well as get copies signed. This event is free\, but space is limited\, so please RSVP on TicketSource. \n\n\n\nAbout the Poets\n\n\n\nManahil Bandukwala is a writer and visual artist based in Ottawa and Mississauga\, Ontario. She is the author of Heliotropia (Brick Books\, 2024) and MONUMENT (Brick Books\, 2022)\, which was shortlisted for the 2023 Gerald Lampert Award\, and was selected as a Writer’s Trust of Canada Rising Star in 2023. See her work at www.manahilbandukwala.com \n\n\n\nA-E Best is a disabled poet and essayist from Kingston. Her work can be found in the Capilano Review\, New Welsh Review\, CV2\, Ambit Magazine\, Mslexia\, and Chatelaine. Her work was longlisted for the 2021 CBC Poetry Prize. Her second collection\, Bad Weather Mammals\, is now available from ECW Press. Find A-E on Instagram as @capitatelikeahead or her website https://ashleyelizabethbest.com/ \n\n\n\nJake Byrne is the author of Celebrate Pride with Lockheed Martin (Wolsak & Wynn\, 2023) and DADDY (Brick Books\, 2024). In 2019\, they won CV2‘s Foster Prize for poetry. They live in Toronto/tka:ronto. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRSVP
URL:https://qwf.org/event/triple-poetry-launch/
LOCATION:Argo Bookshop\, 1841A Ste-Catherine St. West\, Montreal\, Quebec\, Canada
CATEGORIES:Book Launch
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241125T200000
DTEND;TZID=America/New_York:20241125T220000
DTSTAMP:20260403T145957
CREATED:20240812T164840Z
LAST-MODIFIED:20240813T181001Z
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SUMMARY:The Vivid and Continuous Dream: A Short Story Workshop
DESCRIPTION:In March\, in 1918\, an Olympic swimmer accepts a job rehabilitating the Polio-ravaged legs of a rich young woman\, not knowing the mess of love and wreckage that await their future selves; in Western Australia\, a bullied adolescent watches his high school tormentor drown beneath the surface of an aquifer—he expects reprieve\, but all his life he will sense the boy\, resinous\, in the mist and the warm wet air; in Spokane\, a man embarks on a strange\, galvanizing quest to reclaim an heirloom headdress that once belonged to his grandmother\, and the journey leaves him wondering who he is\, or who he used to be\, or who he might yet become. \n\n\n\nThe best stories ask questions but don’t dare give all the answers; they take the reader on a journey and leave them with a brief sliver of enlightenment. Yes: love is worth the cost to body and soul\, in 1918 as much as now. No: there is no easy escape from regret\, and good people will suffer if they stoop to the level of their abusers. Perhaps what matters is not to complete the task or reclaim our past\, but to reassure ourselves that we tried. \n\n\n\nThis workshop is a guided discussion about the plot\, characters\, point of view\, structure\, and language (the mechanics or “craft”) of participants’ short stories\, as well as an investigation of each story’s aboutness\, patterns\, emotional plot\, and central question(s)—that is\, all those hard-to-define elements that make fiction what it is. \n\n\n\nAdditionally\, the workshop aims to foster community among the attendees\, to bring together writers of similar skill and drive\, and to encourage the kind of creative energy that crackles between new practitioners. \n\n\n\nSome Learning Objectives \n\n\n\n\nCritical reading\, and the ability to identify the roots of a story’s problems\, particularly with regard to dramatic structure and conflict. Conversely: the ability to identify the roots of a story’s successes\, especially when it seems intangible or difficult to pin down.\n\n\n\nClose reading\, even of your own work\, for strongest-possible sentences. (They are\, after all\, the building blocks of fiction.)\n\n\n\nTo immerse yourself in\, and engage with\, literature among a cohort of people who are similarly immersed and engaged in literature; to enjoy it.\n\n\n\n\nIn our first meeting\, we will establish a schedule\, review workshop etiquette\, spend some time meeting each other\, and do a few writing exercises. From then on\, each session will consist of detailed discussion and feedback on participants’ stories. The goal\, always\, is to offer the writer of each story constructive suggestions to help them improve the story and their craft. We are\, I always say\, in this together. \n\n\n\nIn preparation: Please bring a short story of no more than 2500 words to the first session. \n\n\n\nD. W. Wilson is the author of Once You Break a Knuckle\, a collection of short stories\, and Ballistics\, a novel. His work has appeared in lit mags across the globe\, and in 2011 he won the BBC National Short Story Award for “The Dead Roads.” Since then he has been shortlisted for numerous fiction prizes\, and has won the CBC Short Story Prize and the Manchester Fiction Prize. He taught creative writing at the University of Victoria and Brandon University and is currently a fiction mentor for the University of King’s College’s writing MFA.
URL:https://qwf.org/event/the-vivid-and-continuous-dream-a-short-story-workshop-2/2024-11-25/
LOCATION:QWF Office\, 1200 Atwater Avenue\, Room 3\, Westmount\, QC\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops,Workshops
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241124T110000
DTEND;TZID=America/New_York:20241124T120000
DTSTAMP:20260403T145957
CREATED:20241121T215148Z
LAST-MODIFIED:20241121T215151Z
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SUMMARY:Gillian Sze's "The Little Green Envelope": Author Storytime!
DESCRIPTION:Sunday\, November 24\, 11:00 am ET\n\n\n\nJoin local author Gillian Sze for a fun-filled storytime and craft activity based on her book The Little Green Envelope. You will be able to meet the author\, listen to a story filled with wonder and friendship\, and create your very own little green envelope! \n\n\n\nPerfect for children aged 2-10. This event is in English. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nGet tickets
URL:https://qwf.org/event/gillian-szes-the-little-green-envelope-author-storytime/
LOCATION:Jewish Public Library\, 5151 Chemin de la Côte-des-Neiges\, Montral\, Quebec\, H3T 1X9\, Canada
CATEGORIES:Reading
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241123T100000
DTEND;TZID=America/New_York:20241123T123000
DTSTAMP:20260403T145957
CREATED:20241025T171159Z
LAST-MODIFIED:20241025T171202Z
UID:10004042-1732356000-1732365000@qwf.org
SUMMARY:Shut Up & Write! with QWF (Virtual)
DESCRIPTION:Saturday\, November 23\, 2024\, 10:00 am–12:30 pmOnline via Zoom—RSVP below to receive the Zoom link\n\n\n\nLooking for some dedicated\, quiet writing space? \n\n\n\nRegister below to do all that writing you’ve been meaning to do. Using the Pomodoro technique\, participants write in 25-minute bursts\, with 5-minute breaks in between. \n\n\n\nThis event is for QWF members only. Not a member? Learn about becoming a member.  \n\n\n\nThe Zoom link will be sent out a day or two before the session. \n\n\n\nPlease note that these sessions are designed for silent writing\, rather than discussing or getting feedback on work. \n\n\n\n10:00–10:25: Writing 110:25–10:30: Break10:30–10:55: Writing 210:55–11:00: Break11:00–11:25: Writing 311:25–11:30: Break11:30–11:55: Writing 411:55–12:00: Break12:00–12:25: Writing 5 \n\n\n\nTo receive the Zoom link\, RSVP below. You will receive the Zoom link a few days before the session. \n\n\n\nNote: RSVPs for virtual Shut Up & Write! sessions close 24 hours before the session. If there is no option to RSVP\, RSVPs are closed.
URL:https://qwf.org/event/shut-up-write-with-qwf-virtual-24/
LOCATION:Online – Please RSVP to receive a Zoom link
CATEGORIES:Shut Up & Write!
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241122T190000
DTEND;TZID=America/New_York:20241122T203000
DTSTAMP:20260403T145957
CREATED:20241106T174151Z
LAST-MODIFIED:20241106T174155Z
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SUMMARY:Book Launch: Subterrane by Valérie Bah
DESCRIPTION:Friday\, November 22\, 2024\, 7:00-8:30 pm ETLibrairie Saint-Henri Books\n\n\n\nVéhicule Press and Librairie Saint-Henri Books invite you to the launch of Valérie Bah’s Subterrane. Hosted by Esplanade Books editor Dimitri Nasrallah\, the event will feature Valérie reading from the novel\, as well as conversation with special guests Leïka Narcisse and Esi Callender. Refreshments will be served. \n\n\n\n*** \n\n\n\nA speculative comedy comprised of a carousel of Black and Queer voices being pushed further underground by urban prosperity. \n\n\n\nNew Stockholm\, a metropolis like any other across North America\, is unofficially divided between two worlds. Its upwardly mobile form the centre of its gleaming eye\, but their prosperity and affluence are not the focus of Zeynab’s government-funded abstract documentary. Her lens trails to the city’s margins instead\, in polluted industrial wastelands such as Cipher Falls\, one of New Stockholm’s last affordable neighbourhoods\, where creatives and other anti-capitalist voices increasingly find themselves pushed into demeaning\, dead-end jobs. In this growing underground network\, Zeynab’s lens focuses on the mysterious demise of Doudou Laguerre\, whose death may be related to his activism against a construction project. \n\n\n\nSubterrane connects us to a constellation of Black and Queer voices\, the hair braiders\, tattoo artists\, holistic healers\, weed dealers\, and sidewalk horticulturists struggling to make a life in New Stockholm. Together\, they illustrate how in cities across the continent\, entire communities are being sidelined in the name of prosperity. \n\n\n\n*** \n\n\n\nValérie Bah is a multidisciplinary Québécois artist\, filmmaker\, documentarian\, photographer\, and writer. Bah’s first collection\, The Rage Letters\, was translated from the French by Kama La Mackerel and published by Metonymy Press. Subterrane is their first book in English. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRSVP on Facebook
URL:https://qwf.org/event/book-launch-subterrane-by-valerie-bah/
LOCATION:Librairie Saint-Henri Bookstore\, 4622 Rue Notre-Dame Ouest\, Montreal\, Quebec\, Canada
CATEGORIES:Book Launch
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241122T160000
DTEND;TZID=America/New_York:20241122T173000
DTSTAMP:20260403T145957
CREATED:20241118T165051Z
LAST-MODIFIED:20241118T165245Z
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SUMMARY:Poetics and Magic: Modernist Verse and  Artificial Intelligence with Dr. Orla Polten
DESCRIPTION:Friday\, November 22\, 20244:00-5:30 pm ET\n\n\n\nOrla Polten (they/she) is a research affiliate at McGill University working on the relationship between magic and poetics. They earned their Ph.D. in English from the University of Cambridge\, specialising in anglophone reception of Ancient Greek and Latin poetry. Polten’s first book\, English Verse in Classical Metres\, is forthcoming from Oxford University Press. Their current research asks what is at stake in the claim—prevalent in modernist poetic discourse—that poetry is a kind of magic. 
URL:https://qwf.org/event/poetics-and-magic-modernist-verse-and-artificial-intelligence-with-dr-orla-polten/
LOCATION:Birks Building\, 3520 rue University\, Montreal\, Quebec\, Canada
CATEGORIES:Community Events,Panel
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241121T200000
DTEND;TZID=America/New_York:20241121T220000
DTSTAMP:20260403T145957
CREATED:20240730T154254Z
LAST-MODIFIED:20240801T171128Z
UID:10003947-1732219200-1732226400@qwf.org
SUMMARY:Pursuing the Erotic
DESCRIPTION:This is an expanded version of the three-hour workshop “Identifying (with) the Erotic” offered in July 2022. It progresses from initial references to erotica by old hands (Anaïs Nin)\, incidental practitioners (James Baldwin) and newer writers (Ruel Johnson) to consider other select works in prose\, poetry\, and comics. You do not have to have attended the 2022 workshop to enroll in this one. \n\n\n\nThe workshop continues the exploration of what makes the erotic not only a sensual genre but a life-affirming one with participants contributing their own writing as well as sourcing that of other practitioners. While creating sexy characters and scenes with stimulating language is part of the process\, and knowing your audience is crucial (there is a difference between romance\, erotica and pornography)\, the emphasis remains on craft and telling a story that engages readers’ imagination\, exciting not only the body but all of the senses. And this without apology. \n\n\n\nRobert Edison Sandiford is the author of several books\, among them the award-winning The Tree of Youth & Other Stories\, And Sometimes They Fly (a novel) and Sand for Snow (memoir).  He has also written graphic novels for NBM Publishing.  In 2003\, he and the poet Linda M. Deane founded the Barbadian cultural resource ArtsEtc Inc.  He has worked as a publisher\, teacher and\, with Warm Water Productions\, producer.  His fiction and non-fiction have appeared in journals\, magazines and anthologies.  Currently working on another novel\,his most recent titleis Fairfield from DC Books.
URL:https://qwf.org/event/pursuing-the-erotic/2024-11-21/
LOCATION:Online via Zoom
CATEGORIES:QWF Workshops,Workshops
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241121T190000
DTEND;TZID=America/New_York:20241121T190000
DTSTAMP:20260403T145957
CREATED:20241121T181620Z
LAST-MODIFIED:20241121T181624Z
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SUMMARY:Lawn Chair Soirée Publications Party
DESCRIPTION:November 21\, 2024\, 7:00 pm ET1444 av Union\, Montreal\, 2nd floor\, St. Anselm’s Chapel\n\n\n\nWe are celebrating the recent publications by these authors. \n\n\n\n\nAhmad Al-Khatat – The Finest Cigarette (impspired\, 2024)\n\n\n\nLouise Carson – The Cat Crossed a Line (Signature Editions\, 2024)\n\n\n\nMary Dean Lee – Tidal (Pine Row Press\, 2024)\n\n\n\nNorman Nawrocki – Vancouvered Out (Les Pages Noires\, Montréal\, QC)\n\n\n\nJim Olwell – The Art of Being Irish in Hell’s Kitchen (FriesenPress\, 2024)\n\n\n\nClaire Sherwood – Eat Your Words (Turret House Press\, 2024)\n\n\n\nCarolyn Marie Souaid – Looking for Her (Baraka Books\, Montreal\, QC)\n\n\n\nNeil Whitehouse – The Gospel of Jesus Green: Home for All\, Not Just for Humans (Wipf and Stock Publishers\, Eugene\, OR)\n\n\n\nJan Jorgensen – Birthing Godde (Ekstasis Editions\, Victoria\, BC) \n\n\n\n\nhttp://lawnchairsoiree.org/janjorgensen/index.html \n\n\n\nBooks will be available for purchase. \n\n\n\nThere will be an Open Mic. 3 minutes max.
URL:https://qwf.org/event/lawn-chair-soiree-publications-party/
LOCATION:QC
CATEGORIES:Book Launch,Open Mic
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241121T180000
DTEND;TZID=America/New_York:20241121T200000
DTSTAMP:20260403T145958
CREATED:20240730T151554Z
LAST-MODIFIED:20240801T171206Z
UID:10003939-1732212000-1732219200@qwf.org
SUMMARY:Poetry and the Tiny Sea in the Ear
DESCRIPTION:The tiny sea in the earand the moth wing in the mind\, which wait.— Don McKay\, “Early Instruments” \n\n\n\nThis workshop invites participants to explore our “early instruments” of imagination and experience through the language of poetry. \n\n\n\n“The excitement of metaphor\,” writes Don McKay\, “stems from the injection of wilderness into language.” Add to this idea the excitement of any element of poetic making. \n\n\n\nDuring these eight weeks\, we will draft and develop poems that tap the surprise of tension and release\, tease out what’s wild in the everyday\, refresh expectation and sharpen expression. \n\n\n\nIn each session\, we will respond to each other’s poems and work with one or more prompts. In most sessions we will look briefly at a strong contemporary poem and consider what we might borrow from it as a springboard to our writing. \n\n\n\nAll levels of experience are welcome. \n\n\n\nSusan Gillis (she/her) has taught Creative Writing at Concordia University and John Abbott College\, and has led poetry workshops with QWF\, Los Parronales (Chile)\, Blue Met\, in schools and in the community. Her four books have been nominated for several awards; Volta (2002) was awarded the A.M. Klein Prize. She is a founding member of the collaborative poetry group Yoko’s Dogs (Whisk\, 2013; Rhinoceros\, 2016; Caution Tape\, 2021). Her most recent book is Yellow Crane (Brick 2018). She works as a freelance editor and mentor.
URL:https://qwf.org/event/poetry-and-the-tiny-sea-in-the-ear/2024-11-21/
LOCATION:QWF Office\, 1200 Atwater Avenue\, Room 3\, Westmount\, QC\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops,Workshops
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241120T200000
DTEND;TZID=America/New_York:20241120T220000
DTSTAMP:20260403T145958
CREATED:20240730T150325Z
LAST-MODIFIED:20240801T203300Z
UID:10003930-1732132800-1732140000@qwf.org
SUMMARY:The Vivid and Continuous Dream: A Short Story Workshop
DESCRIPTION:In March\, in 1918\, an Olympic swimmer accepts a job rehabilitating the Polio-ravaged legs of a rich young woman\, not knowing the mess of love and wreckage that await their future selves; in Western Australia\, a bullied adolescent watches his high school tormentor drown beneath the surface of an aquifer—he expects reprieve\, but all his life he will sense the boy\, resinous\, in the mist and the warm wet air; in Spokane\, a man embarks on a strange\, galvanizing quest to reclaim an heirloom headdress that once belonged to his grandmother\, and the journey leaves him wondering who he is\, or who he used to be\, or who he might yet become. \n\n\n\nThe best stories ask questions but don’t dare give all the answers; they take the reader on a journey and leave them with a brief sliver of enlightenment. Yes: love is worth the cost to body and soul\, in 1918 as much as now. No: there is no easy escape from regret\, and good people will suffer if they stoop to the level of their abusers. Perhaps what matters is not to complete the task or reclaim our past\, but to reassure ourselves that we tried. \n\n\n\nThis workshop is a guided discussion about the plot\, characters\, point of view\, structure\, and language (the mechanics or “craft”) of participants’ short stories\, as well as an investigation of each story’s aboutness\, patterns\, emotional plot\, and central question(s)—that is\, all those hard-to-define elements that make fiction what it is. \n\n\n\nAdditionally\, the workshop aims to foster community among the attendees\, to bring together writers of similar skill and drive\, and to encourage the kind of creative energy that crackles between new practitioners. \n\n\n\nSome Learning Objectives \n\n\n\n\nCritical reading\, and the ability to identify the roots of a story’s problems\, particularly with regard to dramatic structure and conflict. Conversely: the ability to identify the roots of a story’s successes\, especially when it seems intangible or difficult to pin down.\n\n\n\nClose reading\, even of your own work\, for strongest-possible sentences. (They are\, after all\, the building blocks of fiction.)\n\n\n\nTo immerse yourself in\, and engage with\, literature among a cohort of people who are similarly immersed and engaged in literature; to enjoy it.\n\n\n\n\nIn our first meeting\, we will establish a schedule\, review workshop etiquette\, spend some time meeting each other\, and do a few writing exercises. From then on\, each session will consist of detailed discussion and feedback on participants’ stories. The goal\, always\, is to offer the writer of each story constructive suggestions to help them improve the story and their craft. We are\, I always say\, in this together. \n\n\n\nIn preparation: Please bring a short story of no more than 2500 words to the first session. \n\n\n\nD. W. Wilson is the author of Once You Break a Knuckle\, a collection of short stories\, and Ballistics\, a novel. His work has appeared in lit mags across the globe\, and in 2011 he won the BBC National Short Story Award for “The Dead Roads.” Since then he has been shortlisted for numerous fiction prizes\, and has won the CBC Short Story Prize and the Manchester Fiction Prize. He taught creative writing at the University of Victoria and Brandon University and is currently a fiction mentor for the University of King’s College’s writing MFA.
URL:https://qwf.org/event/the-vivid-and-continuous-dream-a-short-story-workshop/2024-11-20/
LOCATION:QWF Office\, 1200 Atwater Avenue\, Room 3\, Westmount\, QC\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops,Workshops
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DTSTART;TZID=America/New_York:20241120T180000
DTEND;TZID=America/New_York:20241120T200000
DTSTAMP:20260403T145958
CREATED:20240729T192931Z
LAST-MODIFIED:20240801T171155Z
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SUMMARY:Hooked: Writing Compelling YA Fiction
DESCRIPTION:Get ready to unveil the gripping storyteller within you and keep readers turning those pages! Dive into an exciting eight-week workshop focused on techniques to captivate young adult readers. We’ll look at everything from crafting vibrant characters and heart-pounding conflicts to honing structure and pacing in YA fiction. \n\n\n\nFor our first session\, bring along a favorite YA novel to share with the group. By week two\, be sure to have the first chapter of your work-in-progress (up to 10 pages) for some feedback exchange. By the end of the workshop\, you’ll have a roadmap to your story\, completed scenes\, and an inciting hook for your novel-in-the-making. \n\n\n\nEach session will incorporate a mix of writing prompts\, critique sessions\, exploration of writing techniques\, sneak peeks into YA literature\, and lively group discussions. We’ll be reading various writing styles\, structuring vibrant dialogue\, and feeling all the YA vibes. We’ll even take a sneak peek into the Canadian publishing world. \n\n\n\nValuable feedback from both the workshop leader and your fellow writers on your opening chapter will keep you motivated and inspired. Together\, we’ll work at captivating readers. \n\n\n\nDon’t forget your writing tools for each session. All writers\, whether seasoned pros or fresh faces\, are welcome! Short story\, graphic novel and prose writers\, you’re invited too! \n\n\n\nThe following Suggested readings will sharpen your writing skills\, but are not necessary for the workshop: \n\n\n\nCorner-Bryant\, Helen\, and Kathryn Price. On Editing: How to Edit Your Novel the Professional Way. John Murray Learning\, 2018. \n\n\n\nProse\, Francine. Reading like a Writer: A Guide for People Who Love Books and for Those Who Want to Write Them. HarperCollins\, 2009. \n\n\n\nStrunk Jr\, William. The Elements of Style: Classic Edition. Spectrum Ink\, 2018. \n\n\n\nTruby\, John. The Anatomy of Story: 22 Steps to Becoming a Master Storyteller. Faber and Faber\, 2008. \n\n\n\nLea Beddia is the author of Take Off! (Rebel Mountain Press) and Outta Here (Lorimer). She is also a storyteller\, appearing regularly on stage with Confabulation. Born and raised in Montreal\, she now teaches in Joliette\, Quebec\, where she lives with her husband and three children. With a passion for supporting literacy among young adults\, especially for striving readers\, Lea is releasing two fresh YA novels set to hit bookshelves in 2025 and 2026. Find out more at www.leabeddia.com\, or say hi to Lea Beddia on Facebook or Instagram @BeddiaLea.
URL:https://qwf.org/event/hooked-writing-compelling-ya-fiction/2024-11-20/
LOCATION:QWF Office\, 1200 Atwater Avenue\, Room 3\, Westmount\, QC\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops,Workshops
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DTSTART;TZID=America/New_York:20241120T180000
DTEND;TZID=America/New_York:20241120T180000
DTSTAMP:20260403T145958
CREATED:20241106T200748Z
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SUMMARY:LANCEMENT | Worldwise: Édouard Roditi’s Twentieth Century
DESCRIPTION:Wednesday\, November 20\, 6:00 pm ETLibrairie Le Port de tête (269 avenue du Mont-Royal Est\, Montreal)\n\n\n\nJoin Robert Schwartzwald et Sherry Simon for the launch of their new book: Worldwise: Édouard Roditi’s Twentieth Century. \n\n\n\nAbout the Authors\n\n\n\nRobert Schwartzwald is a Professor of literature at the Université de Montréal and Chair of the Jewish Public Library’s J.I. Segal Awards Committee. His publications include a monograph on the film C.R.A.Z.Y. and the English translation of Daniel Guérin’s The Brown Plague : Travels in Late Weimar and Early Nazi Germany. \n\n\n\nSherry Simon is Distinguished Professor Emerita\, Concordia University. She has published widely on the cultural dynamics of multilingual cities\, including  Translating Montreal and Translation Sites.
URL:https://qwf.org/event/lancement-worldwise-edouard-roditis-twentieth-century/
LOCATION:Librairie Le Port de tête\, 262 avenue du Mont-Royal Est\, Montreal\, Quebec\, H2T 1P6\, Canada
CATEGORIES:Book Launch
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ORGANIZER;CN="Jewish Public Library":MAILTO:info@jplmontreal.org
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DTSTART;TZID=America/New_York:20241120T173000
DTEND;TZID=America/New_York:20241120T190000
DTSTAMP:20260403T145958
CREATED:20241106T163955Z
LAST-MODIFIED:20241106T212225Z
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SUMMARY:Why We Write
DESCRIPTION:Wednesday\, November 20\, 2024\, 5:30-7:00 pm ETLe Petit Dep – Le Loft (290 Rue de la Montagne\, 3rd Floor\, Montreal)\n\n\n\nJoin Writers Collective of Canada as we explore the social impact of making art. Why We Write brings together established and emerging writers in a celebration of writing and storytelling to transform lives. \n\n\n\nThis event will feature a panel discussion and audience engagement through a Q&A period and interactive writing workshop experience. \n\n\n\nPanelists include Susan Doherty\, Josh Freed\, Kook Fuqin Hu\, and Ann Lambert. \n\n\n\nQWF is proud to partner with Writers Collective of Canada to organize this event. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRSVP on FAcebook
URL:https://qwf.org/event/writers-out-loud-why-we-write/
LOCATION:Le Petit Dep – Le Loft\, 290 rue de la Montagne\, 3rd Floor\, Montreal\, Quebec\, Canada
CATEGORIES:Panel,Reading,Series
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DTSTART;TZID=America/New_York:20241120T120000
DTEND;TZID=America/New_York:20241120T133000
DTSTAMP:20260403T145958
CREATED:20241021T161944Z
LAST-MODIFIED:20241025T161120Z
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SUMMARY:Lunch and Learn: Video Game Writing
DESCRIPTION:Wednesday\, November 20\, 2024\, 12:00-1:30 pm ETFree\, online onlyRegister for Zoom link\n\n\n\nMontreal is one of the world’s top video game production centres\, with several AAA and independent studios calling it their home. At the heart of these games are its creators: artists and writers passionate about crafting immersive experiences for players around the world.But how does one get started as a writer in video games? What can a career in the video game industry look like? \n\n\n\nGet a glimpse into this challenging world by attending the Quebec Writers’ Federation’s next Lunch and Learn event. Jill Murray\, whose video game writing credits include Assassin’s Creed Liberation\, Shadow of the Tomb Raider\, and Subnautica: Below Zero\, will lead us in a short presentation on the life of a video game writer. You are invited to bring your curiosity and questions! \n\n\n\nCome join us on Wednesday November 20th\, from 12-1:30pm online via Zoom. Register to get the Zoom link.  \n\n\n\nThis session will be recorded and the recording will be published on YouTube. \n\n\n\nAbout Jill Murray\n\n\n\nA veteran game developer\, Jill Murray was most recently the creative director for Invincible Presents: Atom Eve. She has been a narrative designer\, lead writer for indie and AAA video games\, best known for her work on Shadow of the Tomb Raider\, The Big Con\, and a handful of Assassin’s Creed games. In 2013\, she won the Writers Guild of America Award for Excellence in Videogame Writing. In 2015\, she founded game narrative studio\, Discoglobe Interactive. In past lives\, Jill studied theatre\, worked as a web developer\, and published two YA novels about breakdancing teenagers. She has taught game design at Champlain College\, given workshops in writing and narrative design in Montreal at the National Theatre School of Canada\, Playwrights’ Workshop Montreal\, and Quebec Writers’ Federation\, and appeared internationally as a speaker at Tribeca Film Festival\, GDC\, the Perth International Writers’ Festival\, East Coast Game Conference\, and Montreal International Game Summit. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRegister for zoom link
URL:https://qwf.org/event/lunch-and-learn-video-game-writing/
LOCATION:Online – Please RSVP to receive a Zoom link
CATEGORIES:Lunch & Learn,QWF Events
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DTSTART;TZID=America/New_York:20241119T200000
DTEND;TZID=America/New_York:20241119T220000
DTSTAMP:20260403T145958
CREATED:20240729T185742Z
LAST-MODIFIED:20240801T171223Z
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SUMMARY:Memoir: Turning Yourself into a Character
DESCRIPTION:The memoir used to be a large and weighty book\, often written by a man of power\, once he had stepped out of the limelight (or been cast out of it). Presidents and prime ministers wrote memoirs; the common people did not. \n\n\n\nFlash-forward to the present. People have discovered that they had and still have lives worth writing about. The classic memoir was about the exercise of power in times of crisis. The current memoir is often about a period of time during which the writer learned something about themselves. Which should make all of us potential memoirists. \n\n\n\nThe form contains a number of moral traps and rough spots. How much fiction can you put in a memoir? What happens when you forget something\, or misremember? How much can you reveal about yourself and others before you cross a line you might regret? \n\n\n\nWe’ll look at several examples of memoir\, from Harry Crews to Kyo Maclear and others. With Crews\, his story begins before his birth; is that still memoir? Mark Abley’s travel story is clearly designed to tell as little as possible about its author. In sociologist mode\, Daniel Allen Cox brings in a slew of outside sources to bolster his self-inquiry. Where do we want to situate ourselves? \n\n\n\nThat\, of course\, will depend on our inquiries. A memoir can be about someone else – how you did or did not live with that person. Memoirs can spring from a mystery – but not always. All of them involve the writer wanting to achieve greater self-understanding\, which means we have to turn ourselves into a character to do it. \n\n\n\nThe workshop will be a mixture of reading one another’s projects and proposals\, and considering excerpts from other books. Participants are free to submit material a week or two before the first workshop. This material will be part of class discussions. Please submit to David.Homel@concordia.ca. For the first submission\, please do not go beyond 5 or 10 standard pages. See you there! \n\n\n\nDavid Homel wrote 13 works of fiction – historical novels\, murder mysteries and domestic fiction – before his first memoir in 2020\, and he has gone on to work in that form since. The experience as a memoirist continues to bear upon his novel-writing\, enriching and expanding it. The moral aspects of the art of memory and disclosure continue to attract him\, along with the paradox of turning himself into a character in order to get at the truths of his past lives. He has also worked as a journalist and a documentary filmmaker\, both assets for memoir writing\,
URL:https://qwf.org/event/memoir-turning-yourself-into-a-character/2024-11-19/
LOCATION:QWF Office\, 1200 Atwater Avenue\, Room 3\, Westmount\, QC\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops,Workshops
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DTSTART;TZID=America/New_York:20241119T190000
DTEND;TZID=America/New_York:20241119T190000
DTSTAMP:20260403T145958
CREATED:20241010T192314Z
LAST-MODIFIED:20241010T192348Z
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SUMMARY:Linguaphile: Book Talk with Julie Sedivy and Gretchen McCulloch
DESCRIPTION:Tuesday\, November 19\, 2024\, 7:00 pm ET\n\n\n\nJoin author Julie Sedivy\, in conversation with Gretchen McCulloch\, as they discuss her new book\, Linguaphile! This event will be hosted in person at the Atwater Library’s Adair Auditorium. Attendance is free\, but space is limited\, so please RSVP on TicketSource. \n\n\n\nAbout the Book\n\n\n\nA celebration of the beauty and mystery of language and how it shapes our lives\, our loves\, and our world. \n\n\n\nIf there is one feature that defines the human condition\, it is language: written\, spoken\, signed\, understood\, and misunderstood\, in all its infinite glory. In this ingenious\, lyrical exploration\, Julie Sedivy draws on years of experience in the lab and a lifetime of linguistic love to bring the discoveries of linguistics home\, to the place language itself lives: within the yearnings of the human heart and amid the complex social bonds that it makes possible. \n\n\n\nLinguaphile: A Life of Language Love follows the path that language takes through a human life—from an infant’s first attempts at sense-making to the vulnerabilities and losses that accompany aging. As Sedivy shows\, however\, language and life are inextricable\, and here she offers them together: a childish misunderstanding of her mother’s meaning reveals the difficulty of relating to other minds; frustration with “professional” communication styles exposes the labyrinth of standards that define success; the first signs of hearing loss lead to a meditation on society’s discomfort with physical and mental limitations. \n\n\n\nPart memoir\, part scientific exploration\, and part cultural commentary\, this book epitomizes the thrills of a life steeped in the aesthetic delights of language and the joys of its scientific scrutiny. \n\n\n\nAbout the Authors\n\n\n\nJulie Sedivy has taught linguistics and psychology at Brown University and the University of Calgary. She is the author of Memory Speaks: On Losing and Reclaiming Language and Selfand Language in Mind: An Introduction to Psycholinguistics\, as well as the coauthor of Sold on Language: How Advertisers Talk to Youand What This Says About You. She lives in Calgary\, Canada. \n\n\n\nGretchen McCulloch is an internet linguist and author of the New York Times bestselling Because Internet: Understanding the New Rules of Language. She’s been the Resident Linguist at Wired and The Toast and is the co-creator of Lingthusiasm\, a podcast that’s enthusiastic about linguistics. She lives in Montreal\, but also on the internet. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRSVP Now
URL:https://qwf.org/event/linguaphile-book-talk-with-julie-sedivy-and-gretchen-mcculloch/
LOCATION:Atwater Library and Computer Centre\, 1200 Atwater Avenue\, Westmount\, Quebec\, H3Z 1X4\, Canada
CATEGORIES:Book Launch
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DTSTART;TZID=America/New_York:20241119T180000
DTEND;TZID=America/New_York:20241119T200000
DTSTAMP:20260403T145958
CREATED:20240729T181403Z
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SUMMARY:The Poet’s Toolbox
DESCRIPTION:Do you want to write poetry but have trouble getting started? Are you interested in stepping outside of your comfort zone to generate new pieces? This workshop will help you to develop your voice as a poet by kindling your creativity with the support of a variety of writing tools\, prompts\, poetic forms\, and other techniques. \n\n\n\nIn each session\, participants will be presented with some combination of readings\, writing constraints\, or guided prompts. These will include assignments to write new pieces using different poetic forms including ekphrastic poetry (verse inspired by visual art)\, erasure/blackout poetry\, OULIPO games\, centos\, prose poems\, and haiku. Participants will be encouraged to share their writing results and will have a chance to discuss each other’s poems.  \n\n\n\nBy the end of this 8-week generative poetry writing workshop\, participants will have a chance to produce a portfolio of approximately 8 new pieces of creative work. \n\n\n\nGreg Santos is a poet\, editor\, and educator. His most recent book is Ghost Face (2020) and he has published several other poetry collections. His writing has appeared in CBC First Person\, The Walrus\, Geist\, AGNI\, The Best American Poetry Blog\, and World Literature Today. He has worked with the QWF’s Writers in the Community Program\, Vallum Society for Education in Arts & Letters\, Poetry in Voice\, and the Thomas More Institute to spread the joy of verse and creative writing to diverse communities. He is the Editor in Chief of the QWF’s online literary journal carte blanche. He is an adoptee of Cambodian\, Portuguese\, and Spanish heritage. Greg lives in Tiohtià:ke/Montréal with his wife and two children.
URL:https://qwf.org/event/the-poets-toolbox/2024-11-19/
LOCATION:QWF Office\, 1200 Atwater Avenue\, Room 3\, Westmount\, QC\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops,Workshops
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