BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Quebec Writers' Federation - ECPv6.17.1//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:Quebec Writers' Federation
X-ORIGINAL-URL:https://qwf.org
X-WR-CALDESC:Events for Quebec Writers' Federation
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/New_York
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20250309T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20251102T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20260308T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20261101T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20270314T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20271107T060000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261013T173000
DTEND;TZID=America/New_York:20261013T193000
DTSTAMP:20260731T122320Z
CREATED:20260724T164508Z
LAST-MODIFIED:20260731T122320Z
UID:10005223-1791912600-1791919800@qwf.org
SUMMARY:The Secrets of Writing Hit TV Series
DESCRIPTION:Eight Tuesdays\, Oct 13–Dec 1\, 5:45–7:45 p.m.\nOpen to all (application required—see below)\nLimited to 12 participants\nHybrid workshop* \nDo you have a brilliant idea for a TV show but no clue how to write a standout pitch document? \nDo you have a strong pilot script but don’t know how to flesh it out into a long-lasting series? \nDo you secretly think you’re the next Aaron Sorkin or Shonda Rhimes\, if only you knew the keys to writing hit TV shows? \nThen this workshop is for you. \nMost TV writing courses focus on writing a pilot script. Mine starts one step earlier—because before you can write a great pilot\, you need a great series concept. \nDrawing on my 20+ years in the TV and film industry and my work as a writer\, showrunner\, development executive\, creative consultant and mentor\, I will teach you the essential building blocks of television writing and guide you through the process of developing your own original series. \nTopics include: \n\nStory engine\, logline & hook\nSeries concept & theme\nCharacters & world\nPitching your show: on the page and in the room\nTips for writing a standout pilot\nBuilding or advancing a career in television\n\nThroughout the workshop\, you’ll apply what you learn to your own project and you’ll receive ongoing feedback and guidance from me to strengthen your concept\, sharpen your story engine\, and create a professional pitch document—the blueprint for your series and an essential tool for pitching your show. \nApplying & Preparing \nTo apply\, please submit a logline and synopsis (1 page max) for the TV series you’d like to develop during the workshop. \nThere is no required reading for this workshop. However\, I strongly encourage you to read a few articles on writing effective loglines. A logline is one of the most important tools in television development\, yet it’s often overlooked or underestimated. \nBy the end of the workshop\, “logline” will probably become your favourite—and most dreaded—word! \n  \n*This workshop will take place at the QWF Office (Room 3\, 1200 Atwater Avenue\, Westmount\, Quebec) with up to 2 virtual spots for participants who are unable to attend in-person because of distance or disability. By default\, all workshop registrations are for in-person spots. If you would like to request a virtual slot\, contact John at john@qwf.org stating the reason for which you would need the virtual spot\, then wait for a response before registering. Please do not register until you receive confirmation of a virtual spot for you. \n  \nCynthia Knight is a writer\, story editor\, and showrunner with over 20 years of experience in film and TV. The co-creator and showrunner of the critically-acclaimed\, award-winning comedy series Mohawk Girls (CBC GEM / Peacock)\, Cynthia was recently a consulting producer on the show My Dead Mom for Crave\, a writer on the animated series By Bunny for Sphere Media\, and she wrote the international co-production feature film The Otter Club\, which just wrapped production in July\, 2026. A former development executive for Attraction Images and Muse Entertainment\, Cynthia is also a creative consultant and teacher who offers courses\, talks\, and workshops on TV writing in the US and Canada. \nWebpage: https://cknightfilms.com \nSocial media handles: \n  \nhttps://www.facebook.com/cynthia.knight.393 \n  \nhttps://www.instagram.com/cynthiaknightfilms/
URL:https://qwf.org/event/the-secrets-of-writing-hit-tv-series/2026-10-13/
LOCATION:QWF Office\, 1200 Atwater Avenue\, Room 3\, Westmount\, QC\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops
ATTACH;FMTTYPE=image/jpeg:https://qwf.org/wp-content/uploads/2026/07/Knight-TV-Writing.jpg
GEO:45.4886431;-73.5864377
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=QWF Office 1200 Atwater Avenue Room 3 Westmount QC H3Z 1X4 Canada;X-APPLE-RADIUS=500;X-TITLE=1200 Atwater Avenue\, Room 3:geo:-73.5864377,45.4886431
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261020T173000
DTEND;TZID=America/New_York:20261020T193000
DTSTAMP:20260731T122320Z
CREATED:20260724T164508Z
LAST-MODIFIED:20260731T122320Z
UID:10005224-1792517400-1792524600@qwf.org
SUMMARY:The Secrets of Writing Hit TV Series
DESCRIPTION:Eight Tuesdays\, Oct 13–Dec 1\, 5:45–7:45 p.m.\nOpen to all (application required—see below)\nLimited to 12 participants\nHybrid workshop* \nDo you have a brilliant idea for a TV show but no clue how to write a standout pitch document? \nDo you have a strong pilot script but don’t know how to flesh it out into a long-lasting series? \nDo you secretly think you’re the next Aaron Sorkin or Shonda Rhimes\, if only you knew the keys to writing hit TV shows? \nThen this workshop is for you. \nMost TV writing courses focus on writing a pilot script. Mine starts one step earlier—because before you can write a great pilot\, you need a great series concept. \nDrawing on my 20+ years in the TV and film industry and my work as a writer\, showrunner\, development executive\, creative consultant and mentor\, I will teach you the essential building blocks of television writing and guide you through the process of developing your own original series. \nTopics include: \n\nStory engine\, logline & hook\nSeries concept & theme\nCharacters & world\nPitching your show: on the page and in the room\nTips for writing a standout pilot\nBuilding or advancing a career in television\n\nThroughout the workshop\, you’ll apply what you learn to your own project and you’ll receive ongoing feedback and guidance from me to strengthen your concept\, sharpen your story engine\, and create a professional pitch document—the blueprint for your series and an essential tool for pitching your show. \nApplying & Preparing \nTo apply\, please submit a logline and synopsis (1 page max) for the TV series you’d like to develop during the workshop. \nThere is no required reading for this workshop. However\, I strongly encourage you to read a few articles on writing effective loglines. A logline is one of the most important tools in television development\, yet it’s often overlooked or underestimated. \nBy the end of the workshop\, “logline” will probably become your favourite—and most dreaded—word! \n  \n*This workshop will take place at the QWF Office (Room 3\, 1200 Atwater Avenue\, Westmount\, Quebec) with up to 2 virtual spots for participants who are unable to attend in-person because of distance or disability. By default\, all workshop registrations are for in-person spots. If you would like to request a virtual slot\, contact John at john@qwf.org stating the reason for which you would need the virtual spot\, then wait for a response before registering. Please do not register until you receive confirmation of a virtual spot for you. \n  \nCynthia Knight is a writer\, story editor\, and showrunner with over 20 years of experience in film and TV. The co-creator and showrunner of the critically-acclaimed\, award-winning comedy series Mohawk Girls (CBC GEM / Peacock)\, Cynthia was recently a consulting producer on the show My Dead Mom for Crave\, a writer on the animated series By Bunny for Sphere Media\, and she wrote the international co-production feature film The Otter Club\, which just wrapped production in July\, 2026. A former development executive for Attraction Images and Muse Entertainment\, Cynthia is also a creative consultant and teacher who offers courses\, talks\, and workshops on TV writing in the US and Canada. \nWebpage: https://cknightfilms.com \nSocial media handles: \n  \nhttps://www.facebook.com/cynthia.knight.393 \n  \nhttps://www.instagram.com/cynthiaknightfilms/
URL:https://qwf.org/event/the-secrets-of-writing-hit-tv-series/2026-10-20/
LOCATION:QWF Office\, 1200 Atwater Avenue\, Room 3\, Westmount\, QC\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops
ATTACH;FMTTYPE=image/jpeg:https://qwf.org/wp-content/uploads/2026/07/Knight-TV-Writing.jpg
GEO:45.4886431;-73.5864377
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=QWF Office 1200 Atwater Avenue Room 3 Westmount QC H3Z 1X4 Canada;X-APPLE-RADIUS=500;X-TITLE=1200 Atwater Avenue\, Room 3:geo:-73.5864377,45.4886431
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261027T173000
DTEND;TZID=America/New_York:20261027T193000
DTSTAMP:20260731T122320Z
CREATED:20260724T164508Z
LAST-MODIFIED:20260731T122320Z
UID:10005225-1793122200-1793129400@qwf.org
SUMMARY:The Secrets of Writing Hit TV Series
DESCRIPTION:Eight Tuesdays\, Oct 13–Dec 1\, 5:45–7:45 p.m.\nOpen to all (application required—see below)\nLimited to 12 participants\nHybrid workshop* \nDo you have a brilliant idea for a TV show but no clue how to write a standout pitch document? \nDo you have a strong pilot script but don’t know how to flesh it out into a long-lasting series? \nDo you secretly think you’re the next Aaron Sorkin or Shonda Rhimes\, if only you knew the keys to writing hit TV shows? \nThen this workshop is for you. \nMost TV writing courses focus on writing a pilot script. Mine starts one step earlier—because before you can write a great pilot\, you need a great series concept. \nDrawing on my 20+ years in the TV and film industry and my work as a writer\, showrunner\, development executive\, creative consultant and mentor\, I will teach you the essential building blocks of television writing and guide you through the process of developing your own original series. \nTopics include: \n\nStory engine\, logline & hook\nSeries concept & theme\nCharacters & world\nPitching your show: on the page and in the room\nTips for writing a standout pilot\nBuilding or advancing a career in television\n\nThroughout the workshop\, you’ll apply what you learn to your own project and you’ll receive ongoing feedback and guidance from me to strengthen your concept\, sharpen your story engine\, and create a professional pitch document—the blueprint for your series and an essential tool for pitching your show. \nApplying & Preparing \nTo apply\, please submit a logline and synopsis (1 page max) for the TV series you’d like to develop during the workshop. \nThere is no required reading for this workshop. However\, I strongly encourage you to read a few articles on writing effective loglines. A logline is one of the most important tools in television development\, yet it’s often overlooked or underestimated. \nBy the end of the workshop\, “logline” will probably become your favourite—and most dreaded—word! \n  \n*This workshop will take place at the QWF Office (Room 3\, 1200 Atwater Avenue\, Westmount\, Quebec) with up to 2 virtual spots for participants who are unable to attend in-person because of distance or disability. By default\, all workshop registrations are for in-person spots. If you would like to request a virtual slot\, contact John at john@qwf.org stating the reason for which you would need the virtual spot\, then wait for a response before registering. Please do not register until you receive confirmation of a virtual spot for you. \n  \nCynthia Knight is a writer\, story editor\, and showrunner with over 20 years of experience in film and TV. The co-creator and showrunner of the critically-acclaimed\, award-winning comedy series Mohawk Girls (CBC GEM / Peacock)\, Cynthia was recently a consulting producer on the show My Dead Mom for Crave\, a writer on the animated series By Bunny for Sphere Media\, and she wrote the international co-production feature film The Otter Club\, which just wrapped production in July\, 2026. A former development executive for Attraction Images and Muse Entertainment\, Cynthia is also a creative consultant and teacher who offers courses\, talks\, and workshops on TV writing in the US and Canada. \nWebpage: https://cknightfilms.com \nSocial media handles: \n  \nhttps://www.facebook.com/cynthia.knight.393 \n  \nhttps://www.instagram.com/cynthiaknightfilms/
URL:https://qwf.org/event/the-secrets-of-writing-hit-tv-series/2026-10-27/
LOCATION:QWF Office\, 1200 Atwater Avenue\, Room 3\, Westmount\, QC\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops
ATTACH;FMTTYPE=image/jpeg:https://qwf.org/wp-content/uploads/2026/07/Knight-TV-Writing.jpg
GEO:45.4886431;-73.5864377
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=QWF Office 1200 Atwater Avenue Room 3 Westmount QC H3Z 1X4 Canada;X-APPLE-RADIUS=500;X-TITLE=1200 Atwater Avenue\, Room 3:geo:-73.5864377,45.4886431
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261103T173000
DTEND;TZID=America/New_York:20261103T193000
DTSTAMP:20260731T122320Z
CREATED:20260724T164508Z
LAST-MODIFIED:20260731T122320Z
UID:10005226-1793727000-1793734200@qwf.org
SUMMARY:The Secrets of Writing Hit TV Series
DESCRIPTION:Eight Tuesdays\, Oct 13–Dec 1\, 5:45–7:45 p.m.\nOpen to all (application required—see below)\nLimited to 12 participants\nHybrid workshop* \nDo you have a brilliant idea for a TV show but no clue how to write a standout pitch document? \nDo you have a strong pilot script but don’t know how to flesh it out into a long-lasting series? \nDo you secretly think you’re the next Aaron Sorkin or Shonda Rhimes\, if only you knew the keys to writing hit TV shows? \nThen this workshop is for you. \nMost TV writing courses focus on writing a pilot script. Mine starts one step earlier—because before you can write a great pilot\, you need a great series concept. \nDrawing on my 20+ years in the TV and film industry and my work as a writer\, showrunner\, development executive\, creative consultant and mentor\, I will teach you the essential building blocks of television writing and guide you through the process of developing your own original series. \nTopics include: \n\nStory engine\, logline & hook\nSeries concept & theme\nCharacters & world\nPitching your show: on the page and in the room\nTips for writing a standout pilot\nBuilding or advancing a career in television\n\nThroughout the workshop\, you’ll apply what you learn to your own project and you’ll receive ongoing feedback and guidance from me to strengthen your concept\, sharpen your story engine\, and create a professional pitch document—the blueprint for your series and an essential tool for pitching your show. \nApplying & Preparing \nTo apply\, please submit a logline and synopsis (1 page max) for the TV series you’d like to develop during the workshop. \nThere is no required reading for this workshop. However\, I strongly encourage you to read a few articles on writing effective loglines. A logline is one of the most important tools in television development\, yet it’s often overlooked or underestimated. \nBy the end of the workshop\, “logline” will probably become your favourite—and most dreaded—word! \n  \n*This workshop will take place at the QWF Office (Room 3\, 1200 Atwater Avenue\, Westmount\, Quebec) with up to 2 virtual spots for participants who are unable to attend in-person because of distance or disability. By default\, all workshop registrations are for in-person spots. If you would like to request a virtual slot\, contact John at john@qwf.org stating the reason for which you would need the virtual spot\, then wait for a response before registering. Please do not register until you receive confirmation of a virtual spot for you. \n  \nCynthia Knight is a writer\, story editor\, and showrunner with over 20 years of experience in film and TV. The co-creator and showrunner of the critically-acclaimed\, award-winning comedy series Mohawk Girls (CBC GEM / Peacock)\, Cynthia was recently a consulting producer on the show My Dead Mom for Crave\, a writer on the animated series By Bunny for Sphere Media\, and she wrote the international co-production feature film The Otter Club\, which just wrapped production in July\, 2026. A former development executive for Attraction Images and Muse Entertainment\, Cynthia is also a creative consultant and teacher who offers courses\, talks\, and workshops on TV writing in the US and Canada. \nWebpage: https://cknightfilms.com \nSocial media handles: \n  \nhttps://www.facebook.com/cynthia.knight.393 \n  \nhttps://www.instagram.com/cynthiaknightfilms/
URL:https://qwf.org/event/the-secrets-of-writing-hit-tv-series/2026-11-03/
LOCATION:QWF Office\, 1200 Atwater Avenue\, Room 3\, Westmount\, QC\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops
ATTACH;FMTTYPE=image/jpeg:https://qwf.org/wp-content/uploads/2026/07/Knight-TV-Writing.jpg
GEO:45.4886431;-73.5864377
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=QWF Office 1200 Atwater Avenue Room 3 Westmount QC H3Z 1X4 Canada;X-APPLE-RADIUS=500;X-TITLE=1200 Atwater Avenue\, Room 3:geo:-73.5864377,45.4886431
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261110T173000
DTEND;TZID=America/New_York:20261110T193000
DTSTAMP:20260731T122320Z
CREATED:20260724T164508Z
LAST-MODIFIED:20260731T122320Z
UID:10005227-1794331800-1794339000@qwf.org
SUMMARY:The Secrets of Writing Hit TV Series
DESCRIPTION:Eight Tuesdays\, Oct 13–Dec 1\, 5:45–7:45 p.m.\nOpen to all (application required—see below)\nLimited to 12 participants\nHybrid workshop* \nDo you have a brilliant idea for a TV show but no clue how to write a standout pitch document? \nDo you have a strong pilot script but don’t know how to flesh it out into a long-lasting series? \nDo you secretly think you’re the next Aaron Sorkin or Shonda Rhimes\, if only you knew the keys to writing hit TV shows? \nThen this workshop is for you. \nMost TV writing courses focus on writing a pilot script. Mine starts one step earlier—because before you can write a great pilot\, you need a great series concept. \nDrawing on my 20+ years in the TV and film industry and my work as a writer\, showrunner\, development executive\, creative consultant and mentor\, I will teach you the essential building blocks of television writing and guide you through the process of developing your own original series. \nTopics include: \n\nStory engine\, logline & hook\nSeries concept & theme\nCharacters & world\nPitching your show: on the page and in the room\nTips for writing a standout pilot\nBuilding or advancing a career in television\n\nThroughout the workshop\, you’ll apply what you learn to your own project and you’ll receive ongoing feedback and guidance from me to strengthen your concept\, sharpen your story engine\, and create a professional pitch document—the blueprint for your series and an essential tool for pitching your show. \nApplying & Preparing \nTo apply\, please submit a logline and synopsis (1 page max) for the TV series you’d like to develop during the workshop. \nThere is no required reading for this workshop. However\, I strongly encourage you to read a few articles on writing effective loglines. A logline is one of the most important tools in television development\, yet it’s often overlooked or underestimated. \nBy the end of the workshop\, “logline” will probably become your favourite—and most dreaded—word! \n  \n*This workshop will take place at the QWF Office (Room 3\, 1200 Atwater Avenue\, Westmount\, Quebec) with up to 2 virtual spots for participants who are unable to attend in-person because of distance or disability. By default\, all workshop registrations are for in-person spots. If you would like to request a virtual slot\, contact John at john@qwf.org stating the reason for which you would need the virtual spot\, then wait for a response before registering. Please do not register until you receive confirmation of a virtual spot for you. \n  \nCynthia Knight is a writer\, story editor\, and showrunner with over 20 years of experience in film and TV. The co-creator and showrunner of the critically-acclaimed\, award-winning comedy series Mohawk Girls (CBC GEM / Peacock)\, Cynthia was recently a consulting producer on the show My Dead Mom for Crave\, a writer on the animated series By Bunny for Sphere Media\, and she wrote the international co-production feature film The Otter Club\, which just wrapped production in July\, 2026. A former development executive for Attraction Images and Muse Entertainment\, Cynthia is also a creative consultant and teacher who offers courses\, talks\, and workshops on TV writing in the US and Canada. \nWebpage: https://cknightfilms.com \nSocial media handles: \n  \nhttps://www.facebook.com/cynthia.knight.393 \n  \nhttps://www.instagram.com/cynthiaknightfilms/
URL:https://qwf.org/event/the-secrets-of-writing-hit-tv-series/2026-11-10/
LOCATION:QWF Office\, 1200 Atwater Avenue\, Room 3\, Westmount\, QC\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops
ATTACH;FMTTYPE=image/jpeg:https://qwf.org/wp-content/uploads/2026/07/Knight-TV-Writing.jpg
GEO:45.4886431;-73.5864377
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=QWF Office 1200 Atwater Avenue Room 3 Westmount QC H3Z 1X4 Canada;X-APPLE-RADIUS=500;X-TITLE=1200 Atwater Avenue\, Room 3:geo:-73.5864377,45.4886431
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261117T173000
DTEND;TZID=America/New_York:20261117T193000
DTSTAMP:20260731T122320Z
CREATED:20260724T164508Z
LAST-MODIFIED:20260731T122320Z
UID:10005228-1794936600-1794943800@qwf.org
SUMMARY:The Secrets of Writing Hit TV Series
DESCRIPTION:Eight Tuesdays\, Oct 13–Dec 1\, 5:45–7:45 p.m.\nOpen to all (application required—see below)\nLimited to 12 participants\nHybrid workshop* \nDo you have a brilliant idea for a TV show but no clue how to write a standout pitch document? \nDo you have a strong pilot script but don’t know how to flesh it out into a long-lasting series? \nDo you secretly think you’re the next Aaron Sorkin or Shonda Rhimes\, if only you knew the keys to writing hit TV shows? \nThen this workshop is for you. \nMost TV writing courses focus on writing a pilot script. Mine starts one step earlier—because before you can write a great pilot\, you need a great series concept. \nDrawing on my 20+ years in the TV and film industry and my work as a writer\, showrunner\, development executive\, creative consultant and mentor\, I will teach you the essential building blocks of television writing and guide you through the process of developing your own original series. \nTopics include: \n\nStory engine\, logline & hook\nSeries concept & theme\nCharacters & world\nPitching your show: on the page and in the room\nTips for writing a standout pilot\nBuilding or advancing a career in television\n\nThroughout the workshop\, you’ll apply what you learn to your own project and you’ll receive ongoing feedback and guidance from me to strengthen your concept\, sharpen your story engine\, and create a professional pitch document—the blueprint for your series and an essential tool for pitching your show. \nApplying & Preparing \nTo apply\, please submit a logline and synopsis (1 page max) for the TV series you’d like to develop during the workshop. \nThere is no required reading for this workshop. However\, I strongly encourage you to read a few articles on writing effective loglines. A logline is one of the most important tools in television development\, yet it’s often overlooked or underestimated. \nBy the end of the workshop\, “logline” will probably become your favourite—and most dreaded—word! \n  \n*This workshop will take place at the QWF Office (Room 3\, 1200 Atwater Avenue\, Westmount\, Quebec) with up to 2 virtual spots for participants who are unable to attend in-person because of distance or disability. By default\, all workshop registrations are for in-person spots. If you would like to request a virtual slot\, contact John at john@qwf.org stating the reason for which you would need the virtual spot\, then wait for a response before registering. Please do not register until you receive confirmation of a virtual spot for you. \n  \nCynthia Knight is a writer\, story editor\, and showrunner with over 20 years of experience in film and TV. The co-creator and showrunner of the critically-acclaimed\, award-winning comedy series Mohawk Girls (CBC GEM / Peacock)\, Cynthia was recently a consulting producer on the show My Dead Mom for Crave\, a writer on the animated series By Bunny for Sphere Media\, and she wrote the international co-production feature film The Otter Club\, which just wrapped production in July\, 2026. A former development executive for Attraction Images and Muse Entertainment\, Cynthia is also a creative consultant and teacher who offers courses\, talks\, and workshops on TV writing in the US and Canada. \nWebpage: https://cknightfilms.com \nSocial media handles: \n  \nhttps://www.facebook.com/cynthia.knight.393 \n  \nhttps://www.instagram.com/cynthiaknightfilms/
URL:https://qwf.org/event/the-secrets-of-writing-hit-tv-series/2026-11-17/
LOCATION:QWF Office\, 1200 Atwater Avenue\, Room 3\, Westmount\, QC\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops
ATTACH;FMTTYPE=image/jpeg:https://qwf.org/wp-content/uploads/2026/07/Knight-TV-Writing.jpg
GEO:45.4886431;-73.5864377
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=QWF Office 1200 Atwater Avenue Room 3 Westmount QC H3Z 1X4 Canada;X-APPLE-RADIUS=500;X-TITLE=1200 Atwater Avenue\, Room 3:geo:-73.5864377,45.4886431
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261124T173000
DTEND;TZID=America/New_York:20261124T193000
DTSTAMP:20260731T122320Z
CREATED:20260724T164508Z
LAST-MODIFIED:20260731T122320Z
UID:10005229-1795541400-1795548600@qwf.org
SUMMARY:The Secrets of Writing Hit TV Series
DESCRIPTION:Eight Tuesdays\, Oct 13–Dec 1\, 5:45–7:45 p.m.\nOpen to all (application required—see below)\nLimited to 12 participants\nHybrid workshop* \nDo you have a brilliant idea for a TV show but no clue how to write a standout pitch document? \nDo you have a strong pilot script but don’t know how to flesh it out into a long-lasting series? \nDo you secretly think you’re the next Aaron Sorkin or Shonda Rhimes\, if only you knew the keys to writing hit TV shows? \nThen this workshop is for you. \nMost TV writing courses focus on writing a pilot script. Mine starts one step earlier—because before you can write a great pilot\, you need a great series concept. \nDrawing on my 20+ years in the TV and film industry and my work as a writer\, showrunner\, development executive\, creative consultant and mentor\, I will teach you the essential building blocks of television writing and guide you through the process of developing your own original series. \nTopics include: \n\nStory engine\, logline & hook\nSeries concept & theme\nCharacters & world\nPitching your show: on the page and in the room\nTips for writing a standout pilot\nBuilding or advancing a career in television\n\nThroughout the workshop\, you’ll apply what you learn to your own project and you’ll receive ongoing feedback and guidance from me to strengthen your concept\, sharpen your story engine\, and create a professional pitch document—the blueprint for your series and an essential tool for pitching your show. \nApplying & Preparing \nTo apply\, please submit a logline and synopsis (1 page max) for the TV series you’d like to develop during the workshop. \nThere is no required reading for this workshop. However\, I strongly encourage you to read a few articles on writing effective loglines. A logline is one of the most important tools in television development\, yet it’s often overlooked or underestimated. \nBy the end of the workshop\, “logline” will probably become your favourite—and most dreaded—word! \n  \n*This workshop will take place at the QWF Office (Room 3\, 1200 Atwater Avenue\, Westmount\, Quebec) with up to 2 virtual spots for participants who are unable to attend in-person because of distance or disability. By default\, all workshop registrations are for in-person spots. If you would like to request a virtual slot\, contact John at john@qwf.org stating the reason for which you would need the virtual spot\, then wait for a response before registering. Please do not register until you receive confirmation of a virtual spot for you. \n  \nCynthia Knight is a writer\, story editor\, and showrunner with over 20 years of experience in film and TV. The co-creator and showrunner of the critically-acclaimed\, award-winning comedy series Mohawk Girls (CBC GEM / Peacock)\, Cynthia was recently a consulting producer on the show My Dead Mom for Crave\, a writer on the animated series By Bunny for Sphere Media\, and she wrote the international co-production feature film The Otter Club\, which just wrapped production in July\, 2026. A former development executive for Attraction Images and Muse Entertainment\, Cynthia is also a creative consultant and teacher who offers courses\, talks\, and workshops on TV writing in the US and Canada. \nWebpage: https://cknightfilms.com \nSocial media handles: \n  \nhttps://www.facebook.com/cynthia.knight.393 \n  \nhttps://www.instagram.com/cynthiaknightfilms/
URL:https://qwf.org/event/the-secrets-of-writing-hit-tv-series/2026-11-24/
LOCATION:QWF Office\, 1200 Atwater Avenue\, Room 3\, Westmount\, QC\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops
ATTACH;FMTTYPE=image/jpeg:https://qwf.org/wp-content/uploads/2026/07/Knight-TV-Writing.jpg
GEO:45.4886431;-73.5864377
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=QWF Office 1200 Atwater Avenue Room 3 Westmount QC H3Z 1X4 Canada;X-APPLE-RADIUS=500;X-TITLE=1200 Atwater Avenue\, Room 3:geo:-73.5864377,45.4886431
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261201T173000
DTEND;TZID=America/New_York:20261201T193000
DTSTAMP:20260731T122320Z
CREATED:20260724T164508Z
LAST-MODIFIED:20260731T122320Z
UID:10005230-1796146200-1796153400@qwf.org
SUMMARY:The Secrets of Writing Hit TV Series
DESCRIPTION:Eight Tuesdays\, Oct 13–Dec 1\, 5:45–7:45 p.m.\nOpen to all (application required—see below)\nLimited to 12 participants\nHybrid workshop* \nDo you have a brilliant idea for a TV show but no clue how to write a standout pitch document? \nDo you have a strong pilot script but don’t know how to flesh it out into a long-lasting series? \nDo you secretly think you’re the next Aaron Sorkin or Shonda Rhimes\, if only you knew the keys to writing hit TV shows? \nThen this workshop is for you. \nMost TV writing courses focus on writing a pilot script. Mine starts one step earlier—because before you can write a great pilot\, you need a great series concept. \nDrawing on my 20+ years in the TV and film industry and my work as a writer\, showrunner\, development executive\, creative consultant and mentor\, I will teach you the essential building blocks of television writing and guide you through the process of developing your own original series. \nTopics include: \n\nStory engine\, logline & hook\nSeries concept & theme\nCharacters & world\nPitching your show: on the page and in the room\nTips for writing a standout pilot\nBuilding or advancing a career in television\n\nThroughout the workshop\, you’ll apply what you learn to your own project and you’ll receive ongoing feedback and guidance from me to strengthen your concept\, sharpen your story engine\, and create a professional pitch document—the blueprint for your series and an essential tool for pitching your show. \nApplying & Preparing \nTo apply\, please submit a logline and synopsis (1 page max) for the TV series you’d like to develop during the workshop. \nThere is no required reading for this workshop. However\, I strongly encourage you to read a few articles on writing effective loglines. A logline is one of the most important tools in television development\, yet it’s often overlooked or underestimated. \nBy the end of the workshop\, “logline” will probably become your favourite—and most dreaded—word! \n  \n*This workshop will take place at the QWF Office (Room 3\, 1200 Atwater Avenue\, Westmount\, Quebec) with up to 2 virtual spots for participants who are unable to attend in-person because of distance or disability. By default\, all workshop registrations are for in-person spots. If you would like to request a virtual slot\, contact John at john@qwf.org stating the reason for which you would need the virtual spot\, then wait for a response before registering. Please do not register until you receive confirmation of a virtual spot for you. \n  \nCynthia Knight is a writer\, story editor\, and showrunner with over 20 years of experience in film and TV. The co-creator and showrunner of the critically-acclaimed\, award-winning comedy series Mohawk Girls (CBC GEM / Peacock)\, Cynthia was recently a consulting producer on the show My Dead Mom for Crave\, a writer on the animated series By Bunny for Sphere Media\, and she wrote the international co-production feature film The Otter Club\, which just wrapped production in July\, 2026. A former development executive for Attraction Images and Muse Entertainment\, Cynthia is also a creative consultant and teacher who offers courses\, talks\, and workshops on TV writing in the US and Canada. \nWebpage: https://cknightfilms.com \nSocial media handles: \n  \nhttps://www.facebook.com/cynthia.knight.393 \n  \nhttps://www.instagram.com/cynthiaknightfilms/
URL:https://qwf.org/event/the-secrets-of-writing-hit-tv-series/2026-12-01/
LOCATION:QWF Office\, 1200 Atwater Avenue\, Room 3\, Westmount\, QC\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops
ATTACH;FMTTYPE=image/jpeg:https://qwf.org/wp-content/uploads/2026/07/Knight-TV-Writing.jpg
GEO:45.4886431;-73.5864377
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=QWF Office 1200 Atwater Avenue Room 3 Westmount QC H3Z 1X4 Canada;X-APPLE-RADIUS=500;X-TITLE=1200 Atwater Avenue\, Room 3:geo:-73.5864377,45.4886431
END:VEVENT
END:VCALENDAR