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SUMMARY:The Sound of Dogs
DESCRIPTION:An Imago Theatre and The Sound of Dogs Collective Co-Production \nCentaur Theatre’s Brave New Looks Selection for 2026/27 \nThe World Premiere of \nTHE SOUND OF DOGS \nBy Jennifer Roberts \nDirected by Micheline Chevrier and Pamela Witcher \nOctober 1–10\, 2026 at Centaur Theatre \n  \nTickets: \nRegular: $34\nArts Worker/Senior: $25\nPay-What-You-Decide tickets available for all performances\, starting at $5 \nReceive 10% off your booking when you book a group of 10 or more \nApproximate runtime: 90 minutes\, followed by a 20 minute talkback with an invited guest (no talkbacks on opening night). \n\nGet tickets here. \n  \nAbout the Play: \nWhat’s it like to have Deaf parents? A wry investigation. \nCODA is a hearing child of Deaf parents. She has always seen her life as normal despite being told otherwise. Again. And again. And again. \nIn an attempt to explain her life to curious outsiders\, CODA invites us into her world\, as she traces the not-so-distant histories that have shaped her family and community. Through Deaf cultural storytelling and humour\, she shares personal stories and pushes back against the assumptions made about her parents. \nBlending American Sign Language\, spoken English\, and movement within a vivid digital landscape\, THE SOUND OF DOGS builds a layered world of expression and connection. Both intimate and expansive\, it celebrates the beauty and complexity of Deaf culture (with a touch of mischief). \nTHE SOUND OF DOGS was developed in collaboration with Playwrights’ Workshop Montréal. \nLearn more here. \nJennifer Roberts is a Montreal Playwright and Actor who has been at Imago and a part of our Creators Circle with THE SOUND OF DOGS. Director Micheline Chevrier was a previous Artistic and Executive Director of Imago Theatre\, most recently directing our award winning production of Redbone Coonhound. \nBoth Roberts and Chevrier collaborated with Imago on Upside Down – a series of narrative and documentary films that explore accessibility\, digital theatre\, and the creation process. Upside Down is available to stream for free on our website and is a great companion piece to THE SOUND OF DOGS.
URL:https://qwf.org/event/the-sound-of-dogs/
LOCATION:Centaur Theatre\, 453 St. Francois-Xavier\, Montreal\, Quebec\, HZY 2T1\, Canada
CATEGORIES:Performance
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CREATED:20260724T170224Z
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UID:10005252-1791230400-1791237600@qwf.org
SUMMARY:The Art of the Braided Essay
DESCRIPTION:Eight Mondays\, Oct 5–Nov 30\, 8:00–10:00 p.m. (no meeting Oct 12)\nOpen to all\nLimited to 12 participants \n  \nCreative nonfiction thrives on surprising connections and shocking twists. The essay in particular is a form that often seeks to find truth by bringing together disparate narratives. Creating depth and tension through unexpected juxtaposition of themes\, images and even styles\, it allows us to examine a subject anew from multiple angles–personal\, historical\, cultural\, whatever catches your imagination! \n  \nBut how do you find those different threads\, and once you’ve got them\, how do you structure your thoughts? How do you go from a mass of disparate observations to a cohesive\, powerful and surprising work of creative nonfiction? \n  \nThat’s where braiding comes in. As essayist Nicole Walker writes\, “radical braiding is a foundation of creative nonfiction.” It exists in almost every mode\, from personal essay to literary journalism. It even pops up in fiction. Braiding narratives can bring breadth to a personal story\, intimacy to a scientific subject\, and drama to the mundane. As with the hairstyle\, a braid can be neat or messy\, simple or endlessly complex\, with a pattern that breaks apart only to come together in the end as a fascinating\, unexpected whole. \n  \nWhether you’re starting a new project or looking to bring fresh complexity to a work in progress\, this eight-week workshop will offer a deep dive into the craft of braiding. Through readings\, writing activities and peer and instructor feedback\, participants will learn from writers who use the form with great skill and apply that knowledge to their own work. Participants should be prepared to complete the session with a draft of a braided essay. \n  \nBefore our first meeting\, please read “The Braided Essay as Social Justice Action” by Nicole Walker and come prepared to write! \n  \nErika Thorkelson is the author of two forthcoming books of creative nonfiction: How to Look at a Volcano\, an essay collection that explores the intimate effects of large-scale instability and disaster\, both human made and natural (Book*Hug Press 2027)\, and Clumsy\, a memoir about growing up poor and nerdy on the prairies at the end of the 20th Century (NeWest Press 2028). Her work has appeared in local and national publications including Geist\, Prairie Fire and The Walrus. Her essay “A Girl Needs a Mech Suit” will appear in the Best Canadian Essays 2027. \n  \nhttps://linktr.ee/ethorkel
URL:https://qwf.org/event/the-art-of-the-braided-essay/2026-10-05/
LOCATION:Online via Zoom
CATEGORIES:QWF Workshops
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