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DTSTART;TZID=America/New_York:20211110T193000
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DTSTAMP:20260408T085516
CREATED:20211112T154723Z
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UID:10002799-1636572600-1638230400@qwf.org
SUMMARY:Jewish Book Month (it's more than books!) - award winning writers\, lectures\, Russian culture\, workshops- livestreamed until Nov. 30
DESCRIPTION:Far from being only about books\, this entertaining and thought-provoking series of multilingual\, eclectic events brings together some of today’s top literary minds in interviews and inspiring lectures\, along with workshops\, concerts and Russian dance & culture. \nFrom Boston\, Steven Pinker continues his exploration on the genealogy of reason with insight and humour with his new work\, “Rationality: What It Is\, Why It Seems Scarce\, Why It Matters” (Nov. 17); live from France\, Valerie Zenatti is a Francophone author grounded in the European and Middle Eastern romantic traditions in conversation with Chantal Ringuet (Nov. 14); the 16th annual Evening of Russian Culture- “Our Hearts Are Holding Hands” stars poets\, musicians\, vocalists and dancers bringing famous Russian bard Bulat Okudzhava to life\, in English and Russian. Tickets available to watch live in person at the Segal Centre or livestreamed (Nov. 13); and Chanie Ehrentreu\, host of The Boss Maidel Podcast\, is in conversation with author Fiona Davis in the new series\, Boss Maidel Conversations with Female Writers from California and New York (Nov. 30). \nLivestreamed from cities around the world\, Q&A follow each event. Presented by the Jewish Public Library.
URL:https://qwf.org/event/jewish-book-month-its-more-than-books-award-winning-writers-lectures-russian-culture-workshops-livestreamed-until-nov-30/
LOCATION:Zoom\, https://bit.ly/35akIGi
CATEGORIES:Festival
ATTACH;FMTTYPE=image/jpeg:https://qwf.org/wp-content/uploads/2021/11/Jewish-Book-Month-poster-2021.jpg
ORGANIZER;CN="Jewish Public Library":MAILTO:info@jplmontreal.org
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DTSTART;TZID=America/New_York:20211129T200000
DTEND;TZID=America/New_York:20211129T220000
DTSTAMP:20260408T085516
CREATED:20210809T195758Z
LAST-MODIFIED:20210816T204117Z
UID:10002703-1638216000-1638223200@qwf.org
SUMMARY:Creating Compelling Non-Fiction
DESCRIPTION:Open to all \nLimited to 12 participants \n  \nCreative non-fiction has been breaking out of its niche to become an increasingly central component of the literary scene. For those wishing to enter this vibrant and thriving field\, having one’s work read and constructively critiqued by an established writer and a group of one’s peers is an invaluable experience. Creating Compelling Non-Fiction is precisely such an opportunity.  \n  \nOur workshopping will be done from the ground up. Analysis will be rigorous\, readings will be close\, group feedback will be thorough\, supportive\, and respectful. As workshop leader I will provide advice and critique that is both pertinent to the type of non-fiction being addressed and applicable to the genre as a whole. I’ll strive to provide practical and creative tips drawn from my extensive experience with short- and long-form journalism and book-length non-fiction.    \n  \nAlong the way\, numerous questions will be confronted and addressed: \n  \n\nWhat are the qualities and writing options unique to this form? \nWhat are the lines between non-fiction\, creative non-fiction\, and fiction? \nAre some subjects and narrative strategies better suited to a non-fiction treatment than others? \nWhat distinguishes memoir from autobiography? \nWhat is the writer’s responsibility to factual rigour in non-fiction? \nHow much research is too much research? \nWhat are some of the ways to invest non-fiction writing with the narrative pull of good fiction? \nPrecisely what story does the writer wish to tell? \nWhat are the choices—sentence by sentence\, paragraph by paragraph\, page by page—that will best serve that story\, and lead to effective and engaging non-fiction? \nFinally\, how do writers know when their piece is done?\n\n  \nThroughout the workshop I will stress the mutual\, collective nature of our undertaking. Offering one’s work to the eyes of others is an essential step in the journey of all writers\, and attaining a degree of comfort with that process is its own reward.  \n  \nTo complement and underpin our workshopping\, a short list of works by some of the contemporary masters of the form will be read and discussed. I will emphasize the general importance of reading as deeply as possible\, especially in the area in which one wishes to write; where useful\, I will provide personally tailored suggestions-for-further-reading lists for participants. A guest appearance by a prominent Montreal-based writer and journalist will be incorporated.  \nIan McGillis has been writing about books and visual arts for the Montreal Gazette for more than twenty years. His critically acclaimed novel A Tourist’s Guide to Glengarry was shortlisted for the QWF’s Hugh MacLennan Prize For Fiction and McAuslan First Book Prize\, and was a finalist for the Stephen Leacock Medal for Humour.
URL:https://qwf.org/event/creating-compelling-non-fiction/2021-11-29/
LOCATION:Online via Zoom
CATEGORIES:QWF Workshops,Workshops
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DTSTART;TZID=America/New_York:20211202T200000
DTEND;TZID=America/New_York:20211202T220000
DTSTAMP:20260408T085516
CREATED:20210810T181544Z
LAST-MODIFIED:20210816T204105Z
UID:10002764-1638475200-1638482400@qwf.org
SUMMARY:Way Out: Developing Long-Form Fiction Already in Progress
DESCRIPTION:Open by application to writers with a novel or novella in progress \nLimited to 10 participants \n  \nThis workshop is intended for writers who are looking for guidance and encouragement while working on a novel or novella already in progress. Ideally\, you’ll have a significant portion (about 30–50 pages) of your novel or novella already completed\, as well as a solid grasp of the story you’re working on. \n  \nWriting long-form fiction on your own or with few readers can be exhilarating\, but can also leave you with abandoned drafts\, half-written chapters\, and the sinking feeling that there’s no way out. Gaining insight from unbiased readers—myself and the other members of the group—in a supportive\, creative atmosphere will help you identify issues\, clarify your intent\, and find real ways to improve your manuscript. To this end\, our primary focus will be on workshopping sections of each participant’s novel or novella. Each week\, one or two participants will be invited to submit 10–15 pages from their work-in-progress in order to receive feedback and notes from each person in the group. You’ll also be encouraged to include one or two questions about your work with your submission\, and will have the opportunity to engage in informal question and answer sessions in each workshop. \n  \nWorkshopping will be combined with lectures and writing exercises to help you gain new insight to constructing and completing your novel or novella. We’ll explore ways to reinforce the structure of your existing manuscript\, gain deeper understanding of characters\, fix plot holes\, tie up storylines\, and approach publishers and editors. We’ll also work on developing another skill invaluable to any writer: The ability to pinpoint what might not be working—and cut or rework if need be. Because writing a novel or novella takes as long as it takes\, this workshop is designed to help you stay motivated and focused through the difficult parts of writing a long piece and aims to give you the tools to finish your manuscript in your own time.  \n  \nPlease submit the following to workshops@qwf.org\, with the subject line “For Maya Merrick\,” by Monday\, September 13.  \n\nA short summary of your novel or novella (about one or two lines). \n\n\nA maximum of 10 pages from your novel or novella\, double-spaced (if these are not the opening pages\, please include a brief note to let me know where we are in the story).\n\n\nOne or two questions about your novel\, the process of completing a long work\, and/or what to do with it once you’ve finished. \n\nYou will be notified about whether you’ve been selected for the workshop by Monday\, November 20. \nMaya Merrick’s novel\, Sextant (Conundrum Press)\, was released to critical acclaim in 2005\, followed by The Hole Show (Conundrum Press) in 2007. She works with the Quebec Writers’ Federation as a mentor and workshop/master-class facilitator\, has been an instructor at Concordia University’s Centre for Continuing Education\, and has served as the editorial and administrative assistant at Conundrum Press. She is an active writing coach/mentor\, editor\, copyeditor\, and manuscript consultant. Maya is currently completing her third novel\, Colour Radio\, and is working on The Ride\, a book of microfiction.
URL:https://qwf.org/event/way-out-developing-long-form-fiction-already-in-progress/2021-12-02/
LOCATION:Online via Zoom
CATEGORIES:QWF Workshops,Workshops
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