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DTSTAMP:20260411T135512
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SUMMARY:Emerging Writers Residency 2022 | Banff Centre for Arts and Creativity
DESCRIPTION:This workshop-based program focuses on providing structured support for new Young Adult (YA) & Children’s Literature writers wanting to improve their writing skills. Two faculty\, Katherena Vermette and Tanya Boteju will work closely with 7 participants each\, offering new writers the opportunity to work on a portion of a manuscript in a workshop setting with editorial faculty. \nThe program will help writers build their critical vocabulary\, making them better critics of their own and others’ work. Participants will also learn more about the craft of writing\, and about the conventions and possibilities for innovation in YA and Children’s Literature. \nWhat does the program offer?\nThis 13-day residency provides thematic teaching from faculty members\, Q&A sessions\, public events\, and one-on-one workshopping. Instructors will discuss ideas\, experiences\, and obstacles that participants may be encountering with their new manuscripts and emerging practices. \nIn addition to a single room\, and a small private studio\, you will be surrounded by a community of artistic peers with the opportunity to attend inspiring talks\, performances\, and meet with guest faculty to consult on your work.  \nWho should apply?\n\nAny new writer of YA or Children’s Literature interested in structured feedback from faculty and fellow participants will benefit from this program.  The program is open to writers with no publications\, a few publications\, or even a first book.  \nWriters from all backgrounds\, and all gender identities and expressions are encouraged to apply. \n\nApplication Deadline: July 06\, 2022 \n*Financial Aid of up to 100% of tuition fee and 50% of meal and accommodation fee is available for this program.
URL:https://qwf.org/event/emerging-writers-residency-2022-banff-centre-for-arts-and-creativity/
LOCATION:Banff Centre for Arts and Creativity\, 107 Tunnel Mountain Drive\, Banff\, Alberta\, T1L 1H5\, Canada
CATEGORIES:Workshops
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DTSTART;TZID=America/New_York:20221009T200000
DTEND;TZID=America/New_York:20221009T210000
DTSTAMP:20260411T135512
CREATED:20221005T165015Z
LAST-MODIFIED:20221009T131212Z
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SUMMARY:A Fate Worse Than Death
DESCRIPTION:A Fate Worse Than Death is a multimodal poetry exploration of disabled life. Often met with the refrain that one would “rather be dead” than disabled\, this series of poems instead asks the audience to question what they believe the disabled future holds – and the grief and joy that exist together in it. Written and scored by Nisha Patel\, A Fate Worse Than Death is also the poet’s first foray into new media work that expands the bounds of a where spoken word belongs.
URL:https://qwf.org/event/a-fate-worse-than-death/
LOCATION:Online
CATEGORIES:Community Events,Performance,Storytelling
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DTSTART;TZID=America/New_York:20221010T080000
DTEND;TZID=America/New_York:20221028T170000
DTSTAMP:20260411T135512
CREATED:20220704T180309Z
LAST-MODIFIED:20221018T222530Z
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SUMMARY:Write Over Here: Screenwriting Residency - Fall 2022 | Banff Centre
DESCRIPTION:Write Over Here is a three-week hybrid screenwriting residency\, that offers participants the opportunity to focus on tools to create the time and space to write from home and at Banff Centre through online and in person programming. \nIntermixed with faculty to support their practice as required\, participants will meet with the cohort online for the first week\, and on campus for the following two weeks. These will include daily gatherings\, where we share readings\, workshops\, deeper discussions around process\, and Q&A sessions.  \n*Financial Aid of up to 100% of tuition fee\, meal and accommodation fee is available for this program.
URL:https://qwf.org/event/write-over-here-screenwriting-residency-fall-2022-banff-centre/
LOCATION:Banff Centre for Arts and Creativity\, 107 Tunnel Mountain Drive\, Banff\, Alberta\, T1L 1H5\, Canada
CATEGORIES:Workshops
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DTSTART;TZID=America/New_York:20221011T180000
DTEND;TZID=America/New_York:20221011T200000
DTSTAMP:20260411T135512
CREATED:20220803T160501Z
LAST-MODIFIED:20220808T151538Z
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SUMMARY:(Un)broken: Leveraging the Poetic Line
DESCRIPTION:Open to all. \n\n\n\nLimited to 12 participants. \n\n\n\nWe plan to hold this workshop in person at the QWF office\, with up to two virtual slots available for people who are unable to come to our office. If public health conditions necessitate it\, this workshop may transition to a purely online model. \n\n\n\nWith few exceptions\, poets have access to one tool that other writers do not: the line. A defining feature of its genre\, the poetic line plays many roles in shaping a poem’s character. The line can serve simultaneously as pacing device\, secondary grammar\, image container\, rhythm driver\, and spotlight for sound. \n\n\n\nIn contemporary free verse\, attention is often paid to breaking the line. While valuable\, this thinking locates a line’s gravitational pull largely at its end\, sometimes excluding other possibilities. Lines\, after all\, are made as well as broken. And through this making\, a poem’s fingerprint takes shape. \n\n\n\nThis generative poetry workshop offers poets of all levels the chance to develop a broader and more nuanced understanding of how poems derive power from the line’s possibilities—including\, but also extending beyond\, its breaking. We’ll consider first lines\, line integrity\, flavours of enjambment\, and the line as both sound-vessel and gloss. We’ll also reflect on what happens between lines by thinking about juxtaposition\, stanza\, and pacing. \n\n\n\nOverall\, the goal is to support participants in enhancing their free verse at the line level as they generate new work. Participants can expect to draft four to six new poems and have at least one poem workshopped by the group. Early sessions will involve generative writing prompts and craft discussions\, while later sessions will focus on workshopping. To anchor our craft discussions\, we’ll look at work from a variety of contemporary poets. Writers should bring one of their own poems to the first session as a way of introducing themselves and their work. \n\n\n\nSarah Wolfson is the author of A Common Name for Everything\, which won the A.M. Klein Prize for Poetry. Her poems have appeared or are forthcoming in Canadian and American journals such as The Walrus\, The Fiddlehead\, TriQuarterly\, Prairie Fire\, CV2\, Michigan Quarterly Review\, and PRISM international. Her work has earned notable mention in Best Canadian Poetry and funding from the Bread Loaf Environmental Writers’ Conference. She holds an MFA from the University of Michigan. Originally from Vermont\, she now lives in Montreal\, where she teaches writing at McGill University. \n\n\n\n@SarahWolfson1 (Twitter) \n\n\n\nhttps://www.facebook.com/sarah.wolfson.14 (Facebook)
URL:https://qwf.org/event/unbroken-leveraging-the-poetic-line/2022-10-11/
LOCATION:QWF Office\, 1200 Atwater Avenue\, Room 3\, Westmount\, QC\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops,Workshops
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221011T200000
DTEND;TZID=America/New_York:20221011T220000
DTSTAMP:20260411T135512
CREATED:20220803T161912Z
LAST-MODIFIED:20220808T152156Z
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SUMMARY:The Art of Writing Speculative Fiction
DESCRIPTION:Open to all. \n\n\n\nLimited to 12 participants. \n\n\n\nWe plan to hold this workshop in person at the QWF office\, with up to two virtual slots available for people who are unable to come to our office. If public health conditions necessitate it\, this workshop may transition to a purely online model. \n\n\n\nSpeculative Fiction\, a literary genre that can encompass anything from science-fiction and fantasy to magic realism\, slipstream\, alternate history\, horror\, steampunk\, fairy tales and fables\, dystopia\, and surrealism\, has been with us for as long as we’ve been telling stories. In recent years\, it has grown in importance as writing genres continue to cross and blur\, and even the most conventional writers of literary fiction experiment with speculative tools as a means to add wonder and power to their tales. \n\n\n\nThis workshop is open to both new and experienced writers\, whether of speculative fiction or of other genres. In each session of this eight-week workshop\, we will delve into a different topic and/or element of craft. The sessions will typically include a presentation\, examples from the work of experienced writers\, an in-depth\, participative discussion\, and a hands-on exercise. In addition\, each participant will have the opportunity to present their own work of speculative fiction—be it a short story or an excerpt from something longer—for detailed discussion and feedback. There will be clear ground rules for workshopping that are designed to ensure that our discussions remain constructive and respectful at all times. \n\n\n\nSome of the topics that the workshop will cover include: \n\n\n\nWhat is speculative fiction and what distinguishes it from other types of fiction? What are its special powers and challenges?Questions of content and your story’s four limbs: idea\, world\, character\, plot;Questions of structure and your story’s bones: point-of-view and narration\, chronology\, tense\, tone;Special focus on world-building;Special focus on character-building\, voice\, and dialogue;What kind of story are you writing? What are you trying to say?How to edit and improve your speculative fiction and prepare it for publication.\n\n\n\nSu J  Sokol is a social rights advocate and a writer of speculative and interstitial fiction. Originally from Brooklyn\, xe now resides in Montréal. Sokol is the author of Cycling to Asylum (2014)\, long-listed for the Sunburst Award for Excellence in Canadian Literature of the Fantastic; Run J Run  (2019); and Zee (2020)\, finalist for the Janet Savage Blachford Prize for Children’s and Young Adult Literature. Sokol’s short work has appeared in various magazines and anthologies. This summer\, Sokol’s debut novel was translated into French and published under the title Les lignes invisibles by VLB Imaginaire.  Check out Sokol’s website at www.sujsokol.com \n\n\n\nFacebook: cyclingtoasylum \n\n\n\nInstagram: cycling2asylum \n\n\n\nTwitter: cyclingtoasylum
URL:https://qwf.org/event/the-art-of-writing-speculative-fiction/2022-10-11/
LOCATION:QWF Office\, 1200 Atwater Avenue\, Room 3\, Westmount\, QC\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops,Workshops
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DTSTART;TZID=America/New_York:20221012T180000
DTEND;TZID=America/New_York:20221012T200000
DTSTAMP:20260411T135512
CREATED:20220803T163058Z
LAST-MODIFIED:20220803T163156Z
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SUMMARY:Your Story\, Embodied
DESCRIPTION:Open to storytellers of all levels of experience. \n\n\n\nLimited to 12 participants. \n\n\n\nWe plan to hold this workshop in person at the QWF office\, with up to two virtual slots available for people who are unable to come to our office. If public health conditions necessitate it\, this workshop may transition to a purely online model. \n\n\n\nHave you ever sat captivated by a stranger standing on a stage recounting true events from their life? Did you get caught up in the tension of the room\, waiting with everyone else to find out what would happen next? Ever wonder what it would be like to hold an audience’s breath in the palm of your hand? \n\n\n\nYou can. You already have everything you need: your body. \n\n\n\nJoin Lukas and Emma\, two seasoned and engaging storytellers\, for eight weeks of exploration into using your body to craft and perform your own true-life stories. \n\n\n\nThe objectives of this workshop are to: \n\n\n\nEquip participants to prepare and perform a five-minute true story with no notes and no props.Facilitate and support exploration of emotionally charged material in search of unique stories.Harness the inherent strength of your body – the vessel for sharing your stories.Examine the tenets of storytelling\, including finding your narrative\, conflict\, and other essential elements of storycraft.\n\n\n\nThese intimate sessions will involve a mixture of group discussion\, critical analysis of stories\, and workshopping participants’ own stories with the goal of embodying an original five-minute story for invited guests at the final session. Stories will be workshopped in groups as well as one-on-one with facilitators and fellow workshop participants. \n\n\n\nEach week will focus on a particular theme with a corresponding body part\, with story examples to support each theme and illustrate the foundations of storytelling. By week 3\, participants should have a story in mind that we will work on for the final presentation. \n\n\n\nLukas Rowland is a writer\, storyteller\, and bodywork practitioner. He has told many stories with Confabulation\, where he is producer and communications coordinator. He was selected for the QWF Mentorship Program in 2020\, where he studied under Carousel author April Ford as a fiction mentee. He curated and produced an evening of queer stories for the Violet Hour. Though he has lived in and around Montreal these past 14 years\, he comes from Southern Louisiana\, where storytelling is part of every Cajun’s life. You can find him on Twitter @lukaslikeswords and on Instagram at @luka2ndfloor and at lukasrowland.com. \n\n\n\nEmma Lanza is a born-and-bred Montrealer with a background in storytelling\, theatre performance\, and arts management. She earned her Master’s degree in Library Science and currently works in medical research administration. A self-proclaimed fat bisexual babe\, Emma is a staunch believer in fat liberation and radical self-love and she wants you to know you look fabulous in that outfit! She has performed at Confabulation\, YARN\, The Wiggle Room\, Concordia University\, and Grownups Read Things They Wrote As Kids. She founded the bi-monthly Fattie Book Club @fattiebookclub and can be found on Instagram @emma_lanza and on Twitter @emmalanza.
URL:https://qwf.org/event/your-story-embodied/2022-10-12/
LOCATION:QWF Office\, 1200 Atwater Avenue\, Room 3\, Westmount\, QC\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops,Workshops
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DTSTART;TZID=America/New_York:20221012T200000
DTEND;TZID=America/New_York:20221012T220000
DTSTAMP:20260411T135512
CREATED:20220803T164302Z
LAST-MODIFIED:20220805T201243Z
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SUMMARY:Playwriting 101: A Playwriting Intensive
DESCRIPTION:Open to all. \n\n\n\nLimited to 12 participants. \n\n\n\nThis workshop will be conducted via Zoom. \n\n\n\nPlaywriting is an artform about curiosity\, obsession\, energy\, entertainment\, transformation\, and illumination. It’s about inspiration\, dedication\, and practice. It’s about following your impulses and shaping those impulses; about creating a series of freedoms and constraints that focus inspiration into a text that can be used as a blueprint for performance. Unlike most other forms of writing\, a play text must leave space for other creators to bring their artistry to the work. Director\, actors\, designers and technicians eventually fill in those spaces left by the writer to transform what is on the page into a three-dimensional performance that necessitates an audience for it to be fully realized. Having written plays that have been staged throughout Canada and beyond (Stratford Festival\, Shaw Festival\, Soulpepper Theatre\, Segal Centre\, Centaur Theatre)\, Erin Shields has developed a number of exercises\, strategies and best practices to imagine\, explore\, and write plays. \n\n\n\nPlaywriting 101 is an invitation for writers of other genres to try their hand at playwriting and for playwrights to deepen their practice. Throughout this eight-week workshop\, participants will bring their own particular understanding of story\, character\, and theme to the table\, to explore how to apply those same skills to the art of playwriting. Each class will focus on one of the following dramatic elements: character\, conflict\, desire\, premise\, form\, plot\, and structure. Through conversations\, focused exercises\, and sharing work\, participants will gain an understanding of how to organically and technically write a play. The process will alternate focus each class between the micro elements (character\, dialogue) and macro elements (theme\, story structure)\, as writers gradually learn how to build the world of the play with nuanced characters. \n\n\n\nDuring these eight weeks\, participants will write. A lot. By the end of the workshop\, writers \n\n\n\nwill have a strong understanding of the basic elements of a play and how to use those elements to write their own play. \n\n\n\nErin Shields (www.erinshields.ca) is a Canadian playwright. Most of her work highlights the negation or misrepresentation of women in classical texts by adapting these stories through a feminist lens for a contemporary audience. Erin’s adaptation of Paradise Lost premiered at The Stratford Festival of Canada and won the Quebec Writers Federation Prize for Playwriting. Erin won the 2011 Governor General’s Award for her play If We Were Birds\, which premiered at Tarragon Theatre. Other theatre credits include: Jane Eyre (Citadel Theatre)\, Piaf/Dietrich (Mirvish Productions/Segal Centre)\,The Lady from the Sea (The Shaw Festival). Upcoming productions include Queen Goneril for Soulpepper Theatre and Ransacking Troy for The Stratford Festival.  \n\n\n\nFacebook: Erin Shields \n\n\n\nInstagram: shieldserin1 \n\n\n\nWebsite: www.erinshields.ca
URL:https://qwf.org/event/playwriting-101-a-playwriting-intensive/2022-10-12/
LOCATION:Online via Zoom
CATEGORIES:QWF Workshops,Workshops
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221013T180000
DTEND;TZID=America/New_York:20221013T200000
DTSTAMP:20260411T135512
CREATED:20220803T165449Z
LAST-MODIFIED:20220803T165503Z
UID:10002982-1665684000-1665691200@qwf.org
SUMMARY:The Art of the Short Story
DESCRIPTION:Open to all. \n\n\n\nLimited to 12 participants. \n\n\n\nWe plan to hold this workshop in person at the QWF office\, with up to two virtual slots available for people who are unable to come to our office. If public health conditions necessitate it\, this workshop may transition to a purely online model. \n\n\n\nOpen to writers of all levels\, this 10-week workshop is an investigation of the modern short story. What exactly is a story? What distinguishes it from an anecdote\, or a lie?  Most of us recognize a good one when we meet it on the page. It moves us\, often unexpectedly\, to laughter or tears. And it marks us\, reaching inside us and shifting\, sometimes subtly and other times with a jolt\, our views about ourselves and the world. The best stories articulate truths that we hadn’t\, until the moment of reading\, thought to put into words. \n\n\n\nThere is no set of rules for how to write a good story.  Each writer has to find their own way\, and each story demands fresh experiments. Writing is like living. It requires close listening and relentless improvisation.  The best way to learn how to write a good story is to read one. In this workshop\, we’ll read “In the Cart” (1897) by Anton Chekhov\, and investigate Chekhov’s views about this genre. We’ll also look at his technique: how he used elements like detail\, narrative point of view\, and speech to create a story strong enough to withstand the tests of time and translation. Over a century after Chekhov’s death\, his stories are still read and loved in places totally unlike Czarist Russia. What secrets can his work reveal to us in 21st-century Quebec? \n\n\n\nOur first four meetings will be devoted to discussing “In the Cart” (accessible online; also translated as “The Schoolmistress\,” and “A Journey by Cart”). Exercises relating to various elements of craft will be offered. The last six meetings will be reserved for workshopping our own stories and continuing the exploration of what exactly a story is\, and how to write one. \n\n\n\nClaire Holden Rothman is a Montreal writer\, translator\, and fiction editor who has published two collections of stories and three novels. The Heart Specialist (2009) was long-listed for The Scotia Bank-Giller Prize\, and My October was long-listed for the Giller and short-listed for the Governor General’s Award. Her most recent novel\, Lear’s Shadow\, was short-listed for Quebec’s 2020 Jacob Isaac Segal Award\, and won the 2019 Vine Award for Jewish Canadian Fiction. For many years\, Claire taught English literature and creative writing at Marianopolis College. She has also taught fiction workshops at McGill and Bishop’s Universities.
URL:https://qwf.org/event/the-art-of-the-short-story/2022-10-13/
LOCATION:QWF Office\, 1200 Atwater Avenue\, Room 3\, Westmount\, QC\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops,Workshops
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DTSTART;TZID=America/New_York:20221013T190000
DTEND;TZID=America/New_York:20221013T210000
DTSTAMP:20260411T135512
CREATED:20220803T180335Z
LAST-MODIFIED:20220805T201303Z
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SUMMARY:Edit like an Editor: How to Edit Your Own Prose
DESCRIPTION:This workshop is open to all levels of writers who have a prose manuscript they want to work on. \n\n\n\nLimited to 12 participants. \n\n\n\nThis workshop will be conducted via Zoom. \n\n\n\nUsing tips\, tricks\, and hands-on exercises\, workshop participants will learn about the different types of editing (including developmental editing\, line editing\, copyediting\, and fact checking) and how to see their own work with fresh eyes. \n\n\n\nThrough reading\, discussion\, and exercises\, this workshop will cover: \n\n\n\nHow to see your own work with an editor’s eyeSpotting common problems (info dumping\, “as you know\, Bob” explanations\, insufficient conflict\, misunderstanding genre conventions\, etc.)Understanding character development (goals and motivation)How to make the most out of dialoguePoint of view\, and common problems with point of view (e.g. head hopping)\n\n\n\nThis workshop is geared toward book-length manuscripts\, including short story and essay collections. Applicants must submit an excerpt from their manuscript (maximum 25 pages) along with a short description of the whole project in order to be considered for the workshop. After registering below\, you have until September 9 to send your document(s) to workshops@qwf.org\, with “For Maria Turner” in the subject line. \n\n\n\nBy the end of the workshop\, participants will have an in-depth editorial plan for their manuscript and have a solid understanding of the different types of editing and how to apply them to their own work. \n\n\n\nMaria Schamis Turner is a freelance editor specializing in developmental editing and line editing for fiction and creative nonfiction. She is a founding editor and previous editor-in-chief and creative nonfiction editor of the literary magazine carte blanche. She worked for 10 years on literary projects for CBC Radio\, including as an editor for Canada Writes. She was also the producer of the true story storytelling series This Really Happened and has taught numerous workshops on storytelling\, writing\, and editing. \n\n\n\nTurneredits.com \n\n\n\nTwitter: @turnmaria \n\n\n\nFacebook: https://www.facebook.com/turnmaria
URL:https://qwf.org/event/edit-like-an-editor-how-to-edit-your-own-prose/2022-10-13/
LOCATION:Online via Zoom
CATEGORIES:QWF Workshops,Workshops
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221013T200000
DTEND;TZID=America/New_York:20221013T220000
DTSTAMP:20260411T135512
CREATED:20220803T175106Z
LAST-MODIFIED:20220803T175205Z
UID:10002992-1665691200-1665698400@qwf.org
SUMMARY:Writing Outside the Box: A Workshop on Edgy Fiction
DESCRIPTION:Open to writers of all experience levels. \n\n\n\nDue to the content in some of the exercises\, this workshop is restricted to participants aged 18+. \n\n\n\nLimited to 12 participants \n\n\n\nWe plan to hold this workshop in person at the QWF office\, with up to two virtual slots available for people who are unable to come to our office. If public health conditions necessitate it\, this workshop may transition to a purely online model. \n\n\n\nLooking to shake up your process? Interested in breaking the rules a little? Designed to inspire unique approaches to creative writing\, this workshop will help squash your inner editor and provoke your inner rebel\, giving you the confidence you need to write more openly and honestly. \n\n\n\nOver the course of eight weeks\, participants will delve into the work of unconventional writers like Italo Calvino\, Kelly Link\, John Elizabeth Stintzi\, and George Saunders. You’ll learn tips and techniques for producing work quickly and fearlessly. You’ll dabble with ekphrasis\, magic realism\, and second-person perspective\, and you’ll hone your ability to give and receive constructive feedback in a wildly creative working environment. \n\n\n\nThis is a fun\, provocative\, and productive workshop that’s generated award-winning fiction and long-term friendships. It is suitable for writers of any experience level\, from the shy beginner to the established professional\, working in any medium or genre. And while filled with lesson-based exercises and guided assignments\, this workshop is happily (and willfully) anti-academic. Participants are not taught writing theory but are encouraged to develop their skills through the acts of reading and writing alone. Here\, you learn by doing. \n\n\n\nThere is no submission required prior to the first session. Participants will be expected to share fiction with the group as the workshop progresses. \n\n\n\nThis is the perfect way to kickstart a project\, rejuvenate your existing process\, or to simply step outside of your comfort zone by experimenting with new approaches to creativity. \n\n\n\nCome play with the weird kids of creative writing. (One of us. One of us.) \n\n\n\nTrepassey-born writer Tracey Waddleton splits her time between the island of Newfoundland and the island of Montreal. Her first book\, Send More Tourists… the Last Ones Were Delicious\, was published by Breakwater Books in July of 2019 and won the 2020 ReLit Award for Short Fiction. She is the inaugural recipient of the Quebec Writers’ Federation Max Margles Writing Residency and is spending/spent the month of August writing in Dublin\, Ireland  in 2022. \n\n\n\nwww.traceywaddleton.com \n\n\n\nInstagram: @bartlebomb \n\n\n\nTwitter: @traceywaddleton \n\n\n\nFacebook: www.facebook.com/tracey.waddleton
URL:https://qwf.org/event/writing-outside-the-box-a-workshop-on-edgy-fiction-4/2022-10-13/
LOCATION:QWF Office\, 1200 Atwater Avenue\, Room 3\, Westmount\, QC\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops,Workshops
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221015T100000
DTEND;TZID=America/New_York:20221015T160000
DTSTAMP:20260411T135512
CREATED:20220803T181123Z
LAST-MODIFIED:20220803T181125Z
UID:10003007-1665828000-1665849600@qwf.org
SUMMARY:The Author Interview: Method and Art
DESCRIPTION:Open to all. \n\n\n\nLimited to 12 participants. \n\n\n\nWe plan to hold this workshop in person at the QWF office\, with up to two virtual slots available for people who are unable to come to our office. If public health conditions necessitate it\, this workshop may transition to a purely online model. \n\n\n\nThis two-part workshop will start with a discussion on the methods involved in a lively and thought-provoking author interview. Then\, working in pairs\, participants will prepare and present an interview\, to be followed by an evaluation by the group\, with a focus on constructive criticism. \n\n\n\nPart One – Morning Session – The Method \n\n\n\n10:00 – 11:00 Discussion \n\n\n\nhow to structure and focus an interviewhow to prepare your questionshow to introduce your guestthe interviewer’s rolehow to deal with questions from the audienceinterviewing several authors at onceshort examples on video of various author interviews–what works and what doesn’t.\n\n\n\n11:00-12:00 – Preparing the interview \n\n\n\nWorkshop participants will break up into pairs and decide on their interview topics; i.e.\, the participants will plan to interview each other about a book they have written\, or about their career as a writer\, or about the joys and challenges of the literary life\, or some other related topic. \n\n\n\nParticipants will pre-interview their “teammate” to prepare for the actual 5- to 7-minute interview that will take place during the afternoon session. Participants will finalize the line of questioning for their interviews. \n\n\n\nPart Two – Afternoon Session – Putting Theory Into Practice \n\n\n\n1:o0 – 3:30 Participants take turns conducting their interviews. On each team\, Person A interviews Person B\, after which Person B interviews Person A. For example\, with 8-10 participants\, there will be 4-5 teams\, and a total of 8-10 interviews. \n\n\n\nAfter each interview\, there will be a 5-minute discussion amongst all participants\, with a focus on constructive criticism. Participants will be encouraged to use a method in which they stress the positive\, identifying\, for example\, three aspects of the interview that were successful and one aspect that might be improved or done differently. (Research suggests that once people have received at least three positive comments they are more open to constructive criticism.) \n\n\n\n3:30-4:00 pm At the end of the afternoon\, there will be a general discussion summing up what the workshop participants learned\, what techniques worked\, what didn’t\, what they would do differently. \n\n\n\nShelley Pomerance is the host of Writers Unbound\, a program about Montreal writers and their books\, on MAtv. She has been a programmer with Blue Metropolis International Literary Festival and for many years was a presence on CBC Radio as a host and arts reporter. \n\n\n\nFacebook: https://www.facebook.com/shelley.pomerance/
URL:https://qwf.org/event/the-author-interview-method-and-art/
LOCATION:QWF Office\, 1200 Atwater Avenue\, Room 3\, Westmount\, QC\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops,Workshops
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221015T140000
DTEND;TZID=America/New_York:20221015T160000
DTSTAMP:20260411T135512
CREATED:20220928T161128Z
LAST-MODIFIED:20220928T161130Z
UID:10003042-1665842400-1665849600@qwf.org
SUMMARY:Poetry Workshop by John Wall Barger -- Atwater Library
DESCRIPTION:Poetry about Places: Workshop by John Wall Barger\nOct 15 | Saturday |  2-4pm\n$40 each (includes copy of Barger’s latest book\, Smog Mother)\nAtwater Library (1200 Atwater Ave\, Westmount)\nMontreal\, Quebec \nIt’s tricky to write about the places we visit. Travel poems come with a flood of unfortunate expectations: sentimentality\, clichés\, souvenirs\, and so on. How can we refrain from being tourists in our own poems? How can we allow a place to be “real” and “authentic” without projecting our expectations onto it? How\, for example\, could Paris be anything other than romantic\, city of love\, beautiful\, historical … ? How can we convey\, through poems\, the complicated\, nuanced\, wild\, deeply personal experience of standing on a street in another city? In this session\, you’ll learn some skills that will help you approach this much-trodden road with freshness and innovation. We’ll look at some terrific examples\, and you’ll write a few poems of your own. \nJohn Wall Barger’s poems and critical writing have appeared in American Poetry Review\, Kenyon Review Online\, ZYZZYVA\, The Cincinnati Review\, Poetry Ireland Review\, and Best of the Best Canadian Poetry. His sixth book of poems\, Smog Mother\, came out with Palimpsest Press in Fall 2022. He is a contract editor for Frontenac House\, and teaches in the BFA Program for Creative Writing at The University of the Arts in Philadelphia.
URL:https://qwf.org/event/poetry-workshop-by-john-wall-barger-atwater-library/
LOCATION:Atwater Library and Computer Centre\, 1200 Atwater Avenue\, Westmount\, Quebec\, H3Z 1X4\, Canada
CATEGORIES:Workshops
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