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SUMMARY:Poetic Conversations
DESCRIPTION:Samuel Johnson (1709-1784) is known to have said\, “A writer only begins a book. A reader finishes it.” Put differently\, a reader’s personal response offers an added dimension to a book. In this workshop\, participants will select a published poetry collection whose world resonates with them\, one that includes poems they would like to “dialogue with” for the remainder of the workshop.* Weekly writing prompts will initiate a “conversation” with a chosen text from their book\, an opportunity to engage with the source material on a deeper level. Topics covered will include imagery\, line breaks\, and poetic language\, and we will attempt a variety of poetic forms. Roughly half of each session will be devoted to theoretical concerns and/or writing exercises; the second half to workshopping the pieces produced in class and tweaked at home. Aside from the selected poetry book\, no texts are required\, but participants are strongly encouraged to read poetry and/or essays on poetics outside class time and share materials/information that might be of interest to the group. \n\n\n\n*A list of suggested poets and/or titles will be provided after the first class\, upon request. \n\n\n\nAuthor of nine poetry books and an award-winning novel\, Carolyn Marie Souaid has performed at literary events in Canada and abroad; her work has been featured on CBC-Radio and in a variety of national and international publications. Her videopoem\, Blood is Blood\, won a top prize at the 2012 Zebra Poetry Film Festival in Berlin. Other books have been shortlisted for the Pat Lowther Memorial Award and the A.M. Klein Prize for Poetry. Carolyn has been guest faculty at Bishop’s University and has led several previous QWF workshops. Her literary papers are housed at Rare Books and Special Collections of the McLennan Library (McGill University).
URL:https://qwf.org/event/poetic-conversations/2023-04-17/
LOCATION:QWF Office\, 1200 Atwater Avenue\, Room 3\, Westmount\, QC\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops,Workshops
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DTSTART;TZID=America/New_York:20230417T200000
DTEND;TZID=America/New_York:20230417T220000
DTSTAMP:20260404T192811
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SUMMARY:Picture Book Spyglass: Writing through the Lens of Children’s and YA Literature
DESCRIPTION:Why every writer should know picture books: in this workshop\, emerging and experienced writers will return to the source and hone their skills through a selection of outstanding picture books. We will learn wisdom\, gain inspiration\, and rediscover the joy of word-sounds and word play. We’ll find eye-popping object lessons in voice\, character\, plot\, and surprise—while renewing our delight in language.  \n\n\n\nBe prepared to articulate your own writing goals for this session to receive personalized prompts. Or feel free to just explore\, through collaborative and individual writing time and assignments. Whether you are casting for new reveries\, or seeking to push forward on a particular project\, let the concise brilliance of picture books light your way. \n\n\n\n——————————————– \n\n\n\nRaquel Rivera is a two-time winner of the QWF Prize for Children’s and YA Literature; her books were selected for CCBC Best Books for Kids & Teens (starred selection)\, USBBY Outstanding International Books (Grades 3-5)\, Quill & Quire’s “Best of 2007” (Children’s)\, and more. \n\n\n\nRaquel has lived and worked in Washington DC\, Kuala Lumpur\, Singapore\, Barcelona\, and Toronto (where she was born and raised as a first-generation Canadian). These experiences\, and her own mixed heritage\, engender her deep interest in history\, culture\, social roles\, and norms. Cultures in cooperation is the theme that runs through her writing.
URL:https://qwf.org/event/picture-book-spyglass-writing-through-the-lens-of-childrens-and-ya-literature/2023-04-17/
LOCATION:QWF Office\, 1200 Atwater Avenue\, Room 3\, Westmount\, QC\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops,Workshops
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DTSTART;TZID=America/New_York:20230418T180000
DTEND;TZID=America/New_York:20230418T200000
DTSTAMP:20260404T192811
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SUMMARY:The Joys and Pitfalls of Memoir
DESCRIPTION:This workshop will explore the hazards and rewards of writing a personal memoir. Throughout the eight weeks\, we will look at ways to produce a compelling narrative out of the chaos of the past. We’ll discuss the tremendous value of research\, but we’ll also consider whether research can sometimes handicap a project. We will explore the creation of a narrative voice. And we will ask if and how a writer knows that a memoir has achieved its ideal focus and shape. \n\n\n\nEach participant will be expected to produce one or two finished (or near-finished) pieces of writing. They could be either stand-alone essays or excerpts from a longer work. I will provide a detailed response to these pieces\, and other participants in the workshop will be asked to give their feedback too. A good portion of time each week will be spent on a discussion of the work submitted by participants. Throughout the workshops\, I plan to emphasize the crucial importance not just of remembering but of rethinking and rewriting.  \n\n\n\nIn the remainder of each session\, we will examine and debate issues that memoir-writing brings to the fore. We will delve into some thorny issues that memoirs often raise: the unreliability of memory\, an author’s urge to justify\, and the sense of hurt and betrayal that a memoir may provoke in other people. I will ask the participants to read selected materials (none of them too lengthy) as a basis for discussion.   \n\n\n\n“Memoir\,” for the purposes of this workshop\, can include small-scale personal essays as well as longer\, more ambitious texts. The participants may choose to focus on a particular relationship\, place\, or time. But the pieces they submit for discussion should all be personal in nature\, and unless there are unusual reasons to the contrary\, they should make use of the first-person pronoun. Memoir can be a demanding form; it allows the author no place to hide. Yet it can be immensely rewarding to write. \n\n\n\nThe overall aim is to equip participants with more awareness\, more skills\, and more confidence in their own work.
URL:https://qwf.org/event/the-joys-and-pitfalls-of-memoir/2023-04-18/
LOCATION:QWF Office\, 1200 Atwater Avenue\, Room 3\, Westmount\, QC\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops,Workshops
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DTSTART;TZID=America/New_York:20230418T180000
DTEND;TZID=America/New_York:20230418T200000
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SUMMARY:Deep Story Design
DESCRIPTION:Deep Story Design depends on a divine trine of three elements: character\, plot\, and theme. \n\n\n\nNovelists\, screenwriters\, and memoirists who learn to harmonize these elements are able to create stories with depth and resonance. \n\n\n\nThis 8-week online course is for the longer form narrative writer who wants to: create structurally sound and engaging plots; craft characters whose inner and outer conflicts captivate readers; and develop impactful themes that linger after the story is over. \n\n\n\nUsing April’s Deep Story Design method of combining basic three-act structure\, the seven stepping stones that uphold a narrative arc\, and the four stages of authentic character development\, writers will be guided to create a cohesive story that is greater than the sum of its parts. \n\n\n\nWeekly lessons\, homework assignments\, and in-class exercises and conversations will focus on the essential story elements that need to be in place to ensure a compelling and meaningful narrative. \n\n\n\nNote: Handouts will be provided digitally. Live weekly Zoom calls will be recorded and available for review for up to two weeks after the workshop finishes. Homework assignments\, shared with and reviewed by participants\, will receive light feedback from April during class time. \n\n\n\nApril Bosshard has been called a “story whisperer” and “story genie” for her keen awareness of story principles and deep understanding of the writer’s craft\, which allows her to help writers deal with the complex issues of story-creating and sticking to the writing process. She’s led workshops in Canada\, the US\, France\, and Mexico\, including at the internationally recognized San Miguel Writers Conference. She’s written novels\, short stories\, poems\, and non-fiction essays for traditional and independent markets\, which include publications in the US\, UK\, and Canada. Most recently\, she contributed a chapter to the newly released The Great Book of Journaling\, How Journal Writing Can Support a Life of Wellness\, Creativity\, Meaning\, and Purpose\, (Conari\, June 2022). April develops and maintains online courses and writing programs while also working with individual clients as a writing coach and developmental editor.
URL:https://qwf.org/event/deep-story-design/2023-04-18/
LOCATION:QWF Office\, 1200 Atwater Avenue\, Room 3\, Westmount\, QC\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops,Workshops
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DTSTART;TZID=America/New_York:20230418T200000
DTEND;TZID=America/New_York:20230418T220000
DTSTAMP:20260404T192811
CREATED:20221215T171053Z
LAST-MODIFIED:20221215T171056Z
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SUMMARY:Tell Your Story as a Graphic Novel!
DESCRIPTION:You don’t need to be an artist to enjoy this graphic novel workshop. All you need is a story you want to tell and the courage to put it down on paper. Drawings can be formal and detailed or simple and expressive. Comic making bridges storytelling and picture making\, and this workshop will explore both. Through dynamic exercises that combine simple drawing experiments and story brainstorming\, each participant will develop their own personal style and hone the story they wish to tell. \n\n\n\nPeople will share their work and give feedback on each other’s pieces and end the workshop with a comic of their own! \n\n\n\nKate Lavut is the author and illustrator of the graphic novel Chico\, a true tale of the time she dressed as a boy\, jumped on a bus\, and went to Mexico. Chico was featured at TCAF\, Toronto Comics Arts Festival\, and was a finalist for the Quebec Writers’ Federation Prize for Children’s and Young Adult Literature. Lavut has recently produced her play A Little Bit Pregnant at Fringe Montreal and was a finalist for the Most Promising Emerging Artist award. She is currently at work on a new graphic novel\, about her experience having breast cancer\, called Content Removed.
URL:https://qwf.org/event/tell-your-story-as-a-graphic-novel/2023-04-18/
LOCATION:QWF Office\, 1200 Atwater Avenue\, Room 3\, Westmount\, QC\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops,Workshops
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DTSTART;TZID=America/New_York:20230419T180000
DTEND;TZID=America/New_York:20230419T200000
DTSTAMP:20260404T192811
CREATED:20230109T170626Z
LAST-MODIFIED:20230109T170629Z
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SUMMARY:The Joys and Pitfalls of Memoir
DESCRIPTION:This workshop will explore the hazards and rewards of writing a personal memoir. Throughout the eight weeks\, we will look at ways to produce a compelling narrative out of the chaos of the past. We’ll discuss the tremendous value of research\, but we’ll also consider whether research can sometimes handicap a project. We will explore the creation of a narrative voice. And we will ask if and how a writer knows that a memoir has achieved its ideal focus and shape. \n\n\n\nEach participant will be expected to produce one or two finished (or near-finished) pieces of writing. They could be either stand-alone essays or excerpts from a longer work. I will provide a detailed response to these pieces\, and other participants in the workshop will be asked to give their feedback too. A good portion of time each week will be spent on a discussion of the work submitted by participants. Throughout the workshops\, I plan to emphasize the crucial importance not just of remembering but of rethinking and rewriting.  \n\n\n\nIn the remainder of each session\, we will examine and debate issues that memoir-writing brings to the fore. We will delve into some thorny issues that memoirs often raise: the unreliability of memory\, an author’s urge to justify\, and the sense of hurt and betrayal that a memoir may provoke in other people. I will ask the participants to read selected materials (none of them too lengthy) as a basis for discussion.   \n\n\n\n“Memoir\,” for the purposes of this workshop\, can include small-scale personal essays as well as longer\, more ambitious texts. The participants may choose to focus on a particular relationship\, place\, or time. But the pieces they submit for discussion should all be personal in nature\, and unless there are unusual reasons to the contrary\, they should make use of the first-person pronoun. Memoir can be a demanding form; it allows the author no place to hide. Yet it can be immensely rewarding to write. \n\n\n\nThe overall aim is to equip participants with more awareness\, more skills\, and more confidence in their own work.
URL:https://qwf.org/event/the-joys-and-pitfalls-of-memoir-2/2023-04-19/
LOCATION:QWF Office\, 1200 Atwater Avenue\, Room 3\, Westmount\, QC\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops,Workshops
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230419T200000
DTEND;TZID=America/New_York:20230419T220000
DTSTAMP:20260404T192811
CREATED:20221215T172340Z
LAST-MODIFIED:20221215T172545Z
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SUMMARY:The Ghost at the Heart of a Short Story
DESCRIPTION:A man down on his luck has moved everything he owns out onto his lawn\, and for no reason anybody can articulate\, he pawns some of it to two young passersby; in northern Ontario\, a woman whose cancer is in remission lets a teenaged boy\, half her age\, kiss her on a floating bridge—she doesn’t know why; in a hotel room in Wenatchee\, a man has a strange\, galvanizing sexual encounter with a bare-knuckle boxer\, and it leaves him more sure of himself\, or more sure of his past\, or more sure of who he might yet become. But if you asked him what had changed\, he wouldn’t be able to tell you. \n\n\n\nThere is something ineffable in every good short story\, something that cannot bepinned down\, a question—perhaps insignificant—whose answer is not merely unknown\, but unknowable\, and whose presence haunts us long after we’ve put a story down. \n\n\n\nThis workshop is a guided discussion about the plot\, characters\, point of view\, structure\, and language (the mechanics or “craft”) of participants’ short stories\, as well as an investigation of each story’s aboutness\, patterns\, emotional plot\, and central question(s)—that is\, all those hard-to-define elements that make fiction what it is. \n\n\n\nAdditionally\, the workshop aims to foster community among the attendees\, to bring together \n\n\n\nwriters of similar skill and drive\, and to encourage the kind of creative energy that crackles \n\n\n\nbetween new practitioners. \n\n\n\n Some Learning Objectives \n\n\n\n\nCritical reading\, and the ability to identify the roots of a story’s problems\, particularly with regard to dramatic structure and conflict. Conversely: the ability to identify the roots of a story’s successes\, especially when it seems intangible or difficult to pin down.\n\n\n\nClose reading\, even of your own work\, for strongest possible sentences. (They are\, after all\, the building blocks of fiction.)\n\n\n\nImmersing yourself in\, and engaging with\, literature among a cohort of people who are similarly immersed and engaged in literature; enjoying it.\n\n\n\n\nIn our first meeting\, we will establish a schedule\, review workshop etiquette\, spend some time meeting each other\, and do a few writing exercises. From then on\, each session will consist of detailed discussion and feedback of participants’ stories. The goal\, always\, is to offer the writer of each story constructive suggestions to help them improve the story and their craft. We are\, I always say\, in this together. \n\n\n\nIn preparation: Please bring a short story you’ve written of no more than 2500 words to the first session. \n\n\n\nD. W. Wilson is the author of Once You Break a Knuckle\, a collection of short stories\, and Ballistics\, a novel. His work has appeared in lit mags across the globe\, and in 2011 he won the BBC National Short Story Award for “The Dead Roads.” Since then he has been shortlisted for numerous fiction prizes\, and has won the CBC Short Story Prize and the Manchester Fiction Prize. He taught creative writing at the University of Victoria and Brandon University\, as well at literary festivals such as the London Short Story Festival and Wordfest.
URL:https://qwf.org/event/the-ghost-at-the-heart-of-a-short-story/2023-04-19/
LOCATION:QWF Office\, 1200 Atwater Avenue\, Room 3\, Westmount\, QC\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops,Workshops
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DTSTART;TZID=America/New_York:20230420T180000
DTEND;TZID=America/New_York:20230420T200000
DTSTAMP:20260404T192811
CREATED:20221215T181429Z
LAST-MODIFIED:20221215T181432Z
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SUMMARY:Writing the TV Pilot
DESCRIPTION:In this eight-week workshop\, Montreal-based screenwriter Allen Markuze will give you the tools to be able to write a TV pilot. He’s going to do so by asking and helping answer the following… \n\n\n\n\nWhat is your TV series about?\n\n\n\nIs your idea sustainable?\n\n\n\nWhat happens episode to episode?\n\n\n\nWhat’s the theme of your show?\n\n\n\nWhat are some similar shows?\n\n\n\nWho are your characters?\n\n\n\nIs your pilot going to be a premise episode or an episodic episode?\n\n\n\nWhat is a three-act structure and five-act structure?\n\n\n\n\nThese intimate sessions will involve a mixture of group discussion\, critical analysis of TV pilots and shows\, and workshopping participants’ own ideas with the goal of completing their own TV pilot. Ideas will be workshopped in groups as well as one-on-one with the workshop leader and fellow participants. \n\n\n\nAllen Markuze is an award-winning screenwriter who has taken part in writers rooms and has written for a variety of live-action and animation TV shows that have aired on the likes of Netflix\, Disney\, Nickelodeon\, Hulu\, and CBC. Before embarking on a screenwriting career\, Markuze spent several years working in LA at Dan Halsted’s company\, Manage-ment\, where he helped manage a roster of writers from shows such as Mad Men and Breaking Bad\, and on feature films like Friday Night Lights and Wall Street. Prior to that\, he worked as an assistant to screenwriter Janus Cercone (Leap of Faith with Steve Martin). Markuze’s foray into the entertainment industry began as a development intern in LA at Underground Films (FX’s Snowfall) where he read countless scripts\, books\, and plays\, and eavesdropped on A LOT of conversations.
URL:https://qwf.org/event/writing-the-tv-pilot/2023-04-20/
LOCATION:QWF Office\, 1200 Atwater Avenue\, Room 3\, Westmount\, QC\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops,Workshops
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230420T200000
DTEND;TZID=America/New_York:20230420T220000
DTSTAMP:20260404T192811
CREATED:20221215T182413Z
LAST-MODIFIED:20221215T182414Z
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SUMMARY:Biography\, Autobiography\, and Ghostwriting
DESCRIPTION:The basic tools of biography and autobiography are the same\, and this workshop will show how you can write any life in a meaningful and engaging way. \n\n\n\nThe first challenge is learning how to put lives in a larger context. This means researching the times and places the subject lived in\, then weaving their individual narratives with all of their complex personal relationships\, into the larger world. We will learn how to do this with the use of the illuminating details that bring people and places to life. \n\n\n\nWe will also look at the sub-category of ghostwriting\, where you are writing a first-person biography and\, in a sense\, become the person you are writing for\, internalizing their thoughts and feelings as you use all of the tools at your disposal to tell their story as if was your own. \n\n\n\nGhostwriting also happens to be a field where a writer can make a decent living in Canada\, and at the end of the course\, we will look at the business side and what goes into a ghostwriting contract. \n\n\n\nOne thing you soon discover in writing biographies of any kind\, including ghosting an autobiography\, is the truth of the cliché that everyone has a book in them. At least in the sense that all of our stories—following our lives along the trajectories of time and space and meeting and beating challenges—are worth telling. As a writer you discover that it is a privilege to write someone else’s life. \n\n\n\nIdeally\, you will be working on biographical or autobiographical material of your own in the class\, but this is not necessary. If you are working on a text now or if you are simply planning one for the future\, I look forward to meeting you in the spring of 2023 and exploring the writing of lives together. \n\n\n\nPeter McFarlane has written 4 nonfiction books of his own and five ghostwritten books\, as well as more than 100 newspaper and magazine features. He has specialized in Indigenous history and politics and has worked on several CBC radio programs as a researcher and on-air contributor. He is currently completing another ghostwritten book and a new work of his own nonfiction.
URL:https://qwf.org/event/biography-autobiography-and-ghostwriting/2023-04-20/
LOCATION:QWF Office\, 1200 Atwater Avenue\, Room 3\, Westmount\, QC\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops,Workshops
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END:VEVENT
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DTSTART;TZID=America/New_York:20230422T100000
DTEND;TZID=America/New_York:20230430T190000
DTSTAMP:20260404T192811
CREATED:20230103T190827Z
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SUMMARY:Blue Metropolis International Literary Festival
DESCRIPTION:The Blue Metropolis Festival is one of the largest multilingual literary events in North America. Each year\, writers from Quebec\, Canada and around the world converge on Montreal for a couple of days. Festivalgoers are treated to live interviews\, roundtable discussions\, public readings\, debates\, master classes\, reading and writing workshops. Every year\, the Festival is structured around several strong themes that bear testimony to a keen social awareness and to a passion for literature in all its richness.\nIn 2023\, Blue Metropolis turns 25.\nThe anniversary edition of the Blue Metropolis International Literary Festival will take place April 27 to 30\, 2023\, in Montreal (in-person program). The online program will premiere April 22 to 27\, 2023.\nIn addition to our usual program\, part of our programming will be dedicated to this 25th anniversary.\nFor more information\, visit our website (bluemetropolis.org) as of March 17\, 2023.
URL:https://qwf.org/event/blue-metropolis-international-literary-festival/
LOCATION:Hotel 10\, 10 Sherbrooke Street West\, Montreal\, Quebec\, H2X 4C9\, Canada
CATEGORIES:Performance
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END:VEVENT
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