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DTEND;TZID=America/New_York:20231010T210000
DTSTAMP:20260407T182951
CREATED:20230809T183851Z
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SUMMARY:Mille-Feuille: Writing Layered Nonfiction
DESCRIPTION:Eight Tuesdays\, Oct 3-Nov 21\, 7-9pmOpen to allLimited to 12 participantsOnline via Zoom \n\n\n\nThe Book of Delights\, by Ross Gay. Ongoingness\, by Sarah Manguso. Persephone’s Children\, by Rowan McCandless. Citizen\, by Claudia Rankine. Safekeeping\, by Abigail Thomas. What these and many other contemporary memoirs and book-length essays share is that they build in fragments. Each fragment may be less than a page long\, and the one that follows may or may not appear to be related. Yet somehow\, layer upon layer\, the fragments cohere into a rich and satisfying whole. In this online generative workshop\, we’ll take a cue from books like these. We’ll practice writing as a process of accretion\, starting small and layering\, adding texture and depth to our memoirs or personal and lyric essays.  \n\n\n\nEach class will begin with a warm-up invitation\, followed by conversation about a short reading related to the technique or form of the day. A second writing invitation will give you the chance to practice what we’ve discussed. You’ll also get opportunities to share your work. \n\n\n\nYou’ll come away with one or more short essays (in draft) and/or the beginning of a longer piece. \n\n\n\nThis workshop is suitable for participants at all levels. Poets wanting to move to prose and fiction writers may also enjoy it\, because the exercises will be adaptable to these genres. Come prepared to write\, to read\, to experiment\, to share. \n\n\n\n\nWeek 1: The Fragment and the Flash.\n\n\n\nWeek 2:  Collage. Contrast\, juxtaposition\, the unexpected. \n\n\n\nWeek 3:  The Braid. Parallel narratives.\n\n\n\nWeek 4:  The Hermit Crab. The borrowed form.\n\n\n\nWeek 5: The Hermit Crab. More borrowings.\n\n\n\nWeek 6: Diptych or Triptych.\n\n\n\nWeek 7: Visual Essay.\n\n\n\nWeek 8: Accretion as Method and Aesthetic.\n\n\n\n\nNote: Participants might wish to read one or more of the books mentioned above before the course begins\, but there’s no requirement to do so. I’ll provide reading material before or during each class\, and a list of suggested resources at the end. \n\n\n\nSusan Olding is the author of Big Reader: Essays\, a finalist for the Canadian Authors Association Fred Kerner Award and the Alberta Publishing Awards Trade Nonfiction Book of the Year\, and Pathologies: A Life in Essays\, selected by 49th Shelf and Amazon.ca as one of 100 Canadian books to read in a lifetime. She mentors writers through the Vancouver Manuscript Intensive and holds the 2023 Southam Residency in Personal Journalism at the University of Victoria. You can find her at www.susanolding.com.
URL:https://qwf.org/event/mille-feuille-writing-layered-nonfiction/2023-10-10/
LOCATION:Online via Zoom
CATEGORIES:QWF Workshops,Workshops
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DTSTART;TZID=America/New_York:20231010T200000
DTEND;TZID=America/New_York:20231010T220000
DTSTAMP:20260407T182951
CREATED:20230809T185739Z
LAST-MODIFIED:20230814T163856Z
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SUMMARY:Fundamentals of Short Fiction
DESCRIPTION:Eight Tuesdays\, Oct 3-Nov 21\, 8-10pmOpen to allLimited to 12 participantsHybrid Workshop \n\n\n\nThis is an eight-session long\, interactive\, hybrid workshop\, exploring basic concepts related to short fiction. The workshop will be a space to receive constructive feedback on works in progress. Experimentation is encouraged. \n\n\n\nEach two-hour session will focus on a different element of style: \n\n\n\n\ncharacter development\n\n\n\ndialogue\n\n\n\ndescriptive writing\n\n\n\nsetting\n\n\n\npoint of view\n\n\n\nvoice\n\n\n\ntheme\, and\n\n\n\nstructure.\n\n\n\n\nParticipants will receive prompts a week before each session (including before the first meeting) and will be asked to submit a short piece of writing (500-1000 words) to the group prior to each session. Participants are welcome to bring material generated in response to the weekly prompts or any other work that they would like feedback on (as long as it stays within the word count). \n\n\n\nEveryone will have an opportunity to read aloud from their submitted work and receive in-depth feedback from the workshop leader and their peers. Participants will also receive written feedback on their submitted work from the workshop leader after each session. \n\n\n\nEach week’s prompts will focus on a particular element of short fiction\, and we will begin the session with a conversation about the role that element plays in creating a cohesive and immersive world. Then we will move into hearing and discussing submitted work. \n\n\n\nEva Crocker is a freelance editor and author based in Montreal. Her debut novel All I Ask was long-listed for the 2020 Giller Prize and won the 2020 BMO Winterset Award. Her short story collection Barreling Forward was shortlisted for Dayne Ogilvie Prize for Emerging LGBTQS2 Writers\, the NLCU Fresh Fish and the Award for Emerging Writers. It won the Alistair MacLeod Award for Short Fiction and the CAA Emerging Author’s Award\, and was a National Post Best Book. Her forthcoming novel Back in the Land of the Living will be published by House of Anansi Press in August 2023. She is a PhD student in Concordia University’s Interdisciplinary Humanities program where she is researching visual art from Ktaqmkuk (Newfoundland).
URL:https://qwf.org/event/fundamentals-of-short-fiction/2023-10-10/
LOCATION:QWF Office\, 1200 Atwater Avenue\, Room 3\, Westmount\, QC\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops,Workshops
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231011T180000
DTEND;TZID=America/New_York:20231011T200000
DTSTAMP:20260407T182951
CREATED:20230809T191911Z
LAST-MODIFIED:20230913T142843Z
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SUMMARY:Playwriting Circle: Do Be So Dramatic
DESCRIPTION:Eight Wednesdays\, Oct 4-Nov 22\, 6-8pmOpen to allLimited to 12 participantsIn-Person Workshop \n\n\n\nThis will be a Learn-by-Doing-as-You-Go\, anecdotal (in a theatre history way)\, ease-you-into-it experience that’s not scary or overwhelming and will result in the participants having something dramatic to show for it at the end of the session. If you have always wanted to write a play or already have a play idea in the works\, this is the workshop for you. I’m quite motivational\, coach-like and pushy in a good way. I will get that play out of you if you’re willing to try. I am all for deadlines\, discipline\, and contests. Since I have more of a comic bent\, there could be more emphasis on comedy at times. The workshop will evolve as it goes\, based on what everyone hopes to accomplish.  I am often surprised and quite happy to see what happens when I throw ideas and writing games at writers in the workshop. I am very careful about how feedback is given because everything is so new. This does not mean that there won’t be plenty of opportunity to share your work or prove that you are indeed writing. One of my past QWF workshops resulted in Picturesque: Voices from Beaver Hall\, which saw productions at Redpath Museum and Dawson Theatre as well as museums in Hamilton and Calgary. \n\n\n\nColleen Curran is an award-winning playwright\, novelist\, actor\, and teacher. Her comedy Cake-Walk premiered at the Blyth Festival in 1984 and has had more than 50 productions across North America. It was brought to the attention of Showtime Network by Whoopi Goldberg. Curran’s many plays include Villa Eden\, Sacred Hearts (winner of the International Gabriel Award and most recently done by Zeitgeist Stage in Boston)\, Maple Lodge (Winner Best Canadian Play\, Samuel French Inc. Competition)\, Another Labour Day (Best New Play QDF 1984)\, El Clavadista\, A Brave Girl\, Sybil and Sylvia\, Casa de Mary Margaret\, Ceili House\, and Ireland’s Own Carmel O’Reilly Tonite! Her three novels about Montreal singing waitress Lenore Rutland are Something Drastic\, Overnight Sensation\, and Guests of Chance. Her stage adaptation of Something Drastic premiered in 2002 and has been seen in Winnipeg\, Toronto\, Athens\, and Melbourne. Her True Nature launched the 2011-2012 season at Centaur Theatre. Out for Stars\, her latest novel\, made the Long List for the Stephen Leacock Medal for Humour. During the pandemic\, Colleen created Kitty Calling starring Debra Hale and Lorna Wilson\, it won best Canadian web series in Toronto’s Now magazine.
URL:https://qwf.org/event/playwriting-circle-do-be-so-dramatic/2023-10-11/
LOCATION:QWF Office\, 1200 Atwater Avenue\, Room 3\, Westmount\, QC\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops,Workshops
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231011T200000
DTEND;TZID=America/New_York:20231011T220000
DTSTAMP:20260407T182951
CREATED:20230809T193305Z
LAST-MODIFIED:20230908T152332Z
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SUMMARY:So You've Written a Novel - Now What?
DESCRIPTION:Eight Wednesdays\, Oct 4-Nov 22\, 8-10pm \n\n\n\nOpen to writers who have completed\, or are close to completing\, a fiction manuscript. There is no submission required prior to the first session\, but participants will be expected to write loglines and query letters and share them with the group as the workshop progresses. They will also be expected to read and critique one another’s work. \n\n\n\nLimited to 12 participants \n\n\n\nHybrid Workshop \n\n\n\nThe first time I typed THE END on a manuscript\, I didn’t know what to do next. There’s a lot of information and encouragement on HOW to write a book\, but not a lot on what to do after you’ve written the thing. And the advice you find online can be woefully misleading\, confusing\, or at its very worst\, fraudulent. \n\n\n\nThis 8-week workshop aims to fully lay out the roadmap to traditional publishing for someone who’s finished\, or is close to finishing a fiction manuscript. The journey of getting your story from your laptop to an actual book you can pick up at !ndigo follows a very specific series of steps. From landing an agent\, to signing with a publisher\, to contract details\, this course will take you\, in minute detail\, through every step\, with a centerpiece intensive workshop formulating your all-important Query Letter\, along with details on crafting your logline\, your synopsis\, and your pitch kits. \n\n\n\nDesigned for absolute newbies to the world of publishing\, this workshop will offer you tips and tactics to maximize your chances at every step\, and by its end you should have the knowledge and confidence to approach this perilous enterprise knowing exactly what you need to do next. Because typing THE END is only the start. \n\n\n\n— \n\n\n\nToronto-born\, Montreal-based writer and illustrator Sherwin Sullivan Tjia has written many odd and eclectic books. Their 2005 collection of pseudohaikus\, The World is a Heartbreaker\, was a finalist for the Quebec Writers’ Federation’s A. M. Klein Poetry Award. Their 2010 graphic novel\, The Hipless Boy\, was a finalist for the Doug Wright Award for best emerging talent\, as well as being nominated for 4 Ignatz Awards. Their 2011 Choose-Your-Own-Adventure style book from the POV of a housecat named Holden Catfield titled You Are a Cat! won that year’s Expozine Award for best English-language book and spawned a sequel\, and a prequel. Their latest graphic novel\, from 2019\, entitled Plummet\, is about a woman who wakes up one day to find herself in literal\, perpetual freefall. \n\n\n\nFacebook: https://www.facebook.com/inconsolablecat/ \n\n\n\nInstagram: https://www.instagram.com/inconsolablecat/ \n\n\n\nTwitter: https://twitter.com/inconsolablecat
URL:https://qwf.org/event/so-youve-written-a-novel-now-what/2023-10-11/
LOCATION:QWF Office\, 1200 Atwater Avenue\, Room 3\, Westmount\, QC\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops,Workshops
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231012T180000
DTEND;TZID=America/New_York:20231012T200000
DTSTAMP:20260407T182951
CREATED:20230809T194623Z
LAST-MODIFIED:20230814T160907Z
UID:10003485-1697133600-1697140800@qwf.org
SUMMARY:Opening the Floodgates: A Short Fiction Workshop
DESCRIPTION:Eight Thursdays\, Oct 5-Nov 23\, 6-8pmOpen to allLimited to 12 participantsHybrid Workshop \n\n\n\nAn eight-week workshop designed to help fiction writers open the creative floodgates. Feeling stuck in your writing? You are not alone! Participants in this workshop will spend four weeks using prompts and writing exercises to generate new stories before expanding and revising one story to workshop with the group. \n\n\n\nWith inspiration from masters of the craft such as Ursula LeGuin\, George Saunders\, and Matthew Salesses\, participants will be encouraged to experiment with narration\, structure\, character arcs\, and other story elements. We will also unpack the critiquing process to provide participants with the confidence and tools to refine their editor’s eye\, read each story on its own terms and provide helpful feedback to fellow writers. \n\n\n\nOther discussion topics will include how to create a writing routine\, how to tackle revisions between drafts\, where to submit finished stories and how to find a writing community. Participants should emerge from this workshop with clear ideas and strategies to invigorate their writing practice both on and off the page. \n\n\n\nRebecca Morris is a Montreal writer of literary fiction. Her stories won the Humber Literary Review’s 2022 Emerging Writers Fiction contest and the 2017 Malahat Review Open Season Award for Fiction. She also earned Honourable Mention in Prairie Fire’s 2018 Short Fiction contest and was long-listed in Room Magazine‘s 2018 Fiction contest. Other stories have been published in various Canadian literary magazines\, including FreeFall\, carte blanche\, and the Antigonish Review. Rebecca attended the 2019 Banff Spring Writers Retreat to work on her first novel\, Other Maps\, which is forthcoming with Linda Leith Publishing. Visit her online at rebeccamorris.ca
URL:https://qwf.org/event/opening-the-floodgates-a-short-fiction-workshop/2023-10-12/
LOCATION:QWF Office\, 1200 Atwater Avenue\, Room 3\, Westmount\, QC\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops,Workshops
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231012T183000
DTEND;TZID=America/New_York:20231012T203000
DTSTAMP:20260407T182951
CREATED:20230906T144811Z
LAST-MODIFIED:20230906T145151Z
UID:10003528-1697135400-1697142600@qwf.org
SUMMARY:Mille-Feuille: Writing Layered Nonfiction
DESCRIPTION:Eight Thursdays\, Oct 5-Dec 7 (no meeting Oct 26 and Nov 23)\, 6:30-8:30pmOpen to allLimited to 12 participantsOnline via Zoom \n\n\n\nThe Book of Delights\, by Ross Gay. Ongoingness\, by Sarah Manguso. Persephone’s Children\, by Rowan McCandless. Citizen\, by Claudia Rankine. Safekeeping\, by Abigail Thomas. What these and many other contemporary memoirs and book-length essays share is that they build in fragments. Each fragment may be less than a page long\, and the one that follows may or may not appear to be related. Yet somehow\, layer upon layer\, the fragments cohere into a rich and satisfying whole. In this online generative workshop\, we’ll take a cue from books like these. We’ll practice writing as a process of accretion\, starting small and layering\, adding texture and depth to our memoirs or personal and lyric essays.  \n\n\n\nEach class will begin with a warm-up invitation\, followed by conversation about a short reading related to the technique or form of the day. A second writing invitation will give you the chance to practice what we’ve discussed. You’ll also get opportunities to share your work. \n\n\n\nYou’ll come away with one or more short essays (in draft) and/or the beginning of a longer piece. \n\n\n\nThis workshop is suitable for participants at all levels. Poets wanting to move to prose and fiction writers may also enjoy it\, because the exercises will be adaptable to these genres. Come prepared to write\, to read\, to experiment\, to share. \n\n\n\n\nWeek 1: The Fragment and the Flash.\n\n\n\nWeek 2:  Collage. Contrast\, juxtaposition\, the unexpected. \n\n\n\nWeek 3:  The Braid. Parallel narratives.\n\n\n\nWeek 4:  The Hermit Crab. The borrowed form.\n\n\n\nWeek 5: The Hermit Crab. More borrowings.\n\n\n\nWeek 6: Diptych or Triptych.\n\n\n\nWeek 7: Visual Essay.\n\n\n\nWeek 8: Accretion as Method and Aesthetic.\n\n\n\n\nNote: Participants might wish to read one or more of the books mentioned above before the course begins\, but there’s no requirement to do so. I’ll provide reading material before or during each class\, and a list of suggested resources at the end. \n\n\n\nSusan Olding is the author of Big Reader: Essays\, a finalist for the Canadian Authors Association Fred Kerner Award and the Alberta Publishing Awards Trade Nonfiction Book of the Year\, and Pathologies: A Life in Essays\, selected by 49th Shelf and Amazon.ca as one of 100 Canadian books to read in a lifetime. She mentors writers through the Vancouver Manuscript Intensive and holds the 2023 Southam Residency in Personal Journalism at the University of Victoria. You can find her at www.susanolding.com.
URL:https://qwf.org/event/mille-feuille-writing-layered-nonfiction-2/2023-10-12/
LOCATION:Online via Zoom
CATEGORIES:QWF Workshops,Workshops
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231012T200000
DTEND;TZID=America/New_York:20231012T220000
DTSTAMP:20260407T182951
CREATED:20230809T195911Z
LAST-MODIFIED:20230814T160912Z
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SUMMARY:Temporarily Stairs: Developing and Refining Long-Form Fiction
DESCRIPTION:Ten Thursdays\, Oct 5-Dec 7\, 8-10pmOpen via application to those with a novel-in-progress \n\n\n\nLimited to 10 participants \n\n\n\nHybrid Workshop \n\n\n\nAs Mitch Hedberg pointed out\, escalators are never broken—if they stop running\, they still work just fine as stairs. In the same way\, a story of any length is never broken\, even if it sometimes feels that way. If you’ve been working on a novel or novella and are feeling stuck\, overwhelmed\, or just plain lost\, this workshop is here to help you look at your manuscript anew and get things moving again. \n\n\n\nThis workshop is intended for writers who are looking for resources and encouragement while working on a novel or novella already in progress. Ideally\, you’ll have a significant portion (a minimum of about 30–50 pages) of your novel or novella already completed\, as well as a solid grasp of the story you’re working on. \n\n\n\nWriting long-form fiction on your own or with few readers can be exhilarating\, but can also leave you with incomplete drafts\, discarded chapters\, and the feeling that things have stalled. If you have pages of text\, a cast of fantabulous characters\, an amazing idea\, and a story no one else can tell\, but you sometimes want to call it a day and throw the whole thing out the window—don’t! I’ve been there\, and I’m here to help. \n\n\n\nGaining insight from unbiased readers—myself and the other members of the group—in a supportive\, creative atmosphere will help you identify issues\, clarify your intent\, and find real ways to improve your manuscript. To this end\, our focus will be on crafting outlines and workshopping sections of each participant’s novel or novella. You will be invited to submit pages from your work in progress to receive feedback and notes from your fellow writers (including me!). You’ll also be encouraged to include one or two questions about your work with each submission\, and you will have the opportunity to engage in informal question-and-answer sessions in each workshop. \n\n\n\nWorkshopping will be combined with lectures\, discussions\, and writing exercises to help you gain new insight to constructing and completing your novel or novella. We’ll explore ways to reinforce the structure of your existing manuscript\, gain deeper understanding of characters\, fix plot holes\, tie up storylines\, and approach publishers and editors. We’ll also work on sharpening another skill invaluable to any writer: the ability to pinpoint what might not be working and cut or rework if need be. Because writing a novel or novella takes as long as it takes\, this workshop is designed to help you stay motivated and focused through the difficult parts of writing a long piece\, and aims to give you the tools to get things moving and finish your manuscript in your own time. \n\n\n\nTo apply for a spot in this workshop\, please submit the following to Riley at QWF (riley@qwf.org) by Wednesday\, September 13 : \n\n\n\n\nA short summary of your novel or novella (about one or two lines).\n\n\n\nA maximum of 10 pages from your novel or novella\, double-spaced (if these are not the opening pages\, please include a brief note to let me know where we are in the story).\n\n\n\nOne or two questions about your novel\, the process of completing a long work\, and/or what to do with it when you feel it’s finished.\n\n\n\n\nSextant (Conundrum Press)\, Maya Merrick’s first novel\, was released to critical acclaim in 2005\, followed by The Hole Show (Conundrum Press) in 2007. She works with the Quebec Writers’ Federation as a mentor and workshop/master class facilitator\, was an instructor at Concordia University’s Centre for Continuing Education\, and served as the editorial and administrative assistant at Conundrum Press. She is an active writing coach\, mentor\, editor\, copyeditor\, and manuscript consultant. Maya is currently completing The Ride\, a collection of microfiction. 
URL:https://qwf.org/event/temporarily-stairs-developing-and-refining-long-form-fiction/2023-10-12/
LOCATION:QWF Office\, 1200 Atwater Avenue\, Room 3\, Westmount\, QC\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops,Workshops
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231013T080000
DTEND;TZID=America/New_York:20231013T170000
DTSTAMP:20260407T182951
CREATED:20231013T211406Z
LAST-MODIFIED:20231013T211411Z
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SUMMARY:
DESCRIPTION:Thurs\, Oct 19\, 5:30-7:00 pmMaxwell Cohen Moot Court\, New Chancellor Day Hall3644 Peel Street\, Montreal\n\n\n\nThe Department of English at McGill University invites you to a joint reading with the Scotiabank Giller Prize-nominated authors Kasia Van Schaik & Padma Viswanathan. The readings will be followed by a Q&A moderated by Professor Ara Osterweil. This event does not require registration. \n\n\n\nKasia Juno Van Schaik is the author of the linked story collection We Have Never Lived on Earth\, which was nominated for the 2023 Scotiabank Giller Prize and the 2022 Concordia University First Book Prize. Her writing has appeared in the LA Review of Books\, CBC Books\, Maisonneuve Magazine\, Best Canadian Poetry\, Electric Literature\, The Rumpus and more. Kasia holds a PhD in Literature from McGill University\, where she teaches creative writing. She is currently working on a book of cultural criticism and memoir entitled Women Among Monuments. In 2021\, Kasia served as a CBC QWF writer-in-residence. \n\n\n\nPadma Viswanathan is a Canadian-American novelist\, published in eight countries and shortlisted for the PEN USA Prize and the Scotiabank Giller Prize. Recent publications include Like Every Form of Love: A Memoir of Friendship and True Crime and São Bernardo\, a translation of a novel by Brazilian novelist Graciliano Ramos. Forthcoming works include a novel\, The Charterhouse of Padma\, and a translation of Djamila Ribeiro’s Where We Stand: Notes on Speech\, Place and Justice. Professor of Creative Writing at the University of Arkansas\, she divides her time between Fayetteville and Montréal.
URL:https://qwf.org/event/56727/
LOCATION:Maxwell Cohen Moot Court\, 3644 Peel Street\, Montreal\, Quebec\, H3A 1W9\, Canada
CATEGORIES:Reading
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231014T100000
DTEND;TZID=America/New_York:20231014T123000
DTSTAMP:20260407T182951
CREATED:20230930T140919Z
LAST-MODIFIED:20230930T142923Z
UID:10003549-1697277600-1697286600@qwf.org
SUMMARY:Shut Up & Write! with QWF
DESCRIPTION:Saturday\, October 14\, 10:00 am–12:30 pmOnline via Zoom—RSVP below to receive the Zoom link\n\n\n\nLooking for some dedicated\, quiet writing space? \n\n\n\nRegister below to do all that writing you’ve been meaning to do. Using the Pomodoro technique\, participants write in 25 minute bursts\, with 5 minutes break in between. \n\n\n\nThis event is for QWF members only. Not a member? Learn about becoming a member.  \n\n\n\nThe Zoom link will be sent out a day or two before the session. \n\n\n\nPlease note that these sessions are designed for silent writing\, rather than discussing or getting feedback on work. \n\n\n\n10:00–10:25: Writing 110:25–10:30: Break10:30–10:55: Writing 210:55–11:00: Break11:00–11:25: Writing 311:25–11:30: Break11:30–11:55: Writing 411:55–12:00: Break12:00–12:25: Writing 5 \n\n\n\nTo receive the Zoom link\, RSVP below. \n\n\n\nNote: RSVPs will close 24 hours before the event starts. If there is no option to RSVP\, RSVPs are closed.
URL:https://qwf.org/event/shut-up-write-with-qwf-36/
LOCATION:QC
CATEGORIES:Shut Up & Write!
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231014T100000
DTEND;TZID=America/New_York:20231014T130000
DTSTAMP:20260407T182951
CREATED:20230810T151353Z
LAST-MODIFIED:20230814T160938Z
UID:10003503-1697277600-1697288400@qwf.org
SUMMARY:Creating a Website: Editorial\, Graphic Design\, Mechanics
DESCRIPTION:Three Saturdays\, Oct 14-28\, 10am-1pmOpen to allLimited to 10 participantsHybrid Workshop \n\n\n\nFrom appearance to navigation\, a lot goes into creating an eye-catching\, user-friendly website. This how-to workshop series will help you understand the essentials you need to develop your website strategy\, a plan for your online presence. \n\n\n\nOver three successive Saturdays\, group sessions will explore what a website can deliver and what it takes to make it work for you. \n\n\n\nLiz Perrin\, Connect Project Manager for the Atwater Library\, and Gina Roitman\, marketer\, author and writing coach\, will walk you through the key areas you need to consider for a successful site. They will address the importance of knowing your focus and theme\, how to showcase it through your editorial and graphic design\, and what mechanics are required to make the website easy to access and navigate. How to budget\, pitfalls\, and how to make a little go far are also on the agenda. \n\n\n\nThe three 3-hour sessions will be followed by one-on-one\, half-hour consultations with each of the two workshop leaders. \n\n\n\nWorkshop Outline \n\n\n\nSession One: Graphic Design and Editorial \n\n\n\n These are the questions to consider before you begin: \n\n\n\n\nWhat are you selling —a specific product or a service?\n\n\n\nDo you have a visual or editorial theme?\n\nWhat comes first?\n\n\n\n\n\nWhat are your expectations?\n\nWhat can a website do for you?\n\n\n\nWhat can’t it do?\n\n\n\n\n\nHow much is too much – editorially or graphically?\n\n\n\n\nSession Two: Graphic Design and the Mechanical \n\n\n\n\nWhat is your budget?\n\n\n\nHow many pages do you need?\n\n\n\nChoosing your look and theme: free website templates\n\n\n\nDo you want to sell product on the website? How?\n\n\n\n\nSession Three: Mechanics\, Design and Editorial \n\n\n\n\nFinding resources\n\n\n\nWorking with a designer\, a web writer\n\n\n\nNavigation and usability\n\nDomain and web hosting\n\n\n\n\n\nMaintenance and monitoring\n\nSitemap and SEO\n\n\n\n\n\n\nLiz Perrin is a digital technology consultant with over 10 years of experience helping people build a strategic digital and technology roadmap to pursue their individual\, business\, and IT goals. For the past 3 years she has used that experience as Connect Project Manager at the Atwater Library to help people to manage their own digital lifestyle. Liz has helped to develop a digital and media literacy curriculum that has garnered national recognition.When not enjoying the thrill of helping people become digitally and technologically independent\, Liz is an amateur gardener\, and co-organizes SpeakUp\, a free poetry series in Montreal. \n\n\n\nGina Roitman is an author\, biographer\, and writing coach. A former publicist and communications agency principal\, Gina has sampled many careers and worn many hats but now devotes herself to writing and mentoring. Her books include the recent literary novel\, Don’t Ask; the collection\, Tell Me Story\, Tell Me the Truth; and the biography\, Midway to China and Beyond  Her work has also appeared in essay and poetry anthologies as well as on radio.  In 2013\, she was the subject of the award-winning documentary\, My Mother\, the Nazi Midwife and Me. For more about Gina\, go to www.ginaroitman.com
URL:https://qwf.org/event/creating-a-website-editorial-graphic-design-mechanics/2023-10-14/
LOCATION:QWF Office\, 1200 Atwater Avenue\, Room 3\, Westmount\, QC\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops,Workshops
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231014T130000
DTEND;TZID=America/New_York:20231014T160000
DTSTAMP:20260407T182951
CREATED:20230920T015226Z
LAST-MODIFIED:20231011T174621Z
UID:10003543-1697288400-1697299200@qwf.org
SUMMARY:The Writer Is In: Pop-Up Writing Booth
DESCRIPTION:Saturday\, October 14\, 1-4 pmWestmount Park Gazebo4574 Sherbrooke St. W.\, Westmount\n\n\n\nJoin us for The Writer Is In\, a series of pop-up writing booths we’re organizing in and around downtown Montreal in October and November. \n\n\n\nOn October 14\, from 1 to 4 pm\, we’ll be we’ll be at the Westmount Park Gazebo (directions below) with writers from QWF’s Hire a Writer Directory\, who will be offering free writing services to passers-by. They’ll be there to take on any writing request you may have\, from business letters to love letters and everything in between. Stop by\, say hi\, and treat yourself to some poetic pampering. \n\n\n\nPart of our Writing Matters campaign to raise awareness about writers’ value to our culture\, society\, and economy. \n\n\n\n\nView All Writer Is In Events\n\n\n\n\nWhere to Find Us in Westmount Park\n\n\n\nThe gazebo is near the southeast corner of the park\, just west of Melville Avenue. For the exact location\, see the red star on the map below:
URL:https://qwf.org/event/the-writer-is-in-oct-14/
LOCATION:QC
CATEGORIES:Performance,Writing Matters
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END:VCALENDAR