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DTSTART;TZID=America/New_York:20231122T090000
DTEND;TZID=America/New_York:20231126T170000
DTSTAMP:20260411T064748
CREATED:20231121T185216Z
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SUMMARY:2023 Salon du livre de Montréal
DESCRIPTION:November 22-26\, 2023Palais des congrès de Montréal\n\n\n\nThe Salon du livre de Montréal is back at Palais des congrès\, Montreal\, from 22 to 26 November\, 2023. Events around the city and online will also be taking place starting November 10. \n\n\n\nQWF will be hosting one event at the 2023 Salon du livre: Grand Translation Slam in the Age of AI will pit two literary translators against each other and against an AI translation tool. Who will come out on top? Can AI cap­ture the nuance nec­es­sary in lit­er­ary trans­la­tion? \n\n\n\nSee the full program here. \n\n\n\nFree Entry for QWF Members\n\n\n\nQWF members can enter the Salon du livre for free on presentation of their membership card at the ticket office. If you do not have a physical QWF membership card\, you can print or show a digital version\, which was emailed to you when you registered or last renewed your membership.  \n\n\n\nIf you can’t find your membership card\, email Riley\, QWF Membership Services Coordinator\, at riley@qwf.org. \n\n\n\nFor more information\, visit the Salon du livre’s Horaire et tarifs webpage.
URL:https://qwf.org/event/2023-salon-du-livre-de-montreal/
LOCATION:Quebec
CATEGORIES:Festival
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DTSTART;TZID=America/New_York:20231126T121500
DTEND;TZID=America/New_York:20231126T131500
DTSTAMP:20260411T064748
CREATED:20231121T185051Z
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SUMMARY:Grand Translation Slam in the Age of AI
DESCRIPTION:November 26\, 202312:15-1:15 PM ESTAgora\, Palais des congrès de Montréal\n\n\n\nTwo pairs of lit­er­ary trans­la­tors head into a book­ish bat­tle of words\, against each oth­er and against an AI trans­la­tion tool. How does each trans­la­tion choice bend mean­ing and tone to cre­ate the final effect? Can AI cap­ture the nuance nec­es­sary in lit­er­ary trans­la­tion or in any trans­la­tion? Hear the texts morph from one lan­guage to the next\, as the trans­la­tors delve into the sub­tleties of trans­lat­ing fic­tion. Fol­lowed by a Q&A with the audi­ence. (Pre­sent­ed in French & English). \n\n\n\nFeaturing:\n\n\n\n\nSean Michaels\, Author\n\n\n\nÉric Fontaine\, Translator\n\n\n\nCatherine Ego\, Translator\n\n\n\nJ.D. Kurtness\, Author\n\n\n\nPablo Strauss\, Translator\n\n\n\nNicola Danby\, Translator\n\n\n\nShelley Pomerance\, Host\n\n\n\n\nFree Entry for QWF Members\n\n\n\nQWF members can enter the Salon du livre for free on presentation of their membership card at the ticket office. If you do not have a physical QWF membership card\, you can print or show a digital version\, which was emailed to you when you registered or last renewed your membership.  \n\n\n\nIf you can’t find your membership card\, email Riley\, QWF Membership Services Coordinator\, at riley@qwf.org. \n\n\n\nFor more information\, visit the Salon du livre’s Horaire et tarifs webpa
URL:https://qwf.org/event/grand-translation-slam-in-the-age-of-ai/
LOCATION:Quebec
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231127T080000
DTEND;TZID=America/New_York:20231127T170000
DTSTAMP:20260411T064748
CREATED:20230719T144029Z
LAST-MODIFIED:20230926T140601Z
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SUMMARY:Advanced Memoir: Maintaining Momentum
DESCRIPTION:This workshop on memoir is designed for people who have already studied at the intermediate  or advanced level with Elaine Kalman Naves. Please don’t be daunted by the “advanced” label. All of you are at a level to benefit from this workshop if you’re interested in writing\, reading\, and talking about memoir! \n\n\n\nThough you need not be working on a book- length narrative\, you will be expected to have a specific project in mind. It can be something you were working on in a previous workshop or something entirely new. \n\n\n\nDuring the course of the workshop\, you will have the opportunity to submit a piece of up to 3000 words\, and with luck you will have a chance to present a second time. (More details about this once we get rolling.) \n\n\n\nInstead of a text\, you will have the opportunity of reading some fine memoirs and the long lead-up to this fall workshop will give you a chance to do some advance reading. Please give priority in your summer reading to the terrific memoirs by the three writers who will be guest lecturers over the course of the session. (See below.) Once we have established who the actual workshop participants will be\, I will also supply you with a list of suggested optional works to enjoy over the course of the summer. \n\n\n\nThe emphasis is – as always in any workshop – on student input. Participants will not only be presenting their own work to the group but will also be expected to give careful reading of each other’s pieces in order to provide vital critical feedback. This element of the program is equally important to the writing. As in the past there will also be in-class exercises and discussion of topics of writerly interest. In a new departure\, we will start critiquing participants’ pieces at the very first session. Participants who volunteer to present early in the session will be much appreciated! Getting a head start will make it possible to present second drafts. Again\, we will work out these details ahead of time once the class list is established. \n\n\n\nHere are the names of the guest lecturers and their respective titles: \n\n\n\nCharles Foran\, Just Once\, No More \n\n\n\nHarriet Alida Lye\, Natural Killer \n\n\n\nMerrily Weisbord\, The Strangest Dream; Our Future Selves; Love Queen of Malabar \n\n\n\nAnd please don’t forget that William Zinsser’s On Writing Well is a great resource for matters of grammar and style! \n\n\n\nTo apply\, please send an email to Riley@QWF.org with the subject line “Advanced Memoir Application” no later than June 30\, 2023. Your email must include: \n\n\n\n1.      a 3-5-page double-spaced writing sample (non-fiction or fiction) that you feel is representative of your abilities. \n\n\n\n2.      a paragraph or two outlining the writing project you plan to pursue in the workshop. \n\n\n\nElaine Kalman Naves is a long-time literary journalist and the author of seven non-fiction titles\, and of a novel.  She is a two-time recipient of the Mavis Gallant Prize for Non-Fiction\, the winner of two Canadian Jewish Book Awards\, and of a Canadian Literary Award for Personal Essay. Her memoir Journey to Vaja: Reconstructing the World of a Hungarian-Jewish Family has been made into a documentary film. Elaine’s novel\, The Book of Faith\, was nominated for the Leacock Prize for Humour. She has led workshops at the QWF since their inception in 1998.  To find out more about Elaine\, visit her website at http://www.elainekalmannaves.com/.
URL:https://qwf.org/event/advanced-memoir-maintaining-momentum/2023-11-27/
LOCATION:QWF Office\, 1200 Atwater Avenue\, Room 3\, Westmount\, QC\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops,Workshops
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231129T180000
DTEND;TZID=America/New_York:20231129T200000
DTSTAMP:20260411T064748
CREATED:20230809T191911Z
LAST-MODIFIED:20230913T142843Z
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SUMMARY:Playwriting Circle: Do Be So Dramatic
DESCRIPTION:Eight Wednesdays\, Oct 4-Nov 22\, 6-8pmOpen to allLimited to 12 participantsIn-Person Workshop \n\n\n\nThis will be a Learn-by-Doing-as-You-Go\, anecdotal (in a theatre history way)\, ease-you-into-it experience that’s not scary or overwhelming and will result in the participants having something dramatic to show for it at the end of the session. If you have always wanted to write a play or already have a play idea in the works\, this is the workshop for you. I’m quite motivational\, coach-like and pushy in a good way. I will get that play out of you if you’re willing to try. I am all for deadlines\, discipline\, and contests. Since I have more of a comic bent\, there could be more emphasis on comedy at times. The workshop will evolve as it goes\, based on what everyone hopes to accomplish.  I am often surprised and quite happy to see what happens when I throw ideas and writing games at writers in the workshop. I am very careful about how feedback is given because everything is so new. This does not mean that there won’t be plenty of opportunity to share your work or prove that you are indeed writing. One of my past QWF workshops resulted in Picturesque: Voices from Beaver Hall\, which saw productions at Redpath Museum and Dawson Theatre as well as museums in Hamilton and Calgary. \n\n\n\nColleen Curran is an award-winning playwright\, novelist\, actor\, and teacher. Her comedy Cake-Walk premiered at the Blyth Festival in 1984 and has had more than 50 productions across North America. It was brought to the attention of Showtime Network by Whoopi Goldberg. Curran’s many plays include Villa Eden\, Sacred Hearts (winner of the International Gabriel Award and most recently done by Zeitgeist Stage in Boston)\, Maple Lodge (Winner Best Canadian Play\, Samuel French Inc. Competition)\, Another Labour Day (Best New Play QDF 1984)\, El Clavadista\, A Brave Girl\, Sybil and Sylvia\, Casa de Mary Margaret\, Ceili House\, and Ireland’s Own Carmel O’Reilly Tonite! Her three novels about Montreal singing waitress Lenore Rutland are Something Drastic\, Overnight Sensation\, and Guests of Chance. Her stage adaptation of Something Drastic premiered in 2002 and has been seen in Winnipeg\, Toronto\, Athens\, and Melbourne. Her True Nature launched the 2011-2012 season at Centaur Theatre. Out for Stars\, her latest novel\, made the Long List for the Stephen Leacock Medal for Humour. During the pandemic\, Colleen created Kitty Calling starring Debra Hale and Lorna Wilson\, it won best Canadian web series in Toronto’s Now magazine.
URL:https://qwf.org/event/playwriting-circle-do-be-so-dramatic/2023-11-29/
LOCATION:QWF Office\, 1200 Atwater Avenue\, Room 3\, Westmount\, QC\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops,Workshops
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231129T200000
DTEND;TZID=America/New_York:20231129T220000
DTSTAMP:20260411T064748
CREATED:20230809T193305Z
LAST-MODIFIED:20230908T152332Z
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SUMMARY:So You've Written a Novel - Now What?
DESCRIPTION:Eight Wednesdays\, Oct 4-Nov 22\, 8-10pm \n\n\n\nOpen to writers who have completed\, or are close to completing\, a fiction manuscript. There is no submission required prior to the first session\, but participants will be expected to write loglines and query letters and share them with the group as the workshop progresses. They will also be expected to read and critique one another’s work. \n\n\n\nLimited to 12 participants \n\n\n\nHybrid Workshop \n\n\n\nThe first time I typed THE END on a manuscript\, I didn’t know what to do next. There’s a lot of information and encouragement on HOW to write a book\, but not a lot on what to do after you’ve written the thing. And the advice you find online can be woefully misleading\, confusing\, or at its very worst\, fraudulent. \n\n\n\nThis 8-week workshop aims to fully lay out the roadmap to traditional publishing for someone who’s finished\, or is close to finishing a fiction manuscript. The journey of getting your story from your laptop to an actual book you can pick up at !ndigo follows a very specific series of steps. From landing an agent\, to signing with a publisher\, to contract details\, this course will take you\, in minute detail\, through every step\, with a centerpiece intensive workshop formulating your all-important Query Letter\, along with details on crafting your logline\, your synopsis\, and your pitch kits. \n\n\n\nDesigned for absolute newbies to the world of publishing\, this workshop will offer you tips and tactics to maximize your chances at every step\, and by its end you should have the knowledge and confidence to approach this perilous enterprise knowing exactly what you need to do next. Because typing THE END is only the start. \n\n\n\n— \n\n\n\nToronto-born\, Montreal-based writer and illustrator Sherwin Sullivan Tjia has written many odd and eclectic books. Their 2005 collection of pseudohaikus\, The World is a Heartbreaker\, was a finalist for the Quebec Writers’ Federation’s A. M. Klein Poetry Award. Their 2010 graphic novel\, The Hipless Boy\, was a finalist for the Doug Wright Award for best emerging talent\, as well as being nominated for 4 Ignatz Awards. Their 2011 Choose-Your-Own-Adventure style book from the POV of a housecat named Holden Catfield titled You Are a Cat! won that year’s Expozine Award for best English-language book and spawned a sequel\, and a prequel. Their latest graphic novel\, from 2019\, entitled Plummet\, is about a woman who wakes up one day to find herself in literal\, perpetual freefall. \n\n\n\nFacebook: https://www.facebook.com/inconsolablecat/ \n\n\n\nInstagram: https://www.instagram.com/inconsolablecat/ \n\n\n\nTwitter: https://twitter.com/inconsolablecat
URL:https://qwf.org/event/so-youve-written-a-novel-now-what/2023-11-29/
LOCATION:QWF Office\, 1200 Atwater Avenue\, Room 3\, Westmount\, QC\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops,Workshops
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231130T070000
DTEND;TZID=America/New_York:20231130T210000
DTSTAMP:20260411T064748
CREATED:20231116T163631Z
LAST-MODIFIED:20231116T163634Z
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SUMMARY:SpeakUp: The Montreal Inter-Active Poetry Exchange
DESCRIPTION:The Montreal Inter-Active Poetry Exchange \nPoets : Sarah Wolfson\, Mary Dean Lee  \n​Join us at Phoenix Books in NDG (5928 Sherbrooke St W\, Montreal\, Quebec H4A 1X7)\non Thursday\, November 30 @ 7 PM\n​for a poetry reading with a difference\, AUDIENCE ENGAGEMENT \nEach audience member receives a copy of the poems.\nEach poet reads their poem\, followed by a 15 to 20-minute discussion.\nThe poet reads their poem a final time. \n​For more info or details contact us by\nemail MTLSpeakUp@gmail.com or on Facebook @MtlSpeakUp
URL:https://qwf.org/event/speakup-the-montreal-inter-active-poetry-exchange/
LOCATION:Phoenix Books\, 5928 Sherbrooke Street West\, 5928 Sherbrooke St W\, Montreal\, QC\, H4A 1X7\, Canada
CATEGORIES:Series
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231130T183000
DTEND;TZID=America/New_York:20231130T203000
DTSTAMP:20260411T064748
CREATED:20230906T144811Z
LAST-MODIFIED:20230906T145151Z
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SUMMARY:Mille-Feuille: Writing Layered Nonfiction
DESCRIPTION:Eight Thursdays\, Oct 5-Dec 7 (no meeting Oct 26 and Nov 23)\, 6:30-8:30pmOpen to allLimited to 12 participantsOnline via Zoom \n\n\n\nThe Book of Delights\, by Ross Gay. Ongoingness\, by Sarah Manguso. Persephone’s Children\, by Rowan McCandless. Citizen\, by Claudia Rankine. Safekeeping\, by Abigail Thomas. What these and many other contemporary memoirs and book-length essays share is that they build in fragments. Each fragment may be less than a page long\, and the one that follows may or may not appear to be related. Yet somehow\, layer upon layer\, the fragments cohere into a rich and satisfying whole. In this online generative workshop\, we’ll take a cue from books like these. We’ll practice writing as a process of accretion\, starting small and layering\, adding texture and depth to our memoirs or personal and lyric essays.  \n\n\n\nEach class will begin with a warm-up invitation\, followed by conversation about a short reading related to the technique or form of the day. A second writing invitation will give you the chance to practice what we’ve discussed. You’ll also get opportunities to share your work. \n\n\n\nYou’ll come away with one or more short essays (in draft) and/or the beginning of a longer piece. \n\n\n\nThis workshop is suitable for participants at all levels. Poets wanting to move to prose and fiction writers may also enjoy it\, because the exercises will be adaptable to these genres. Come prepared to write\, to read\, to experiment\, to share. \n\n\n\n\nWeek 1: The Fragment and the Flash.\n\n\n\nWeek 2:  Collage. Contrast\, juxtaposition\, the unexpected. \n\n\n\nWeek 3:  The Braid. Parallel narratives.\n\n\n\nWeek 4:  The Hermit Crab. The borrowed form.\n\n\n\nWeek 5: The Hermit Crab. More borrowings.\n\n\n\nWeek 6: Diptych or Triptych.\n\n\n\nWeek 7: Visual Essay.\n\n\n\nWeek 8: Accretion as Method and Aesthetic.\n\n\n\n\nNote: Participants might wish to read one or more of the books mentioned above before the course begins\, but there’s no requirement to do so. I’ll provide reading material before or during each class\, and a list of suggested resources at the end. \n\n\n\nSusan Olding is the author of Big Reader: Essays\, a finalist for the Canadian Authors Association Fred Kerner Award and the Alberta Publishing Awards Trade Nonfiction Book of the Year\, and Pathologies: A Life in Essays\, selected by 49th Shelf and Amazon.ca as one of 100 Canadian books to read in a lifetime. She mentors writers through the Vancouver Manuscript Intensive and holds the 2023 Southam Residency in Personal Journalism at the University of Victoria. You can find her at www.susanolding.com.
URL:https://qwf.org/event/mille-feuille-writing-layered-nonfiction-2/2023-11-30/
LOCATION:Online via Zoom
CATEGORIES:QWF Workshops,Workshops
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231130T190000
DTEND;TZID=America/New_York:20231130T203000
DTSTAMP:20260411T064748
CREATED:20231017T185744Z
LAST-MODIFIED:20231127T173237Z
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SUMMARY:Violet Hour: Suzette Mayr\, Daniel Allen Cox\, Katia Grubisic
DESCRIPTION:Violet Hour is back this fall with a new format and venue! Three writers\, three readings\, three interviews. Join us at the Casa D’Italia (505 Rue Jean-Talon E.) for an evening celebrating queer literature with writers Suzette Mayr\, Daniel Allen Cox\, and Katia Grubisic. This event is co-presented with The Équipe de recherche en études queer au Québec (ÉRÉQQ)\, VersUs Centre de recherche – Université de Sherbrooke\, and Fierté Montréal. Suzette Mayr will be joining us to discuss The Sleeping Car Porter\, her 2022 novel about the life of Baxter\, a queer black man working as sleeping car porter on a Canadian train crisscrossing the country in 1929. The book won the Scotiabank Giller Prize. Daniel Allen Cox will be speaking about his recent book\, I Felt the End Before It Came: Memoirs of a Queer Ex-Jehovah’s Witness\, a collection of riveting essays about growing up in\, and leaving\, the religion. And Katia Grubisic will be joining us to discuss her translation of the legendary Marie-Claire Blais’s work\, including\, most recently\, Nights Too Short To Dance\, which is being published posthumously this fall\, as Blais passed away in November 2021.
URL:https://qwf.org/event/violet-hour-suzette-mayr-daniel-allen-cox-katia-grubisic/
LOCATION:Casa d’Italia\, 505 Rue Jean-Talon Est\, Montreal\, Quebec\, H2R 1T6\, Canada
CATEGORIES:Series
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231130T200000
DTEND;TZID=America/New_York:20231130T220000
DTSTAMP:20260411T064748
CREATED:20230809T195911Z
LAST-MODIFIED:20230814T160912Z
UID:10003500-1701374400-1701381600@qwf.org
SUMMARY:Temporarily Stairs: Developing and Refining Long-Form Fiction
DESCRIPTION:Ten Thursdays\, Oct 5-Dec 7\, 8-10pmOpen via application to those with a novel-in-progress \n\n\n\nLimited to 10 participants \n\n\n\nHybrid Workshop \n\n\n\nAs Mitch Hedberg pointed out\, escalators are never broken—if they stop running\, they still work just fine as stairs. In the same way\, a story of any length is never broken\, even if it sometimes feels that way. If you’ve been working on a novel or novella and are feeling stuck\, overwhelmed\, or just plain lost\, this workshop is here to help you look at your manuscript anew and get things moving again. \n\n\n\nThis workshop is intended for writers who are looking for resources and encouragement while working on a novel or novella already in progress. Ideally\, you’ll have a significant portion (a minimum of about 30–50 pages) of your novel or novella already completed\, as well as a solid grasp of the story you’re working on. \n\n\n\nWriting long-form fiction on your own or with few readers can be exhilarating\, but can also leave you with incomplete drafts\, discarded chapters\, and the feeling that things have stalled. If you have pages of text\, a cast of fantabulous characters\, an amazing idea\, and a story no one else can tell\, but you sometimes want to call it a day and throw the whole thing out the window—don’t! I’ve been there\, and I’m here to help. \n\n\n\nGaining insight from unbiased readers—myself and the other members of the group—in a supportive\, creative atmosphere will help you identify issues\, clarify your intent\, and find real ways to improve your manuscript. To this end\, our focus will be on crafting outlines and workshopping sections of each participant’s novel or novella. You will be invited to submit pages from your work in progress to receive feedback and notes from your fellow writers (including me!). You’ll also be encouraged to include one or two questions about your work with each submission\, and you will have the opportunity to engage in informal question-and-answer sessions in each workshop. \n\n\n\nWorkshopping will be combined with lectures\, discussions\, and writing exercises to help you gain new insight to constructing and completing your novel or novella. We’ll explore ways to reinforce the structure of your existing manuscript\, gain deeper understanding of characters\, fix plot holes\, tie up storylines\, and approach publishers and editors. We’ll also work on sharpening another skill invaluable to any writer: the ability to pinpoint what might not be working and cut or rework if need be. Because writing a novel or novella takes as long as it takes\, this workshop is designed to help you stay motivated and focused through the difficult parts of writing a long piece\, and aims to give you the tools to get things moving and finish your manuscript in your own time. \n\n\n\nTo apply for a spot in this workshop\, please submit the following to Riley at QWF (riley@qwf.org) by Wednesday\, September 13 : \n\n\n\n\nA short summary of your novel or novella (about one or two lines).\n\n\n\nA maximum of 10 pages from your novel or novella\, double-spaced (if these are not the opening pages\, please include a brief note to let me know where we are in the story).\n\n\n\nOne or two questions about your novel\, the process of completing a long work\, and/or what to do with it when you feel it’s finished.\n\n\n\n\nSextant (Conundrum Press)\, Maya Merrick’s first novel\, was released to critical acclaim in 2005\, followed by The Hole Show (Conundrum Press) in 2007. She works with the Quebec Writers’ Federation as a mentor and workshop/master class facilitator\, was an instructor at Concordia University’s Centre for Continuing Education\, and served as the editorial and administrative assistant at Conundrum Press. She is an active writing coach\, mentor\, editor\, copyeditor\, and manuscript consultant. Maya is currently completing The Ride\, a collection of microfiction. 
URL:https://qwf.org/event/temporarily-stairs-developing-and-refining-long-form-fiction/2023-11-30/
LOCATION:QWF Office\, 1200 Atwater Avenue\, Room 3\, Westmount\, QC\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops,Workshops
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231201T123000
DTEND;TZID=America/New_York:20231201T150000
DTSTAMP:20260411T064748
CREATED:20231124T165112Z
LAST-MODIFIED:20231124T171222Z
UID:10003603-1701433800-1701442800@qwf.org
SUMMARY:Shut Up & Write! with QWF (In Person)
DESCRIPTION:Friday\, December 1\, 12:30 pm–3:00 pmFree\, In PersonQWF Office (Room 3\, 1200 Atwater Ave.\, Westmount)\n\n\n\nRegister for the session by filling out the RSVP form below. \n\n\n\nLooking for some dedicated\, quiet writing space? \n\n\n\nJoin us for another in-person Shut Up & Write session at the QWF Office! \n\n\n\nDo all that writing you’ve been meaning to do\, and meet a few of your fellow QWF members. Using the Pomodoro technique\, participants write in 25 minute bursts\, with 5-minute breaks in between. \n\n\n\nThis event is for QWF members only. Not a member? Learn about becoming a member.  \n\n\n\nPlease note that these sessions are designed for silent writing\, rather than discussing or getting feedback on work. \n\n\n\n12:30–12:55: Writing 112:55–1:00: Break1:00–1:25: Writing 21:25–1:30: Break1:30–1:55: Writing 31:55–2:00: Break2:00–2:25: Writing 42:25–2:30: Break2:30–2:55: Writing 5 \n\n\n\nTo register\, RSVP below.Note: If there is no option to RSVP\, registration has closed. \n\n\n\n\n\n\n\nGetting to the QWF Office\n\n\n\nOur office is located on the top floor of the Atwater Library and Computer Centre\, in Room 3. \n\n\n\nAddress: 1200 Atwater Avenue\, Room 3Westmount\, QC H3Z 1X4 \n\n\n\nClosest Metro: Atwater Station \n\n\n\nClosest Bus lines: 24\, 63\, 90\, 104\, 138\, 144\, 150 \n\n\n\nAccessibility:\n\n\n\nThe QWF Office is fully accessible by wheelchair from the side entrance on Tupper Street. Once inside\, there is an elevator to the second floor\, where the QWF office is. \n\n\n\nLearn more about the office location and accessibility.
URL:https://qwf.org/event/shut-up-write-with-qwf-in-person-5/
LOCATION:QWF Office\, 1200 Atwater Avenue\, Room 3\, Westmount\, QC\, H3Z 1X4\, Canada
CATEGORIES:Shut Up & Write!
ATTACH;FMTTYPE=image/png:https://qwf.org/wp-content/uploads/2021/04/Shut-Up-Write.png
GEO:45.4886431;-73.5864377
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=QWF Office 1200 Atwater Avenue Room 3 Westmount QC H3Z 1X4 Canada;X-APPLE-RADIUS=500;X-TITLE=1200 Atwater Avenue\, Room 3:geo:-73.5864377,45.4886431
END:VEVENT
END:VCALENDAR