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SUMMARY:Other Maps Montreal Book Launch
DESCRIPTION:Sunday\, Sept 29\, 2024\, 5:00-7:00 pm\n\n\n\nPlease join us to celebrate the launch of Rebecca Morris’s debut novel OTHER MAPS\, forthcoming September 14th with Linda Leith Publishing. Event hosted by Monique Polak. \n\n\n\nAbout Other Maps\n\n\n\nAnna Leverett is home for her dad’s retirement party\, counting the days until she can leave and sick of reminders that her life has consisted of wrong turns and dead ends. Then a meeting with her ex-best friend Helen raises unexpected questions: What really happened at that New Year’s party back in high school? How true were all those ugly rumours? With Helen at her side\, Anna can finally reckon with her past and chart a course towards a better future. \n\n\n\nA literary fiction #metoo novel set in early 2000’s Guelph\, Other Maps explores truth\, resilience and the ride-or-die friendship between two young women who will support each other at any cost. \n\n\n\n“Morris may steer readers outside their comfort zone\, yet her debut novel has grip\, the road rich with unexpected twists. Here\, friendship is a life-saving light on a young woman’s quest for truth in the aftermath of sexual assault.”— Kimberly Bourgeois\, Montreal Review of Books \n\n\n\n“A beautiful exploration of sisterhood\, memory and the stories we tell ourselves\, Other Maps is both timely and timeless. With a sharp eye for detail and a deep empathy for the messiest among us\, Morris gives us a friendship that you will never forget.”— Julie Lalonde\, author of Resilience is Futile: The Life and Death and Life of Julie S. Lalonde \n\n\n\n“Other Maps is a propulsive novel that explores just how fraught the lives of young women can be. From the dangers that plague girlhood to the uncertainties of adulthood\, Rebecca Morris beautifully writes how we reckon with our pasts\, fight for acknowledgement\, and stumble into\, hopefully\, better futures.”— Jen Sookfong Lee\, author of Superfan \n\n\n\n\n\n\n\nRebecca Morris is a Montreal writer. Originally from Guelph\, Ontario\, Rebecca taught high school before turning to writing full time. Her stories have won the Malahat Review Open Season Award for Fiction and the Humber Literary Review’s Emerging Writers Fiction contest. She is a Banff Centre alumna\, recipient of a Canada Council Arts grant and an active member of the Quebec Writers’ Federation. Other Maps is her first novel.
URL:https://qwf.org/event/other-maps-montreal-book-launch/
LOCATION:Monkland Tennis Club\, 4225 Av. Royal\, Montreal\, H4A 2M4\, Canada
CATEGORIES:Book Launch
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SUMMARY:GOLD: Garden of Literary Delights 2024
DESCRIPTION:Sunday\, September 29\, 2024\, 6:00-8:00 pm\n\n\n\nMark your calendars! Sunday\, September 29\, 2024\, 6-8 pm\, the Kabir Centre for Arts & Culture presents the 4th edition of GOLD–Garden of Literary Delights\, with a stellar cast:  \n\n\n\n\nJanika Oza\, who will read from A History of Burning\, a finalist for the 2023 Governor General’s Award for Fiction and winner of the 2024 Asian/Pacific American Award\n\n\n\n\n\nMariam Pirbhai\, award-winning author and academic\, who will read from her novel Isolated Incident and Garden Inventories: Reflections on Land\, Place and Belonging \n\n\n\n\n\nMuch-loved children’s author Mitali Banerjee Ruths\, who will read from her Party Diaries series.\n\n\n\n\n\nLiterary translator Shahroza Nahrin\, who will introduce her translation of acclaimed Bangladeshi writer Shahidul Zahir’s Life and Political Reality: Two Novellas\, translated from Bangla.\n\n\n\n\n\n\n\n\nRequested Donation: $5 or more at the door \n\n\n\nSpace limited; please RSVP\, email info@centrekabir.com \n\n\n\nReadings\, Refreshments\, Q&A\, book sale\, giveaways
URL:https://qwf.org/event/gold-garden-of-literary-delights-2024/
LOCATION:Espace Custeau\, Le Gesù\, 1200 Bleury Street\, Montreal
CATEGORIES:Festival,Panel,Reading
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DTSTART;TZID=America/New_York:20240930T180000
DTEND;TZID=America/New_York:20240930T200000
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SUMMARY:Writing the Personal Essay
DESCRIPTION:Have you ever wanted to see your words on the pages of your favourite newspaper\, magazine\, or website? The personal essay is a subgenre of creative nonfiction that focuses on unique stories with universal appeal told from a first-person perspective. In this 8-week course\, you’ll learn everything from how to generate ideas to how to structure your first and second drafts to how to pitch your completed piece. \n\n\n\nThe course will consist of teacher-led instruction\, at-home readings\, generative in-class writing exercises\, and guided peer feedback. You will also be expected to work on your essay at home\, between classes. By the end of this session\, you will have one completed personal essay. \n\n\n\nWeek 1: What is the personal essay? \n\n\n\nOverview of the genre and generating ideas. \n\n\n\nWeek 2: Structure \n\n\n\nDefining the elements of the personal essay and exploring structure. \n\n\n\nWeek 3: First Drafts\, Part I \n\n\n\nGetting words on the page. \n\n\n\nWeek 4: First Drafts\, Part II \n\n\n\nEmploying techniques from creative writing. \n\n\n\nWeek 5: Revision \n\n\n\nA step-by-step guide for revising your own work. \n\n\n\nWeek 6: Second Drafts \n\n\n\nHow to polish your essay and turn it into something publishable. \n\n\n\nWeek 7: Pitching and Publishing \n\n\n\nHow to find target outlets and write a great pitch. \n\n\n\nWeek 8: Ask-Me-Anything with a Working Editor \n\n\n\nGuest Editor (TBA) and wrap-up.Julie Matlin is a writer with pieces appearing in The New York Times\, The Washington Post\, Chatelaine\, The Globe and Mail\, Huffington Post\, CBC\, and other publications. She has one screenplay in development and is currently querying an essay collection\, Such a Nice Jewish Girl\, about the intersection of faith\, grief\, and identity\, which was supported by a Canada Council for the Arts grant. She has a weakness for puppies\, naps\, and the music of Jack White. You can follow her on twitter @jmatlin or Instagram and Threads @j.matlin. Portfolio:  www.juliematin.com
URL:https://qwf.org/event/writing-the-personal-essay/2024-09-30/
LOCATION:QWF Office\, 1200 Atwater Avenue\, Room 3\, Westmount\, QC\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops,Workshops
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DTSTART;TZID=America/New_York:20240930T200000
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SUMMARY:The Vivid and Continuous Dream: A Short Story Workshop
DESCRIPTION:In March\, in 1918\, an Olympic swimmer accepts a job rehabilitating the Polio-ravaged legs of a rich young woman\, not knowing the mess of love and wreckage that await their future selves; in Western Australia\, a bullied adolescent watches his high school tormentor drown beneath the surface of an aquifer—he expects reprieve\, but all his life he will sense the boy\, resinous\, in the mist and the warm wet air; in Spokane\, a man embarks on a strange\, galvanizing quest to reclaim an heirloom headdress that once belonged to his grandmother\, and the journey leaves him wondering who he is\, or who he used to be\, or who he might yet become. \n\n\n\nThe best stories ask questions but don’t dare give all the answers; they take the reader on a journey and leave them with a brief sliver of enlightenment. Yes: love is worth the cost to body and soul\, in 1918 as much as now. No: there is no easy escape from regret\, and good people will suffer if they stoop to the level of their abusers. Perhaps what matters is not to complete the task or reclaim our past\, but to reassure ourselves that we tried. \n\n\n\nThis workshop is a guided discussion about the plot\, characters\, point of view\, structure\, and language (the mechanics or “craft”) of participants’ short stories\, as well as an investigation of each story’s aboutness\, patterns\, emotional plot\, and central question(s)—that is\, all those hard-to-define elements that make fiction what it is. \n\n\n\nAdditionally\, the workshop aims to foster community among the attendees\, to bring together writers of similar skill and drive\, and to encourage the kind of creative energy that crackles between new practitioners. \n\n\n\nSome Learning Objectives \n\n\n\n\nCritical reading\, and the ability to identify the roots of a story’s problems\, particularly with regard to dramatic structure and conflict. Conversely: the ability to identify the roots of a story’s successes\, especially when it seems intangible or difficult to pin down.\n\n\n\nClose reading\, even of your own work\, for strongest-possible sentences. (They are\, after all\, the building blocks of fiction.)\n\n\n\nTo immerse yourself in\, and engage with\, literature among a cohort of people who are similarly immersed and engaged in literature; to enjoy it.\n\n\n\n\nIn our first meeting\, we will establish a schedule\, review workshop etiquette\, spend some time meeting each other\, and do a few writing exercises. From then on\, each session will consist of detailed discussion and feedback on participants’ stories. The goal\, always\, is to offer the writer of each story constructive suggestions to help them improve the story and their craft. We are\, I always say\, in this together. \n\n\n\nIn preparation: Please bring a short story of no more than 2500 words to the first session. \n\n\n\nD. W. Wilson is the author of Once You Break a Knuckle\, a collection of short stories\, and Ballistics\, a novel. His work has appeared in lit mags across the globe\, and in 2011 he won the BBC National Short Story Award for “The Dead Roads.” Since then he has been shortlisted for numerous fiction prizes\, and has won the CBC Short Story Prize and the Manchester Fiction Prize. He taught creative writing at the University of Victoria and Brandon University and is currently a fiction mentor for the University of King’s College’s writing MFA.
URL:https://qwf.org/event/the-vivid-and-continuous-dream-a-short-story-workshop-2/2024-09-30/
LOCATION:QWF Office\, 1200 Atwater Avenue\, Room 3\, Westmount\, QC\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops,Workshops
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DTSTART;TZID=America/New_York:20241001T180000
DTEND;TZID=America/New_York:20241001T200000
DTSTAMP:20260417T100012
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SUMMARY:The Poet’s Toolbox
DESCRIPTION:Do you want to write poetry but have trouble getting started? Are you interested in stepping outside of your comfort zone to generate new pieces? This workshop will help you to develop your voice as a poet by kindling your creativity with the support of a variety of writing tools\, prompts\, poetic forms\, and other techniques. \n\n\n\nIn each session\, participants will be presented with some combination of readings\, writing constraints\, or guided prompts. These will include assignments to write new pieces using different poetic forms including ekphrastic poetry (verse inspired by visual art)\, erasure/blackout poetry\, OULIPO games\, centos\, prose poems\, and haiku. Participants will be encouraged to share their writing results and will have a chance to discuss each other’s poems.  \n\n\n\nBy the end of this 8-week generative poetry writing workshop\, participants will have a chance to produce a portfolio of approximately 8 new pieces of creative work. \n\n\n\nGreg Santos is a poet\, editor\, and educator. His most recent book is Ghost Face (2020) and he has published several other poetry collections. His writing has appeared in CBC First Person\, The Walrus\, Geist\, AGNI\, The Best American Poetry Blog\, and World Literature Today. He has worked with the QWF’s Writers in the Community Program\, Vallum Society for Education in Arts & Letters\, Poetry in Voice\, and the Thomas More Institute to spread the joy of verse and creative writing to diverse communities. He is the Editor in Chief of the QWF’s online literary journal carte blanche. He is an adoptee of Cambodian\, Portuguese\, and Spanish heritage. Greg lives in Tiohtià:ke/Montréal with his wife and two children.
URL:https://qwf.org/event/the-poets-toolbox/2024-10-01/
LOCATION:QWF Office\, 1200 Atwater Avenue\, Room 3\, Westmount\, QC\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops,Workshops
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DTSTART;TZID=America/New_York:20241001T200000
DTEND;TZID=America/New_York:20241001T220000
DTSTAMP:20260417T100012
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SUMMARY:Memoir: Turning Yourself into a Character
DESCRIPTION:The memoir used to be a large and weighty book\, often written by a man of power\, once he had stepped out of the limelight (or been cast out of it). Presidents and prime ministers wrote memoirs; the common people did not. \n\n\n\nFlash-forward to the present. People have discovered that they had and still have lives worth writing about. The classic memoir was about the exercise of power in times of crisis. The current memoir is often about a period of time during which the writer learned something about themselves. Which should make all of us potential memoirists. \n\n\n\nThe form contains a number of moral traps and rough spots. How much fiction can you put in a memoir? What happens when you forget something\, or misremember? How much can you reveal about yourself and others before you cross a line you might regret? \n\n\n\nWe’ll look at several examples of memoir\, from Harry Crews to Kyo Maclear and others. With Crews\, his story begins before his birth; is that still memoir? Mark Abley’s travel story is clearly designed to tell as little as possible about its author. In sociologist mode\, Daniel Allen Cox brings in a slew of outside sources to bolster his self-inquiry. Where do we want to situate ourselves? \n\n\n\nThat\, of course\, will depend on our inquiries. A memoir can be about someone else – how you did or did not live with that person. Memoirs can spring from a mystery – but not always. All of them involve the writer wanting to achieve greater self-understanding\, which means we have to turn ourselves into a character to do it. \n\n\n\nThe workshop will be a mixture of reading one another’s projects and proposals\, and considering excerpts from other books. Participants are free to submit material a week or two before the first workshop. This material will be part of class discussions. Please submit to David.Homel@concordia.ca. For the first submission\, please do not go beyond 5 or 10 standard pages. See you there! \n\n\n\nDavid Homel wrote 13 works of fiction – historical novels\, murder mysteries and domestic fiction – before his first memoir in 2020\, and he has gone on to work in that form since. The experience as a memoirist continues to bear upon his novel-writing\, enriching and expanding it. The moral aspects of the art of memory and disclosure continue to attract him\, along with the paradox of turning himself into a character in order to get at the truths of his past lives. He has also worked as a journalist and a documentary filmmaker\, both assets for memoir writing\,
URL:https://qwf.org/event/memoir-turning-yourself-into-a-character/2024-10-01/
LOCATION:QWF Office\, 1200 Atwater Avenue\, Room 3\, Westmount\, QC\, H3Z 1X4\, Canada
CATEGORIES:QWF Workshops,Workshops
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DTSTART;TZID=America/New_York:20241002T170000
DTEND;TZID=America/New_York:20241002T190000
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SUMMARY:Book Launch: The Art of Being Irish in Hell's Kitchen: A Memoir on the Organizing of the Irish Arts Center in New York City\, 1972-78\, by Jim Olwell
DESCRIPTION:Wednesday\, October 2\, 2024\, 5:00-7:00 pm ET\n\n\n\nYouth is not wasted on the young. It is their learning playground for their early dramas. They learn who they are and who they are becoming\, by trying something new or not trying\, by succeeding or failing and usually both. \n\n\n\nIn the 1970s New York City’s Hell’s Kitchen neighborhood\, then a slum\, these young Irish and other Americans created an environment where they could learn\, by supporting and learning from each other and by being inclusive. They taught each other and learned from skilled artists how to play music and dance\, how to act and do theatre\, how to sing songs they loved. They learned how to build an organization\, their own arts and cultural organization\, by their own doing.  \n\n\n\nThey were tin whistle players and uilleann pipers\, not to mention fiddlers and dancers\, penniless artists and aspiring poets\, hundreds of volunteers and dreamers of dreams. \n\n\n\nThat early activity helped initiate a vibrant\, living Irish culture there in New York and the US. 50 years later\, a magnificent new multi-faceted Irish Arts Center was built on 11th avenue in Manhattan right around the corner from and connected to in the back their original building on west 51st street \n\n\n\nThis memoir on how it all began is written by an Irish American from the Bronx who was the second director and 6 year organizer at the Center. He fell in love with a young French Canadian modern dancer from Montreal on a grant to study with Merce Cunningham\, and in 1978 he moved here to be with her. They had 2 bilingual children who were born and live here. He spent his professional life here as a community organizer with the CLSC Benny Farm where he helped citizens create organizations and services they needed and did not have. Author Jim Olwell will be launching his new memoir at the Benny Library in NDG in September. \n\n\n\nThis is a free event.
URL:https://qwf.org/event/book-launch-the-art-of-being-irish-in-hells-kitchen-a-memoir-on-the-organizing-of-the-irish-arts-center-in-new-york-city-1972-78-by-jim-olwell/
LOCATION:Benny Library 6400 Monkland Ave.\, 6400 Monkland Ave.\, Montreal\, Quebec\, Quebec\, H4B1H3\, Canada
CATEGORIES:Book Launch
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DTSTART;TZID=America/New_York:20241004T123000
DTEND;TZID=America/New_York:20241004T150000
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SUMMARY:Shut Up & Write! with QWF (In Person)
DESCRIPTION:Friday\, October 4\, 12:30 pm–3:00 pmFree\, In PersonQWF Office (Room 3\, 1200 Atwater Ave.\, Westmount)\n\n\n\nRegister for the session by filling out the RSVP form below. \n\n\n\nLooking for some dedicated\, quiet writing space? \n\n\n\nJoin us for an in-person Shut Up & Write session at the QWF office! \n\n\n\nDo all that writing you’ve been meaning to do\, and meet a few of your fellow QWF members. Using the Pomodoro technique\, participants write in 25-minute bursts\, with 5-minute breaks in between. \n\n\n\nThis event is for QWF members only. Not a member? Learn about becoming a member.  \n\n\n\nPlease note that these sessions are designed for silent writing\, rather than discussing or getting feedback on work. \n\n\n\n12:30–12:55: Writing 112:55–1:00: Break1:00–1:25: Writing 21:25–1:30: Break1:30–1:55: Writing 31:55–2:00: Break2:00–2:25: Writing 42:25–2:30: Break2:30–2:55: Writing 5 \n\n\n\nTo register\, RSVP below. \n\n\n\n\n\n\n\nGetting to the QWF Office\n\n\n\nOur office is located on the top floor of the Atwater Library and Computer Centre\, in Room 3. \n\n\n\nAddress: 1200 Atwater Avenue\, Room 3Westmount\, QC H3Z 1X4 \n\n\n\nClosest Metro: Atwater Station \n\n\n\nClosest Bus lines: 24\, 63\, 90\, 104\, 138\, 144\, 150 \n\n\n\nAccessibility:\n\n\n\nThe QWF Office is fully accessible by wheelchair from the side entrance on Tupper Street. Once inside\, there is an elevator to the second floor\, where the QWF office is. \n\n\n\nLearn more about the office location and accessibility.
URL:https://qwf.org/event/shut-up-write-with-qwf-in-person-24/
LOCATION:QWF Office\, 1200 Atwater Avenue\, Room 3\, Westmount\, QC\, H3Z 1X4\, Canada
CATEGORIES:Shut Up & Write!
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