Targeted at motivated storytellers, Telling Tales covers the basics of researching, writing, editing, and pitching in-depth narratives of more than 1,000 words for mainstream outlets. 

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Time: eight Wednesdays, 18:00 to 20:00

Duration: 10 March - 28 April, 2021

Location: Online via Zoom—, ,


Limited to 12 participants

Boccaccio got it right. People in social isolation turn to stories of the human condition, earthly pursuits and nature. Seven centuries after The Decameron was written, a pandemic has once again driven demand for in-depth accounts of current topics. And just as Boccacio’s extended chronicles influenced Chaucer and Renaissance art, many books and movies are based on modern long-form journalism.

Targeted at motivated storytellers, Telling Tales covers the basics of researching, writing, editing, and pitching in-depth narratives of more than 1,000 words for mainstream outlets. Workshops are led by a professional journalist and freelancer who contributes to publications around the world from his chosen isolation on a former vineyard. Richard conducts the practical course as a “real-life” exercise designed to prepare a publication-ready feature by the end of the sessions. 

Group discussions, simulation exercises, analysis of articles by former students, and  lectures are combined with short writing exercises reviewed during the workshops. Richard’s former students have built on these techniques for careers as freelancers, publicists, editors of in-house journals and online content creators. 

Topics include:

• Generating story ideas
• Death to writer’s block
• Choosing the right topic at the right time 
• Simple, strong, and succinct writing
• Storytelling structures – including the Hero’s Journey, Inverted Pyramid writing and in medias res
• Writing catchy headings and leads
• Editing jargon and superfluous words
• Show don’t tell – writing for the senses
• Nutgraphs and pre-header text
• Interviewing techniques
• Pitching stories for publication
• Extending the shelf life of time-sensitive stories
• Recycling content for multiple outlets

PRE-REQUISITES: Curiosity and a keyboard 
RECOMMENDED TEXT: The Canadian Press Stylebook, 18TH edition, 2018,
James McCarten, Editor

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Workshop leader

Gun runners to gourmets; seafarers to CEOs; blood donations to blood diamonds; casinos to cardinals. Richard Andrews’ storytelling is based on more than 30 years as a journalist, foreign correspondent, freelancer, and information attaché. He has trained media professionals, not-for-profit groups, business executives, and UN representatives in Australia, Canada, China, and the Pacific. An award-winning editor, he writes for newspapers, travel magazines, foundations, banks, industry groups, and IT companies on three continents. Richard also teaches PR and business communication at McGill University and belongs to the QWF’s stable of writers for hire.


Please note that workshop registration is on a “first come, first served” basis.

Payment is required to confirm your place in the workshop. 

Payments are to be made online via credit card or PayPal. Click on the link below to add the workshop to your shopping cart, then proceed to payment. QWF Members must be logged in to receive their discount. If you are not already a QWF member, you will have the option of purchasing a Membership, in which case you will receive the discounted workshop rate.

If you are unable to pay online, you can temporarily reserve a place by registering online. Your payment must be made to the QWF office by cheque or cash within 7 days of registration or it will automatically be cancelled.

If the workshop is full, you will have the option of joining the waiting list. If a space becomes available, all those on the waiting list will be notified at once by email. The available spot will be assigned on a first come, first served basis.

Please familiarize yourself with the rest of the Workshop Policies in the shaded box.


General $170 + $4.16 Fee
Student $98 + $2.52 Fee
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