Time: 19:00 - 21:00

Date: 13 May, 2021

Event Category: Events , Other

Website: https://www.facebook.com/events/797664841171116/

Location: Online via Zoom—, ,

Organizer: Vallum Magazine, http://www.vallummag.com/

Join us ๐—ง๐—ต๐˜‚๐—ฟ๐˜€๐—ฑ๐—ฎ๐˜†, ๐— ๐—ฎ๐˜† ๐Ÿญ๐Ÿฏ ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿญ for a Panel Discussion.
๐—ฃ๐—ฎ๐—ฟ๐˜๐—ถ๐—ฐ๐—ถ๐—ฝ๐—ฎ๐˜๐—ถ๐—ป๐—ด ๐—ฃ๐—ฎ๐—ป๐—ฒ๐—น๐—ถ๐˜€๐˜๐˜€:
Gail ๐—ฆ๐—ฐ๐—ผ๐˜๐˜
rob ๐—บ๐—ฐ๐—น๐—ฒ๐—ป๐—ป๐—ฎ๐—ป
Dane ๐—ฆ๐˜„๐—ฎ๐—ป
Hazel ๐— ๐—ถ๐—น๐—น๐—ฎ๐—ฟ
Jay ๐— ๐—ถ๐—น๐—น๐—ฎ๐—ฟ
Ashley ๐—ข๐—ฏ๐˜€๐—ฐ๐˜‚๐—ฟ๐—ฎ
Catherine ๐—–๐—ผ๐—ฟ๐—บ๐—ถ๐—ฒ๐—ฟ-๐—Ÿ๐—ฎ๐—ฟ๐—ผ๐˜€๐—ฒ
๐— ๐—ผ๐—ฑ๐—ฒ๐—ฟ๐—ฎ๐˜๐—ฒ๐—ฑ ๐—ฏ๐˜†:
Jay ๐—ฅ๐—ถ๐˜๐—ฐ๐—ต๐—ถ๐—ฒ
Panel hosted by ๐—ฉ๐—ฎ๐—น๐—น๐˜‚๐—บ/๐—ฉ๐—ฎ๐—น๐—น๐˜‚๐—บ ๐—ฆ๐—ผ๐—ฐ๐—ถ๐—ฒ๐˜๐˜† ๐—ณ๐—ผ๐—ฟ ๐—˜๐—ฑ๐˜‚๐—ฐ๐—ฎ๐˜๐—ถ๐—ผ๐—ป ๐—ถ๐—ป ๐—”๐—ฟ๐˜๐˜€ ๐—ฎ๐—ป๐—ฑ ๐—Ÿ๐—ฒ๐˜๐˜๐—ฒ๐—ฟ๐˜€ (๐—ฉ๐—ฆ๐—˜๐—”๐—Ÿ)
๐——๐˜‚๐—ฟ๐—ถ๐—ป๐—ด ๐˜๐—ต๐—ถ๐˜€ ๐—ฒ๐˜ƒ๐—ฒ๐—ป๐˜, the panelists will discuss the topics listed below, followed by a ๐Ÿฏ๐Ÿฌ ๐—บ๐—ถ๐—ป๐˜‚๐˜๐—ฒ ๐—ค&๐—” ๐˜€๐—ฒ๐—ด๐—บ๐—ฒ๐—ป๐˜ where attendees can enter into the conversation with their questions.
๐——๐—ถ๐˜€๐—ฐ๐˜‚๐˜€๐˜€๐—ถ๐—ผ๐—ป ๐—ง๐—ผ๐—ฝ๐—ถ๐—ฐ๐˜€:
โ€œ๐—ง๐—ต๐—ฒ ๐—ฆ๐—น๐˜‚๐˜€๐—ต ๐—ฃ๐—ถ๐—น๐—ฒโ€ will touch on what editors are looking for when theyโ€™re reading submissions, as well as the practical side of literary submissions. Some questions weโ€™ll ask are: What do you look for when you dive into your Submittable accounts and inboxes? Whatโ€™s the difference between a poem thatโ€™s going to appear online, in print, or part of a live performance? What does it feel like when you come across a poem you canโ€™t wait to publish?
โ€œ๐—ง๐—ถ๐—บ๐—ฒ ๐—ณ๐—ผ๐—ฟ ๐—–๐—ต๐—ฎ๐—ป๐—ด๐—ฒโ€ will look at current practices in place for diversifying Canadian publishing, as well as ideas for creating more representation of marginalized writers, without tokenizing or checking boxes. Some questions weโ€™ll ask are: What does diversity in publishing look like to you? What changes would you like to see in Canadian publishing? Is a diverse literary landscape a goal, a process, or something else entirely?
โ€œ๐—–๐—ฟ๐—ผ๐˜€๐˜€๐—ถ๐—ป๐—ด ๐˜๐—ต๐—ฒ ๐—Ÿ๐—ฎ๐—ป๐—ด๐˜‚๐—ฎ๐—ด๐—ฒ ๐—•๐—ฎ๐—ฟ๐—ฟ๐—ถ๐—ฒ๐—ฟ” will discuss what role editors play in bridging the gaps between language communities in Canada. Some questions weโ€™ll ask are: How does Canadaโ€™s multilingual character influence your editorial practices? What are the barriers to cooperation between language communities? What role has translation played in your experiences as editors?
๐—๐—ผ๐—ถ๐—ป ๐˜๐—ต๐—ฒ ๐—ฑ๐—ถ๐˜€๐—ฐ๐˜‚๐˜€๐˜€๐—ถ๐—ผ๐—ป ๐—ต๐—ฒ๐—ฟ๐—ฒ:
https://youtu.be/4PUeU_AKUqA
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๐—–๐—”๐—ง๐—›๐—˜๐—ฅ๐—œ๐—ก๐—˜ ๐—–๐—ข๐—ฅ๐— ๐—œ๐—˜๐—ฅ-๐—Ÿ๐—”๐—ฅ๐—ข๐—ฆ๐—˜ is the newly appointed artistic director of le Festival de la poรฉsie de Montrรฉal. She is also a poet, events coordinator at Poetry In Voice/Les Voix de la poรฉsie, founder of the Dans ta tรชte festival and an independent curator. Cormier-Larose has published in several magazines, fanzines and collectives and her collection ๐˜๐˜ช๐˜ค๐˜ฌ๐˜ช๐˜ฆ has just been published by Fond’tonne, as well as ๐˜ญโ€™๐˜ˆ๐˜ฏ๐˜ต๐˜ฉ๐˜ฐ๐˜ญ๐˜ฐ๐˜จ๐˜ช๐˜ฆ ๐˜ฅ๐˜ฆ ๐˜ญ๐˜ข ๐˜ฑ๐˜ฐ๐˜ฆฬ๐˜ด๐˜ช๐˜ฆ ๐˜ข๐˜ค๐˜ต๐˜ถ๐˜ฆ๐˜ญ๐˜ญ๐˜ฆ ๐˜ฅ๐˜ฆ๐˜ด ๐˜ง๐˜ฆ๐˜ฎ๐˜ฎ๐˜ฆ๐˜ด ๐˜ข๐˜ถ ๐˜˜๐˜ถ๐˜ฆฬ๐˜ฃ๐˜ฆ๐˜ค 2000 | 2020 with Vanessa Bell. Her first full-length collection, ๐˜“โ€™๐˜ข๐˜ท๐˜ช๐˜ฐ๐˜ฏ ๐˜ฆ๐˜ด๐˜ต ๐˜ถ๐˜ฏ ๐˜ณ๐˜ฆฬ๐˜ง๐˜ญ๐˜ฆ๐˜น๐˜ฆ ๐˜ค๐˜ฐ๐˜ถ๐˜ณ๐˜ต (Del Busso, 2017), will soon be translated into English. She has performed and hosted on various stages throughout Quebec and abroad.
๐—š๐—”๐—œ๐—Ÿ ๐—ฆ๐—–๐—ข๐—ง๐—ง writes about cities. Her first novel ๐˜๐˜ฆ๐˜ณ๐˜ฐ๐˜ช๐˜ฏ๐˜ฆ appeared in a new edition in fall of 2019, with an introduction by Eileen Myles. She has also written ๐˜›๐˜ฉ๐˜ฆ ๐˜–๐˜ฃ๐˜ช๐˜ต๐˜ถ๐˜ข๐˜ณ๐˜บ, a ghost story set in a Montrรฉal triplex, which was a 2011 finalist for Le Grand Prix du Livre de la Ville de Montrรฉal. Other novels include ๐˜”๐˜บ ๐˜—๐˜ข๐˜ณ๐˜ช๐˜ด, about a sad diarist in conversation with Gertrude Stein and Walter Benjamin in late 20th century Paris, ๐˜”๐˜ข๐˜ช๐˜ฏ ๐˜‰๐˜ณ๐˜ช๐˜ฅ๐˜ฆ๐˜ด, and ๐˜๐˜ฆ๐˜ณ๐˜ฐ๐˜ช๐˜ฏ๐˜ฆ. Spare Parts Plus 2 is a collection of stories and manifestoes. Her essays are collected in ๐˜š๐˜ฑ๐˜ข๐˜ค๐˜ฆ๐˜ด ๐˜“๐˜ช๐˜ฌ๐˜ฆ ๐˜š๐˜ต๐˜ข๐˜ช๐˜ณ๐˜ด and ๐˜ญ๐˜ข ๐˜ต๐˜ฉ๐˜ฆฬ๐˜ฐ๐˜ณ๐˜ช๐˜ฆ, ๐˜ถ๐˜ฏ ๐˜ฅ๐˜ช๐˜ฎ๐˜ข๐˜ฏ๐˜ค๐˜ฉ๐˜ฆ, translated as ๐˜š๐˜ถ๐˜ฏ๐˜ฅ๐˜ข๐˜บ ๐˜›๐˜ฉ๐˜ฆ๐˜ฐ๐˜ณ๐˜บ from Belladonna Press). Scottโ€™s translation of Michael Delisleโ€™s ๐˜“๐˜ฆ ๐˜‹๐˜ฆฬ๐˜ข๐˜ด๐˜ข๐˜ณ๐˜ณ๐˜ฐ๐˜ช ๐˜ฅ๐˜ถ ๐˜ฎ๐˜ข๐˜ต๐˜ฆ๐˜ญ๐˜ฐ๐˜ต was shortlisted for the Governor Generalโ€™s award in 2001. Scott co-founded the critical French-language journal ๐˜š๐˜ฑ๐˜ช๐˜ณ๐˜ข๐˜ญ๐˜ฆ, ๐˜›๐˜ฆ๐˜ด๐˜ด๐˜ฆ๐˜ณ๐˜ข, and is co-editor of the ๐˜•๐˜ฆ๐˜ธ ๐˜•๐˜ข๐˜ณ๐˜ณ๐˜ข๐˜ต๐˜ช๐˜ท๐˜ฆ ๐˜ข๐˜ฏ๐˜ต๐˜ฉ๐˜ฐ๐˜ญ๐˜ฐ๐˜จ๐˜บ: ๐˜‰๐˜ช๐˜ต๐˜ช๐˜ฏ๐˜จ ๐˜ต๐˜ฉ๐˜ฆ ๐˜Œ๐˜ณ๐˜ณ๐˜ฐ๐˜ณ: ๐˜ž๐˜ณ๐˜ช๐˜ต๐˜ฆ๐˜ณ๐˜ด ๐˜Œ๐˜น๐˜ฑ๐˜ญ๐˜ฐ๐˜ณ๐˜ฆ ๐˜•๐˜ข๐˜ณ๐˜ณ๐˜ข๐˜ต๐˜ช๐˜ท๐˜ฆ. Her new collection of essays ๐˜—๐˜ฆ๐˜ณ๐˜ฎ๐˜ข๐˜ฏ๐˜ฆ๐˜ฏ๐˜ต ๐˜™๐˜ฆ๐˜ท๐˜ฐ๐˜ญ๐˜ถ๐˜ต๐˜ช๐˜ฐ๐˜ฏ is published by Book*hug. She is working on a new book of fiction. She lives in Montrรฉal.
๐—ฟ๐—ผ๐—ฏ ๐—บ๐—ฐ๐—น๐—ฒ๐—ป๐—ป๐—ฎ๐—ป currently lives in Ottawa and is the author of more than thirty trade books of poetry, fiction and non-fiction. He won the John Newlove Poetry Award in 2010, the Council for the Arts in Ottawa Mid-Career Award in 2014, and was longlisted for the CBC Poetry Prize in 2012 and 2017. In March, 2016, he was inducted into the VERSe Ottawa Hall of Honour. His most recent poetry titles include ๐˜ˆ ๐˜ฉ๐˜ข๐˜ญ๐˜ต, ๐˜ธ๐˜ฉ๐˜ช๐˜ค๐˜ฉ ๐˜ช๐˜ด ๐˜ฆ๐˜ฎ๐˜ฑ๐˜ต๐˜บ and ๐˜“๐˜ช๐˜ง๐˜ฆ ๐˜ด๐˜ฆ๐˜ฏ๐˜ต๐˜ฆ๐˜ฏ๐˜ค๐˜ฆ, with another poetry title, ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฃ๐˜ฐ๐˜ฐ๐˜ฌ ๐˜ฐ๐˜ง ๐˜ด๐˜ฎ๐˜ข๐˜ญ๐˜ญ๐˜ฆ๐˜ณ, forthcoming from University of Calgary Press. An editor and publisher, he runs above/ground press, ๐˜ฑ๐˜ฆ๐˜ณ๐˜ช๐˜ฐ๐˜ฅ๐˜ช๐˜ค๐˜ช๐˜ต๐˜ช๐˜ฆ๐˜ด: ๐˜ข ๐˜ซ๐˜ฐ๐˜ถ๐˜ณ๐˜ฏ๐˜ข๐˜ญ ๐˜ฐ๐˜ง ๐˜ฑ๐˜ฐ๐˜ฆ๐˜ต๐˜ณ๐˜บ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ฑ๐˜ฐ๐˜ฆ๐˜ต๐˜ช๐˜ค๐˜ด and ๐˜›๐˜ฐ๐˜ถ๐˜ค๐˜ฉ ๐˜ต๐˜ฉ๐˜ฆ ๐˜‹๐˜ฐ๐˜ฏ๐˜ฌ๐˜ฆ๐˜บ. He is editor of ๐˜ฎ๐˜บ (๐˜ด๐˜ฎ๐˜ข๐˜ญ๐˜ญ ๐˜ฑ๐˜ณ๐˜ฆ๐˜ด๐˜ด) ๐˜ธ๐˜ณ๐˜ช๐˜ต๐˜ช๐˜ฏ๐˜จ ๐˜ฅ๐˜ข๐˜บ, and an editor/managing editor of ๐˜ฎ๐˜ข๐˜ฏ๐˜บ ๐˜จ๐˜ฆ๐˜ฏ๐˜ฅ๐˜ฆ๐˜ณ๐˜ฆ๐˜ฅ ๐˜ฎ๐˜ฐ๐˜ต๐˜ฉ๐˜ฆ๐˜ณ๐˜ด. In spring 2020, he won โ€˜best pandemic beardโ€™ from Coach House Books via Twitter, of which he is extremely proud. He spent the 2007-8 academic year in Edmonton as writer-in-residence at the University of Alberta, and regularly posts reviews, essays, interviews and other notices at his blog,ย robmclennan.blogspot.com.
Toronto-based, Bermuda-born author and editor ๐——๐—ฎ๐—ป๐—ฒ ๐—ฆ๐˜„๐—ฎ๐—ป has written three poetry collections, a book of short stories, and a novella. His second poetry collection, ๐˜ˆ ๐˜”๐˜ช๐˜ฏ๐˜จ๐˜ถ๐˜ด ๐˜“๐˜ถ๐˜ญ๐˜ญ๐˜ข๐˜ฃ๐˜บ, was a finalist for the 2017 Trillium Book Award for Poetry. He is also the editor of the critically praised ๐˜Š๐˜ฉ๐˜ข๐˜ฏ๐˜จ๐˜ช๐˜ฏ๐˜จ ๐˜ต๐˜ฉ๐˜ฆ ๐˜๐˜ข๐˜ค๐˜ฆ ๐˜ฐ๐˜ง ๐˜Š๐˜ข๐˜ฏ๐˜ข๐˜ฅ๐˜ช๐˜ข๐˜ฏ ๐˜“๐˜ช๐˜ต๐˜ฆ๐˜ณ๐˜ข๐˜ต๐˜ถ๐˜ณ๐˜ฆ.
๐—›๐—”๐—ญ๐—˜๐—Ÿ ๐— ๐—œ๐—Ÿ๐—Ÿ๐—”๐—ฅ is the Co-Publisher at Book*hug Press, an independent literary press based in Toronto. She is the past Chair of the Board of the Literary Press Group of Canada and sits on several other publishing advisory boards and committees. Hazel lives in Toronto with her husband, Jay MillaR, aka, the other half of Book*hug Press, their two sons, and a cool calico cat named Tess.
๐—๐—”๐—ฌ ๐— ๐—œ๐—Ÿ๐—Ÿ๐—”๐—ฅ is the Co-publisher at Book*hug Press, an award-winning independent literary publishing house. Jay has also been involved in the Canadian literary community for more than 25 years as a writer; his newest collection of poetry is ๐˜ ๐˜Š๐˜ฐ๐˜ถ๐˜ญ๐˜ฅ ๐˜๐˜ข๐˜ท๐˜ฆ ๐˜—๐˜ณ๐˜ฆ๐˜ต๐˜ฆ๐˜ฏ๐˜ฅ๐˜ฆ๐˜ฅ ๐˜ต๐˜ฐ ๐˜‰๐˜ฆ ๐˜‰๐˜ฆ๐˜ต๐˜ต๐˜ฆ๐˜ณ ๐˜ต๐˜ฉ๐˜ข๐˜ฏ ๐˜ ๐˜ฐ๐˜ถ: ๐˜•๐˜ฆ๐˜ธ & ๐˜š๐˜ฆ๐˜ญ๐˜ฆ๐˜ค๐˜ต๐˜ฆ๐˜ฅ ๐˜—๐˜ฐ๐˜ฆ๐˜ฎ๐˜ด. He lives and works in Toronto with his wife Hazel, who is the other half of Book*hug Press, their two sons, and a cool calico cat named Tess.
๐—”๐˜€๐—ต๐—น๐—ฒ๐˜† ๐—ข๐—ฏ๐˜€๐—ฐ๐˜‚๐—ฟ๐—ฎ is a Canadian-Mexican poet and publisher. She is the founder and managing editor of Metatron Press and she is the author of the poetry collections ๐˜ˆ๐˜ฎ๐˜ฃ๐˜ช๐˜ฆ๐˜ฏ๐˜ต ๐˜›๐˜ฆ๐˜ค๐˜ฉ๐˜ฏ๐˜ฐ๐˜ญ๐˜ฐ๐˜จ๐˜บ and ๐˜ ๐˜ˆ๐˜ฎ ๐˜๐˜ฆ๐˜ณ๐˜ฆ, a screenwriter of experimental video games ๐˜–๐˜ค๐˜ฆ๐˜ข๐˜ฏ๐˜ข๐˜ณ๐˜ช๐˜ถ๐˜ฎ, ๐˜š๐˜ฐ๐˜ฏ๐˜จ๐˜ด ๐˜ฐ๐˜ง ๐˜ต๐˜ฉ๐˜ฆ ๐˜“๐˜ฐ๐˜ด๐˜ต, and Museum of Symmetry. Recently, she was anthologized as one of the most influential female poets in Quebec over the past 20 years in ๐˜ˆ๐˜ฏ๐˜ต๐˜ฉ๐˜ฐ๐˜ญ๐˜ฐ๐˜จ๐˜ช๐˜ฆ ๐˜ฅ๐˜ฆ ๐˜ญ๐˜ข ๐˜ฑ๐˜ฐ๐˜ฆฬ๐˜ด๐˜ช๐˜ฆ ๐˜ค๐˜ฐ๐˜ฏ๐˜ต๐˜ฆ๐˜ฎ๐˜ฑ๐˜ฐ๐˜ณ๐˜ข๐˜ช๐˜ฏ๐˜ฆ ๐˜ฅ๐˜ฆ๐˜ด ๐˜ง๐˜ฆ๐˜ฎ๐˜ฎ๐˜ฆ๐˜ด ๐˜ข๐˜ถ ๐˜˜๐˜ถ๐˜ฆฬ๐˜ฃ๐˜ฆ๐˜ค. A Spanish translation of her poetryโ€”๐˜ข๐˜ญ๐˜ข๐˜ด, ๐˜ค๐˜ข๐˜ณ๐˜ข๐˜ฎ๐˜ฆ๐˜ญ๐˜ฐ๐˜ด, ๐˜ฏ๐˜ฐ๐˜ต๐˜ช๐˜ง๐˜ช๐˜ค๐˜ข๐˜ค๐˜ช๐˜ฐ๐˜ฏ๐˜ฆ๐˜ดโ€”will be published by Socios Fundadores (Argentina) in 2021. She is currently working on her next collection of poetry, ๐˜‰๐˜ฐ๐˜ค๐˜ข, with award-winning poet Roo Borson. Her poetry has been translated, anthologized and published in Canada, the United States, Mexico, Argentina, Peru, Spain, Romania and Germany.