This workshop will explore the hazards and rewards of writing a personal memoir. Throughout the eight weeks, we will look at ways to produce a compelling narrative out of the chaos of the past.

This workshop is a guided discussion about the plot, characters, point of view, structure, and language (the mechanics or “craft”) of participants’ short stories, as well as an investigation of each story’s aboutness, patterns, emotional plot, and central question(s)—that is, all those hard-to-define elements that make fiction what it is.

This workshop will explore the hazards and rewards of writing a personal memoir. Throughout the eight weeks, we will look at ways to produce a compelling narrative out of the chaos of the past.

This workshop is a guided discussion about the plot, characters, point of view, structure, and language (the mechanics or “craft”) of participants’ short stories, as well as an investigation of each story’s aboutness, patterns, emotional plot, and central question(s)—that is, all those hard-to-define elements that make fiction what it is.

This workshop will explore the hazards and rewards of writing a personal memoir. Throughout the eight weeks, we will look at ways to produce a compelling narrative out of the chaos of the past.

This workshop is a guided discussion about the plot, characters, point of view, structure, and language (the mechanics or “craft”) of participants’ short stories, as well as an investigation of each story’s aboutness, patterns, emotional plot, and central question(s)—that is, all those hard-to-define elements that make fiction what it is.

This workshop will explore the hazards and rewards of writing a personal memoir. Throughout the eight weeks, we will look at ways to produce a compelling narrative out of the chaos of the past.

This workshop is a guided discussion about the plot, characters, point of view, structure, and language (the mechanics or “craft”) of participants’ short stories, as well as an investigation of each story’s aboutness, patterns, emotional plot, and central question(s)—that is, all those hard-to-define elements that make fiction what it is.

This workshop will explore the hazards and rewards of writing a personal memoir. Throughout the eight weeks, we will look at ways to produce a compelling narrative out of the chaos of the past.

This workshop is a guided discussion about the plot, characters, point of view, structure, and language (the mechanics or “craft”) of participants’ short stories, as well as an investigation of each story’s aboutness, patterns, emotional plot, and central question(s)—that is, all those hard-to-define elements that make fiction what it is.

This workshop will explore the hazards and rewards of writing a personal memoir. Throughout the eight weeks, we will look at ways to produce a compelling narrative out of the chaos of the past.

This workshop is a guided discussion about the plot, characters, point of view, structure, and language (the mechanics or “craft”) of participants’ short stories, as well as an investigation of each story’s aboutness, patterns, emotional plot, and central question(s)—that is, all those hard-to-define elements that make fiction what it is.

This workshop will explore the hazards and rewards of writing a personal memoir. Throughout the eight weeks, we will look at ways to produce a compelling narrative out of the chaos of the past.

This workshop is a guided discussion about the plot, characters, point of view, structure, and language (the mechanics or “craft”) of participants’ short stories, as well as an investigation of each story’s aboutness, patterns, emotional plot, and central question(s)—that is, all those hard-to-define elements that make fiction what it is.

This workshop will explore the hazards and rewards of writing a personal memoir. Throughout the eight weeks, we will look at ways to produce a compelling narrative out of the chaos of the past.

This workshop is a guided discussion about the plot, characters, point of view, structure, and language (the mechanics or “craft”) of participants’ short stories, as well as an investigation of each story’s aboutness, patterns, emotional plot, and central question(s)—that is, all those hard-to-define elements that make fiction what it is.