Larissa Andrusyshyn completed an MA in English and creative writing at Concordia University. Her first poetry collection Mammoth (DC Books 2010) was longlisted for the ReLit award, and shortlisted for the QWF first book prize and the Kobzar literary award. She has also been shortlisted for Arc Magazine’s Poem-of-the-Year award twice. She has been running writing workshops with at-risk youth for seven years and is on the board of directors for The Mercy Project, a Montreal based NGO that seeks to improve access to healthcare to vulnerable communities in Uganda.
Métis multidisciplinary artist Moe Clark is a nomadic songbird with wings woven from circle singing and spoken word. Originally from Treaty 7, she’s called tio’tia:ke (Montreal) home for over a decade. Moe fuses together vocal improvisation with multilingual lyricism to create meaning that is rooted in personal legacy and ancestral memory. Apart from performance, she facilitates creative workshops in various contexts; she produces festivals and performances; and she mentors emerging indigenous artists. In 2016 she launched nistamîkwan: a transformational arts organization with an emphasis on intercultural and intergenerational collaboration. Moe has two albums of music, a bilingual book of poetry and multiple performance videos. Her work has been featured around the world at the Lincoln Centre (US), Queensland Poetry Festival (AU), Maelström Poetry Festival (BE) and Planet IndigenUs festival (CA), among others.
www.moeclark.ca / www.nistamîkwan.com
Born and based in Tiohtià:ke/Montreal, Tanya Evanson is an Antiguan-Canadian poet, performer, producer, arts educator and director of Banff Centre Spoken Word and ANU live arts events. She has published six artist books, launched four studio albums, two videopoems and toured across Canada, UK, South Africa and Australia. In 2013, she was Poet of Honour at the Canadian Festival of Spoken Word and received the Golden Beret Award for her contribution to the genre. “Bothism” (2017 Ekstasis Editions) is her first published poetry collection followed by “Nouveau Griot” (2018 Frontenac House). Other recent publications include Arc Poetry, WSQ Feminist Press, “Making Room” (Caitlin Press), and “Resist Much/Obey Little” (Dispatches Editions). She has fiction forthcoming in “Changing Face of Can Lit” (2020 Guernica Editions), is at work on a novella and moonlights as a whirling dervish.
April Ford is novelist and educator with a passion for helping people tell their truths through creative writing. She has a special interest in working with at-risk youth, adults living with dementia, and other underrepresented populations. Her books include Carousel (novel), Winner of the 2020 International Book Awards – LGBTQ Fiction category; Death Is a Side-Effect (poems); and The Poor Children (stories). She’s the recipient of a Pushcart Prize for her short story “Project Fumarase.”
Learn more about April: aprilfordauthor.com.
Emily Tristan Jones
Emily Tristan Jones was born in the Northwest Territories. Her poems have appeared or are forthcoming in the Harvard Review, Denver Quarterly, Mandorla, White Wall Review, Vallum, and many other publications. She holds an MFA in visual art from the University of Chicago, winner of the Emerging Writers Series through the Committee on Creative Writing. Jones is the founder of Hermes, an art gallery in Halifax. She lives in Montreal where she teaches poetry to youth
Julianna Kozma debut novel, Mosquitoes of Summer, was the 2009 winner of Book Idol.com. The following year, Canadian publisher McArthur & Co. published Mosquitoes of Summer, followed by Secrets of the Dunes. Most recently, Secrets of the Dunes was endorsed by Canadian Teacher Magazine, as well as by Canadian Materials Magazine. Prior to becoming a novelist, Julianna worked as a financial journalist for 15 years. Since then she has gone into teaching, and works both in the elementary and high school system. Julianna divides her time between the Laurentians in Quebec, and Prince Edward Island with her husband, their two children, and their pet parrots, Mr. Bean, Pickles and Indigo.
An award-winning poet, Angela Leuck’s work has been published in journals and anthologies around the world. She is the author of More Grows in a Crooked Row (inkling, 2016), Garden Meditations and A Cicada in the Cosmos (inkling, 2009), and Flower Heart (Blue Ginkgo, 2006). She has also edited numerous anthologies, including Rose Haiku for Flower Lovers and Gardeners (Price-Patterson, 2005), Tulip Haiku (Shoreline, 2004), and, with Maxianne Berger, Sun Through the Blinds: Montreal Haiku Today (Shoreline, 2003). She lives in Hatley, Quebec, with her husband, the poet Steve Luxton.
Domenica Martinello is a writer and educator. She was a finalist for the 2017 Bronwen Wallace Award for Emerging Writers and the winner of the carte blanche 3Macs award for a genre-bending piece of literary criticism on Elena Ferrante. Recent poems, reviews, and essays have appeared in Poetry Northwest, The Globe & Mail, Vallum, carte blanche, Lemon Hound, PRISM International, and elsewhere. Born and raised in Montreal, Martinello holds an MFA in poetry from the Iowa Writers’ Workshop and her debut collection All Day I Dream About Sirens is forthcoming from Coach House Books in Spring 2019.
Chris Masson is a poet, performer, and educator currently based in Montreal, where he organizes poetry slams and teaches poetry workshops to youth with the Throw Poetry Collective and the Quebec Writers Federation Writers in the Community program. He has been featured on stages across the continent, and toured his one-man play “Pathos, Punchlines, and Painkillers” to various festivals. His work appears in the love letter anthology Where the Nights Are Twice As Long (Goose Lane 2015).
RACHEL McCRUM is a poet, performer and workshop facilitator. Originally from Northern Ireland, she lived in Edinburgh, Scotland between 2010 and 2016. She was the first BBC Scotland Poet-in-Residence, and Broad of cult spoken word cabaret Rally & Broad. She has taught and performed in Greece, South Africa, Haiti, and Canada, and toured her first book ‘The First Blast To Awaken Women Degenerate’ (Freight Books) across Ireland, Scotland and England in 2017. She was the co-founder of Stewed Rhubarb Press (Callum MacDonald Award 2012). She is now delighted to call Montreal home, where she is co-Director of Mile End Poets’ Festival (with Ian Ferrier), Membership Coordinator of Quebec Writers’ Federation, and runs around with various poetry events including the bilingual series Les Cabarets Bâtards and – with Aaron Boothby – new summer Sunday evening series Breathing Space.
For more information: https://rachelmccrumpoetperformer.wordpress.com/
Greg Santos is the author of Blackbirds (Eyewear, 2018), Rabbit Punch! (DC Books, 2014), and The Emperor’s Sofa (DC Books, 2010). His newest full-length poetry collection is forthcoming with DC Books. He holds an MFA in Creative Writing from The New School. He regularly works with at-risk communities, and teaches at the Thomas More Institute. He was the poetry editor of carte blanche for seven years and will become the new Editor-in-Chief of the magazine in Fall 2019. Santos lives in Montreal with his wife and two children.
Jason “Blackbird” Selman
Jason “Blackbird” Selman is a Montreal-born poet and trumpet player. He is the author of The Freedom I Stole (2007, Cumulus Press), and Africa As A Dream That Travels Through My Heart (2016, Howl), and co-editor of the poetry anthology Talking Book (2006, Cumulus Press), which chronicles the writings of Kalm Unity Vibe Collective (of which he is a founding member). He has done extensive poetry workshops in schools and community groups across the Montreal area. His work is grounded in the themes of ethno-musicology, surrealist expression, love, and the intersection of masculinity and emotional vulnerability.
Deanna Smith is a lover of words. Over the years, she has expressed this love through art, as a poet, and through science, as a Speech-Language Pathologist. Her creative work is rooted in her experiences as a descendent of the African Diaspora, a person who thinks in two languages, a daughter, a wife, a mother, and a neighbor of the many displaced peoples of Turtle Island. She has been fortunate to perform in venues across Canada and to have led workshops for participants aged 4-80. Her work has been published in Montréal Serai and in “The Great Black North – Contemporary African Canadian Poetry” (Frontenac 2013). She performs regularly with the Kalmunity Vibe Collective.
Jesse Stong is the director of Playwrights Workshop Montreal’s Young Creators Unit, where he has supported over 85 emerging artists over the last four years. Jesse is a graduate of playwriting from the National Theatre School of Canada and received his Masters in Art Education from Concordia University. In 2016/2017 he was assistant curator for the National Arts Centre’s Disability Summit, and in 2016 he received the Michaëlle Jean Foundation Award for his innovative writing/puppetry workshops for schools and youth groups.
GILLIAN SZE is the author of multiple poetry collections, including Peeling Rambutan (Gaspereau Press, 2014), Redrafting Winter (BuschekBooks, 2015), and Panicle (ECW Press, 2017), which were finalists for the QWF’s A.M. Klein Prize for Poetry. Sze’s work has been supported by the Canada Council of the Arts and the Conseil des arts et des lettres du Québec, and has received awards such as the University of Winnipeg Writers’ Circle Prize and the 3Macs carte blanche Prize. She has served as a judge for a number of literary competitions, such as the National Magazine Awards, the bpNichol Chapbook Award, and the Malahat Long Poem Prize. She studied Creative Writing and English Literature at Concordia University and received a Ph.D. in Études anglaises from Université de Montréal. Originally from Winnipeg, she now resides in Montreal where she teaches creative writing and literature