This workshop will empower participants to translate literary proposals into sound concepts, while demystifying the processes involved in bringing text from the page to the stage or the recording booth.

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Description

Saturday, Dec 13, 10:30am-4:30pm       
Open to all
Limited to 12 participants
In-Person Workshop*

This lit workshop is housed in the assertion that sound has no gender and that our voices are tools for liberation, play, and, above all, communication. In pursuit of the fertile intersections of text and sound, Alexis O’Hara will lead participants in an intensive workshop of listening and writing exercises, vocal and sound-making explorations, technical tips, and collaborative sound creation.

Aimed at writers and artists wishing to explore how sound influences writing and how a writing practice is full of sonic potential, this workshop will empower participants to translate literary proposals into sound concepts, while demystifying the processes involved in bringing text from the page to the stage or the recording booth. 

Activities include:

  • Introduction to existing sound art practices and approaches
  • Automatic listening and writing exercises
  • Knowledge of sound technology resources and tools available on the Web
  • Microphone technique and exercises to feel comfortable onstage
  • Bridge building between writing, sound art, experimental storytelling, radio drama, and sound installation.
  • Overview of basic live sound equipment
  • Participation in a series of creative and technical exercises
  • Creation of an original sound project.

Participants are encouraged to bring a short text (1 page max) and/or a sound-making object.

*This workshop will take place exclusively in person at the Adair Auditorium (top floor of the Atwater Library, 1200 Atwater Avenue, Westmount, Quebec).

Workshop leader

Credit: Andi Slate
Alexis O’Hara has travelled internationally with spoken-noise performances, large-scale performance works, and a sound installation that incited spontaneous musical collaboration between strangers. She has released four albums, a book of poetry, and enough helium-filled balloons to get her dress caught in a chandelier. In 2016, she was awarded the Powerhouse Prize by Canada's longest-running feminist art gallery, La Centrale. Alexis' drag-king alter-ego, Guizo LaNuit is a germinal figure in Montreal's cabaret scene.

Register

Registration for this workshop is now closed.

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